Ran Slavin – Everything Is Urgent

EverythingIsUrgent
Everything Is Urgent (2008, 4 MB, 42 sec (Excerpt)

Ran Slavin
confronts the human figure in conjunction with the annoying barking of a dog. 4 figures, 2 young men and women, stand in front of an unknown audience, in front of a void and bark ferociously.
Driven away from systematic and social norms, the human barking figures attack us from within the digital domain, outward.
They present an uncompromising hybrid human, a cross between man and animal. Do they try to warn us, scare us like an omen or blame us? We see a human but hear an animal. Like a shout of desperation of a person who can no longer use his voice.
2008, 4:12 min. Single or 4 channel installation

Garrett Lynch performs Trav-erse

trav-erse_short
Trav-erse short (2011, 96 MB, 1:58 min)

This is shaping up to be Furtherfield fortnight & whyever not?
Here’s some footage I took there last Friday night, at the very entertaining
launch of the Art is Open Source/REFF – Roma Europa Fake Factory publication
& exhibition, (GO, if you’re in London) of a splendid performance by
Garrett Lynch of his Trav-erse, where he uses custom Max/MSP created software to
grab audio from an analogue world band receiver, manipulate and remix it.
I was struck both by the simplicity of the idea and the effectiveness of
its execution – a neat concept but also an excellent ear at work.
The sound from my stills cam video was unusable (shame, it sounded great
there) so in the latter section I’ve dubbed on sound from
an earlier performance of the piece in Cardiff, Wales in 2008.

Kev Flanagan

Duchamp's Fountain
Duchamp’s Fountain (2011, 93MB, 1:59 min, silent)

Fascinating bit of footage from Kev Flanagan arising out
of a piece of work by Rob Myers (together with Curt Cloninger one
of the two smartest people I know).
The whole thing sparked an interesting discussion on the Furtherfield
(see Monday’s post) originated Netbehaviour list this week.

A Film About Furtherfield by Pete Gomes

snow haiku
Furtherfield (2011, 103MB, 5:28 min)

Great film about the wonderful UK arts organisation Furtherfield
– you can see & hear me* in it, enthusing further at a couple of points.
Beautifully made by Pete Gomes, it really captures something of
what makes Furtherfield such a big & special deal.

* So let that stand for a full declaration of interest:
I work with them, they’re my friends, they’ve shown
my work – none of which makes any of the nice things
said by me or anyone in the film any less true…

KMA – ‘Flock’ in Liverpool

device activated
‘Flock’ in Liverpool (2008, 152MB, 2:44 min)

How many times do you read artists’ descriptions of their own work
and think ‘naaaaa…’ totally failing to recognise their stated ambitions
in what appears to you to be, at best, somewhat pedestrian and at
worst, a total disconnect from what they write.
This is the complete opposite of that, utterly living up to the makers’
stated intentions, and an absolute spine tingler to watch even through
the distance of video documentation.
Check out the KMA site for a complete description of the piece,
an ‘interactive light installation’ based around Swan Lake,
but not until you’ve watched this beautiful bit of documentary.
Particularly touching is the genuine joy in participation it evokes.

Very hard to pull off and very moving to see.

Omer Fast – The Casting

omer_fast_thecasting
Omer Fast – The Casting (2008, 38 MB, 3:29 min)

Omer Fast, discusses his 2008 Whitney Biennial work, The Casting (2007),
a four-channel video featuring a young American army sergeant who recounts
two stories

Array – United Visual Artists

uva_array
Array (2008, 13MB, 2 min.)

“Array is a field of columns set in the courtyard of the Chuya Nakahara
Memorial Museum in Southern Japan. The columns create a field of
light and sound which gently shifts in response to the viewers

Tony Oursler – Studio: 7 Months of My Aesthetic Education (Plus Some)

met_speedup_07
7 Months of My Aesthetic Education (2005, 14 MB, 1:45 min.)

Speed up documentation from Tony Oursler‘s installation, “Studio: Seven Months of My
Aesthetic Education (Plus Some)” at the Metropolitan Museum of Art in 2005.
It combined video, sound, music and poetry to create environments that truly reflect the dissolving
boundaries of twenty-first-century culture. The work is inspired by Courbet

Omer Golan – Non-Linear Creation

non_linear
Non-Linear Creation (2010, 58 MB, 3:16 min.)

Installation at ‘Fresh Paint 3‘ in Old Jaffa Port, Israel. the project is based on a live
camera input where the video camera is mounted above a the projection screen.
“The thought behind “Non-Linear Creation” is to think about video as some sort
of a “streaming deck of cards” which I shuffled again and again in real time using
Cycling74’s Max. I collected in a memory buffer the latest 60 cards/video frames,
shuffled them and played the outcome in 30 frames per second. The result is a video in
which the viewer is in constant, unnatural, flickering present, as it is reflected in the video.”
By Omer Golan.

Nuit blanches 2010 Metz, France with DIEZ and paradigme

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Nuit blanches 2010 – DIEZ and paradigme (2010, 41 MB, 1:55 min.)

Collaboration of Video mapping, light and sound installation, done for
Nuit blanches 2010 Metz.
Audio Visual design by paradigme.
Scenography and video mapping by DIEZ.

Mapping Festival – Motomichi and Otto

motomichi1
Mapping Festival – Motomichi and Otto (2010, 100 MB, 5:25 min.)

Mapping Festival is organized by Modul8, the most popular VJ software in the
market and the venue “Usine / le Zo” is their primary space.
Here is a great collaboration at the event. Video mixing by Motomichi and
music performance by Otto von Schirach.

Tony Oursler – Dispositifs at Jeu De Paume

jdp
Dispositifs at Jeu De Paume (2005, 15 MB, 1:39 min.)

Documentation from Tony Oursler‘s retrospective exhibition ‘Dispositifs’
at the Jeu de Paume in Paris in 2005.

LCDblossom_Phospherescent Polyp – [dNASAb]

videoglass
LCDblossom_Phospherescent Polyp (2009, 8 MB, 25 sec.)

9″ LCD screen, hand-blown glass, fiber optics, plastics, resin,
enamel, acrylic, phospherescent silicon,12v led’s, custom audio/video dvd
Video sculpture by disney NASA borg.

Tony Oursler – "Spaced" at Margo Leavin Gallery

margo_leavin_06
Spaced (2006, 28 MB, 3:31 min.)

Documentation from Tony Oursler‘s exhibition at the Margo Leavin Gallery.
The works mixrs video and cialis professional physical objects, poetic texts and actual music
gleaned from the recordings of deep space by NASA.

Elodie Pong – ADN/ARN

sfs_trailer
Trailer for ADN/ARN (2003, 8 MB, 4:04 min.)

“ADN/ARN was an interactive installation addressed to one person at the time,
filmed with 8 surveillance cameras, in which each visitor was invited to confide
and then contractually sell a personal secret. The initial system took place in
Lausanne at the Centre d’Arts sc

Tony Oursler – “Bell Deep” from “Fairy Tales Forever”

belldeep
Bell Deep (2005, 3 MB, 22 sec.)

Excerpt from Tony Oursler work from the group exhibition – “Fairy Tales Forever”
at the Aarhus Kunstmuseum museum in Denmark in 2005.
The exhibition was a tribute to Hans Christian Andersen
on the occasion of his 200th birthday.

Elodie Pong

050_268_elodie_pong
Secret 050 (2007, 2 MB, 1:03 min.)

And one more.
See original post for details.

“Double Fantasy” by Jennifer and Kevin McCoy

double_fantasy1
Double Fantasy (2006, 3 MB, 1:27 min.)

double_fantasy2
Double Fantasy (2006, 4 MB, 2 min.)

“Installation view and detail images of Double Fantasy 3 (Career) which was shown at the Armory Show in New York, March 2006. Each side of the sculpture has a model of a childhood career fantasy for each of us. Cameras project large scale images of it onto the wall, accompanied by a soundtrack.”
by Jennifer and Kevin McCoy.

Marina Abramovic & Ulay: Relation Work (1976 – 1979)

relation_in_space
Relation in Space (1976, 2 MB, 26 sec.)

expansion_in_space
Expansion in Space (1977, 5 MB, 1:18 min.)

In “Relation in Space” (1976) Marina Abramovic & Ulay ran around the room – two
bodies repeatedly move past each other. They collide at great speed like two planets,
mixing male and female energy into a third component called

Julianne Swartz – Installations

deep_storage
Deep Storage (2002, 10 MB, 2:03 min.)

julianne_swartz_transfer
Transfer (2001, 7 MB, 1:28 min.)

A couple of documentaries of site specific installations by
“boundlessness” artist – Julianne Swartz.

Elodie Pong – Secrets For Sale (048)

048_229_elodie_pong
Secret 048 (2007, 27 MB, 10:57 min.)

And another…
See original post for details.

Tony Oursler – EVOL 1984

evol
EVOL (1984, 25 MB, 2:36 min.)

“Tony Oursler is known for his fractured-narrative handmade video tapes including
The Loner, 1980 and EVOL 1984. These works involve elaborate sound tracks,
painted sets, stop-action animation and optical special effects created by the artist.
The early videotapes have been exhibited extensively in alternative spaces and museums..
His early installation works are immersive dark-room environments with video, sound,
and language mixed with colorful constructed sculptural elements. In these projects,
Oursler experimented with methods of removing the moving image from the video monitor
using reflections in water, mirrors, glass and other devices..” – from wikipedia

“Eternal Return” by Jennifer and Kevin McCoy

eternal_return
Eternal Return (2006, 4 MB, 1:54 min.)

“Eternal Return” installed at the exhibition Stop Motion at the Edith Russ Haus,
is a remake of a scene from the musical movie The Gay Divorcee.
The piece was reworked to allow a large video projection for the exhibition.”
by – Jennifer and Kevin McCoy.

Elodie Pong

044_222_elodie_pong
Secret 044 (2007, 10 MB, 4:27 min.)

Another secret.
See original post for details.

Suzon Fuks – RINGS from #1 to #6

rings1to6
RINGS from #1 to #6 (2009, 24 MB, 6:35 min.)

An ongoing series (now numbering six) of one-minute unedited shots which
can each stands alone. Improvised choreography multi-reprojected on body parts,
with James Cunningham, Helen Varley Jamieson, Scotia Monkivitch and Suzon Fuks.
Text by Fernand Shirren.

By Suzon Fuks.

Elodie Pong

040_215_elodie_pong
Secret 040 (2006, 3 MB, 1:16 min.)

Secret from “Secrets For Sale”, a film which reveals the radical
ADN/ARN experience, an interactive installation addressed to one
person at the time, in which each visitor was invited to confide and
then contractually sell a personal secret.
Project by Elodie Pong.

The Possible Ties Between Illness and Success – Carlo Zanni

zanni_tpt
The Possible Ties (2006-07, 119 MB, 2:15 min.)

”

“Dream Sequence” by Jennifer and Kevin McCoy

dream_sequence1
Dream Sequence (2006, 5 MB, 2:31 min.)

dream_sequence2
Dream Sequence (2006, 7 MB, 3:20 min.)

“Installation view and detail images of Dream Sequence from the solo exhibition
‘Directed Dreaming’ at Postmasters, New York, March 2006.
Two parallel discs feature images from dreams that rotate slowly while the camera
remains fixed. Our sleeping selves are superimposed by way of a mirror, and the
resulting dream sequences are projected onto the wall.”

by – Jennifer and Kevin McCoy.

Sans Verre – Brad Tinmouth and Kaitlin Till-Landry

sacsverre
Sans Verre (2008, 7.3 MB, 1 min)

A documentation of a performance made with Lili Huston-Herterich.
By Brad Tinmouth and Kaitlin Till-Landry.

Dan Graham – Beyond

dan_graham_beyond
Dan Graham – Beyond (2009, 40 MB, 3:02 min)

Narrated by Anne and Joel Ehrenkranz and Curator Chrissie Iles, artist
Dan Graham discusses Heart Pavilion (1991), Public Space,
Two Audiences (1976), and Opposing Mirror and Video Monitors (1974).
All were on view in Dan Graham: Beyond at the Whitney Museum in 2009.

Produced by the Whitney Museum.

Lynda Benglis – Contraband

lynda_benglis
Lynda Benglis – Contraband (2008, 26 MB, 2:20 min)

Artist Lynda Benglis discusses the process of creating Contraband
by pigmenting rubber latex and pouring it on the floor of her studio.
First recognized for

Omar Souleyman – Music Video for ‘Leh Jani’

Applause
Leh-Jani (2007?, 10 MB, 3:22 min)

Omar Souleyman being the performer not the video maker,
whose name unfortunately I can’t find.
[STOP PRESS: Mark Gergis has got in touch to say he made the video.
Googling him has unravelled an interesting trail of audio & video work
which we hope to follow further in future]

Anyway the wonderful video ( & it is wonderful -even the cheesy ‘boxy’
effect which is used once & in exactly the right place –
& edit & pacing are pretty much perfect)
serves performer -what a voice!- & song admirably…couple of minutes
of sheer cool & utter exhilaration somehow
paradoxically delivered in the same package.
This is fast shaping up to be my favourite ever music vid,
and the album from Sublime Frequencies (they say they’re sold
out, but a little searching secured me a copy elsewhere) is as good
as this promises.
More to be found on Y**T***.

Studio Banana TV Interviews Pablo Valbuena

pablo_valbuena
Interview with Pablo Valbuena (2009, 43 MB, 3:46 min)

Studio Banana TV interviews visual artist and architect Pablo Valbuena.
After working in digital media designing virtual architectures for videogames,
he currently looks for new ways of using light to introduce the dimensions of
time and movement in urban spaces, altering the perception of physical space
through projected virtual realities.

Stan Douglas – Win, Place or Show

stan_douglas
Win, Place or Show (clip) (1998, 1.6 MB, 47 sec.)

Two men are having a discussion in a small apartment. The scene,
lasting only six minutes, is filmed from twenty camera positions.
A computer program then produces some 200,000 possible combinations
of images and sounds, so the viewer always sees a different version of the story.
Win, Place or Show questions our conditioned viewing behaviour.
video installation by Stan Douglas.
from ZKM Videosammlung.

Walead Beshty on his Whitney Biennial Installation

walead_beshty
Walead Beshty – Whitney Focus (2008, 25 MB, 2:18 min)

2008 Whitney Biennial artist Walead Beshty discusses his photographs
of the former Iraqi embassy to the former East Germany (two nations that no longer exist)
and the complex ideas behind them. He also explains why his glass sculptures
have acquired multiple cracks and fissures.

Produced by the Whitney Museum.

Studio Banana TV Interviews Chen Chieh Jen

chen_chiehjen
Interview with Chen Chieh Jen (2008, 40 MB, 6:05 min)

Studio Banana TV interviews Taiwanese videoartist Chen Chieh Jen.

Chen

William Eggleston – Democratic Camera, Photographs and Video, 1961-2008

william_eggleston
William Eggleston interviewed by Michael Almereyda (2009, 61 MB, 5:31 min)

This candid interview with photographer William Eggleston was conducted by film
director Michael Almereyda on the occasion of the opening of Eggleston

Studio Banana TV interview with Kohei Nawa

kohei_nawa
Interview with Kohei Nawa (2010, 50 MB, 4:32 min)

Studio Banana TV interviews Japanese artist Kohei Nawa
best known for his ideas of

John Berryman – Dream Song #14

watchingthem
Dream Song #14 (1967, 8MB, 1:43 min)


Life, friends, is boring. We must not say so.
After all, the sky flashes, the great sea yearns,
we ourselves flash and yearn,
and moreover my mother told me as a boy
(repeatedly) ‘Ever to confess you’re bored
means you have no

Inner Resources.’ I conclude now I have no
inner resources, because I am heavy bored.
Peoples bore me,
literature bores me, especially great literature,
Henry bores me, with his plights & gripes
as bad as achilles,

who loves people and valiant art, which bores me.
And the tranquil hills, & gin, look like a drag
and somehow a dog
has taken itself & its tail considerably away
into mountains or sea or sky, leaving
behind: me, wag.

Another Dream Song.
For details see original post

Circulation by ZDEN

Circulation by ZDEN
Circulation (2003, 56.1MB, 3:24 min)

ZDEN is a Slovakian artist and a pioneer in real-time
video performing – VJing. His live visuals are produced by a
self-developed post-production tool called CIRCULATION,
a software-based real-time 3 source video mixing engine.
Visit his site.
More vids here.

John Berryman – Dream Song #29

watchingthem
Dream Song #29 (1967, 11MB, 2:20 min)

There sat down, once, a thing on Henry’s heart
s

Double-Taker (Snout) – interactive installation

snout
Double-Taker (Snout) (2008, 7MB, 52 sec.)

“Double-Taker (Snout)” deals in a whimsical manner with the themes of trans-species
eye contact, gestural choreography, subjecthood, and autonomous surveillance.
The project consists of an eight-foot (2.5m) long industrial robot arm, costumed to
resemble an enormous inchworm or elephant’s trunk, which responds in unexpected
ways to the presence and movements of people in its vicinity. Sited on a low roof above
a museum entrance, and governed by a real-time machine vision algorithm,
Double-Taker (Snout) orients a supersized googly-eye towards passers-by, tracking their
bodies and suggesting an intelligent awareness of their activities. The goal of this kinetic
system is to perform convincing “double-takes” at its visitors, in which the sculpture
appears to be continually surprised by the presence of its own viewers

Troika Ranch -16 [R]EVOLUTIONS

16 [R]EVOLUTIONS
16 [R]EVOLUTIONS (2006, 3MB, 1:50 min)

I saw this piece from NY based group Troika Ranch a few years back
in deepest Essex, UK & it was utterly great –
took me about ten minutes to put my jaw back in postion after.
Certainly by far the most convincing & mature use of digital
technology/projection in a dance context I had then seen.
Much of the visual flavour comes from the Isadora real time video
manipulation software created by co-artistic director Mark Coniglio &
used together with motion sensing software.
It’s not just the tech stuff though – it’s great choreography & dance
somehow informed by the particular rhythms, logic, that the tech
feedback loop sets up, implies.
It’s the fact, too, that a company deploying cutting edge tech can
still use simple shadow & stillness to devastating effect.

Nam June Paik – documenta performance

NJP_documenta1977.mov
documenta performance (1977, 6 MB, 1:35 min.)

The 1977 “documenta” show, which became known as the ‘media documenta’,
opened its doors with a live satellite telecast from Kassel.
Nam June Paik appeared together with Charlotte Moorman and used the slot
for a Dadaistic, allusive excursion through his performance and installation works.
from ZKM Videosammlung.

Buky Schwartz – 2 illusory videos

buki_schwartz2
videoconstructions2 (1978, 5MB, 1:16 min.)

buki_schwartz1
The Chair (1980, 36MB, 9:54 min.)

Buky Schwartz (1932-2009), an Israeli sculptor and video artist
who passed away last year, was known for his deceptive videos
that interplay between illusory appearance and the actual ‘reality’.
The 2 vids here were exhibited at the Whitney Biennial in New York in 1981.
From the splendid Videoart.net

Markos Vamvakaris sings ‘Atakti’

vamvakaris
Atakti (196?, 11MB, 2:23 min)

Utterly compelling clip from a 1960s German documentary featuring a
spine tingling live performance in a Piraeus taverna by the great
rembetiko singer Markos Vamvakaris.
I could watch & listen all day.

PS I think atakti means ‘bad’ or ‘naughty’

Opto-Isolator – Golan Levin and Greg Baltus

optoisolator
Opto-Isolator (2007, 6MB, 46 sec.)

“Opto-Isolator inverts the condition of spectatorship by exploring the questions:
“What if artworks could know how we were looking at them? And, given this
knowledge, how might they respond to us?” The sculpture presents a solitary
mechatronic blinking eye, at human scale, which responds to the gaze of visitors
with a variety of psychosocial eye-contact behaviors that are at once familiar and
unnerving. Among other forms of feedback, Opto-Isolator looks its viewer directly
in the eye; appears to intently study its viewer’s face; looks away coyly if it is stared
at for too long; and blinks precisely one second after its visitor blinks.”

By Golan Levin and Greg Baltus.

Martha Deed – <em>The Lost Shoe</em>

the lost shoe
The Lost Shoe (2010, 16MB, 4:35 min)

Martha Deed, one of our favourite people, & co-founder with
the much missed Millie Niss of the fantastic Sporkworld Microblog,
which we’ve raved about before & which we can’t recommend too
highly, has a paper publication coming out, a book of poems, for which
she created this chilling and beautifully made video “trailer”.

Watch the trailer then

Eyecode – Golan Levin

eyecode
Eyecode (2007, 7MB, 52 sec.)

“Eyecode is an interactive installation whose display is wholly constructed
from its own history of being viewed. By means of a hidden camera, the system
records and replays brief video clips of its viewers’ eyes. Each clip is articulated
by the duration between two of the viewer’s blinks. The unnerving result is a
typographic tapestry of recursive observation.”

By Golan Levin.

Annie Abrahams & Curt Cloninger -<em> Double Blind</em>

double blind
Double Blind (clip) ( 2010, 70MB, 5:38 min)

“Annie Abrahams (from the Living Room in Montpellier, France)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.

In order to isolate them from their surroundings and make them
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.

There was no set duration.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”


Interesting and affecting convergence of the performative work
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.

We feature here only a tiny extract from the 4 hour plus performance
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.

Complete Double Blind documentation & links

Jenny Holzer: PROTECT PROTECT

jenny_holzer_programming
Jenny Holzer: PROTECT PROTECT (2009, 23MB, 2:40 min.)

Jenny Holzer discusses the programming of her LED sculptures
during the installation of the exhibition PROTECT PROTECT at
the Museum of Contemporary Art, Chicago.

From Art:21

Vito Acconci #2

Borders
Advice (clip, 2006, 2MB, 58 secs)

Borders
Acconci Studio Presentation (2006, 36MB, 29:02 min)

More from the splendid Vito Acconci, this time from
his later architecture and design period.
One vid is a little lollipop -advice to the young-
extracted from a longer interview and profile on
designboom.com.
The second is a much more substantial
and utterly fascinating presentation given at the launch of
LAB magazine in 2006.
What an astonishing human being!

Wreck & Salvage – Fun with Muybridge

muybridge
Fun with Muybridge (2009, 18 MB, 1:30 min)

Conversations with Eadweard J. Muybridge.

By Wreck & Salvage – a package of three video producers:
Erik Nelson, Adam Quirk & Aaron Valdez

Music by Kevin Bewersdorf.

What makes for a grievable life?


What makes for a grievable life? – Ashley Watson (2009, 19.2MB, 5:39)

From Ashley Watson, a truly poignant piece about
how we choose to value certain lives and not others.

H/t to my friend Deb

Julien Maire – Digit

julienmaire1
Digit (2006, 6 MB, 1:27 min.)

A live performance by Julien Maire.

Infosphere Aesthetics – disney NASA borg

CompositeUTC
Infosphere Aesthetics (2008, 13 MB, 3:12 min.)

Video documentation of “Infosphere Aesthetics” a solo show by
[dNASAb] at Cress Galleries, University of Tennessee, Chattanooga

Tarlabasi Crawl – Jeremiah Day

tarlabashi_crawl
Tarlabasi Crawl (2009, 18 MB, 8:23 min.)

Jeremiah Day is interested in resistance movements, as well as the flux of
knowledge, stories and identity through the migration of people and histories.

Annie Abrahams – Squad

squad
Squad (2009, 32 MB, 3:18 min)

Utterly bonkers* & totally splendid video documentation of a performance
by Annie Abrahams, Colette Tron et Emmanuelle Delafraye.
Annie Abrahams performs the movements whilst the others
read texts on the subject of fear, garnered, I believe, from the internet.

* in a good way; committed, unafraid, vulnerable, generous.