Kiki and Bubu and the Feelings (2008, 48.9MB, 4:48 min)
More splendid agit-puppetry from monochrom.
Kiki and Bubu and the Feelings (2008, 48.9MB, 4:48 min)
More splendid agit-puppetry from monochrom.
Freeze Bass Rock (date unknown, 0.9MB, 47 sec)
Going On (date unknown, 1.1MB, 58 sec)
Lamentably poorly filmed, but nonetheless delicious bits of
scratching from delarge.co.uk, which I think is a Brighton,
UK based visual arts &c. collective, though I could be wrong –
these guys are cool & don
New York Times Special Edition (2008, 16.2MB, 2:12 min)
Self-explanatory movie giving background & reaction
to the day before yesterday’s visionary prank ( &
how often do you hear those two words together?)
by those visionary pranksters The Yes Men.
More here.
Breathtaking & inspiring.
Sharon Hayes – Symbionese Liberation Army (SLA) Screeds #13, 16, 20 & 29 (2002, 7.4MB, 2:49)
Between 2001 and 2002, artist Sharon Hayes
reenacted four tapes from the SLA Patty Hearst
abduction in 1974. These respeakings were
performed before an audience, mostly memorized,
but the audience was instructed to correct or feed
Hayes a line when she made a mistake.
Entertaining, reflective, and somewhat moving.
A real treat whether you lived through the original
events or not.
10_10_07 (2007, 8MB, 1:16 min.)
From Astoria, Queens, it’s the whether|man.
More vids here..
Regular visitors will be aware of how little excuse we need
to post work from the formidable Alan Sondheim.
So…it’s Wednesday… – here’s one of his recent Second Life
pieces.
His accompanying text appears below.
Jennifer and Julu: Clean yourselves, you dirty boys!
Jennifer and Julu: Clean yourselves, you dirty girls!
Julu: Hello Nikuko, you are looking wonderful this very morning.
Nikuko: Hello Julu, why you are looking odd I do think!
Julu: And my leg too hanging by a thread! Nikuko, where are you?
Nikuko: Oh dear you are half-blind Julu!
Julu: And you are All-Blind-Nikuko!
Julu: Can you see anything here? Can you see anything at all?
Nikuko: I hear your voice!
Nikuko: You do not, Julu, you do not have anything!
Julu: Maud, you must move slightly to your left, thank you.
Julu: Maud, you are not looking properly or you would move!
Nikuko: I am looking just fine, thank you!
Nikuko: I am so, I’m trying as hard as you are!
Julu: Adjust yourself!
Julu: You are adjusting yourself in a very wrong way!
Julu: It is 10:30 and you have just lost your head!
Nikuko: Ha ha ha I have lost my head over you!
Julu: And hello Nikuko, and how are you?
Nikuko: Now we will Swirl and Change.
Random Show – Always on Time (2005, 4.4MB, 2:22)
Oh, how I loved this video. And how I still do.
If you don’t get it, look up the Ja Rule/Ashanti version.
From the now defunct Random Show.
Lincoln (2008, 69MB, 7:36 min)
Typically exquisite bit of work from poet of the video
& occasional contributor here, Brian Gibson.
Puppet Boy (clip) (2008, 5MB, 1:04 min.)
For more than a decade, the artist and music video director Johannes Nyholm
has been working on animated films about the little clay figure, Puppet Boy.
In a claustrophobic chamber drama, the frustrated puppet is engaged in an endless
battle against the agonies of everyday life. Nyholm
Konono No 1 Promotional Video (2005, 14MB, 4:20 min)
I was a bit wary of the rather glib “Congotronics” marketing
surrounding the absolutely fantastic music coming from Konono No 1
and other bands (including the Kasai All Stars) from Kinshasa,
Democratic Republic of the Congo*** – there’s so often a touch
(or more) of paternalism in these things as western rock luminaries
find some beautiful flower of music and well intentionedly but stupidly
trample and traduce it as they make it “palatable” for western consumers.
However I was completely won over by this article, which makes clear
producer Vincent Kenis’s deep knowledge of and devotion to the music
and its performers.
Furthermore it’s the kind of scholarly yet readable account of something
that one so often yearns to find on the net & so rarely does.
Watch the vid then read the article.
I bet you end up buying some of the music.
*** the much trumpeted comparison with avant-rock &c is marketing horseshit of the highest order of course – why the hell should two things that have developed in virtually completely separate social, political, economic & cultural circumstances be comparable in any meaningful sense simply because they share common surface features? Worse still, the comparison could be taken to imply that this music was somehow evolving towards the condition of western avant-rock..euurgh!