Elodie Pong

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Secret 050 (2007, 2 MB, 1:03 min.)

And one more.
See original post for details.

Derek Larson – Measurement: Meteor

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Measurement: Meteor (2010, 15MB, 46 sec.)

“Part II of the Measurement series; displaying approximate measurements in
video space in reference to Mel Bochner‘s 1969 piece, Measurement: Shadow.”

“Double Fantasy” by Jennifer and Kevin McCoy

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Double Fantasy (2006, 3 MB, 1:27 min.)

double_fantasy2
Double Fantasy (2006, 4 MB, 2 min.)

“Installation view and detail images of Double Fantasy 3 (Career) which was shown at the Armory Show in New York, March 2006. Each side of the sculpture has a model of a childhood career fantasy for each of us. Cameras project large scale images of it onto the wall, accompanied by a soundtrack.”
by Jennifer and Kevin McCoy.

More Jon Rafman

You, the World and I
You, the World and I (2010, 67MB, 6:10 min)

Another piece from Jon Rafman, and whilst it’s made with the same dexterity,
wit and inventiveness as all his work this one doesn’t quite hit me in the
same place as the others we’ve posted.
(Don’t get me wrong – this piece would garner unstinting praise were
it from most other people – it’s just that Rafman sets the bar high for himself).
It’s something to do with the closure-as-a-story.
It’s a bit too neat. The found material seems deployed as an aid to
story-telling rather than dripping with the glorious uncertainty and
ambiguity that chartacterised some other earlier work.
(An analogy: the difference between a Rauschenberg Combine
and a picture in shells at a seaside gift shop. Not that extreme here, of course)
None of which is meant to imply that it isn’t worth at least 12:20 min of your time…

Marina Abramovic & Ulay: Relation Work (1976 – 1979)

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Relation in Space (1976, 2 MB, 26 sec.)

expansion_in_space
Expansion in Space (1977, 5 MB, 1:18 min.)

In “Relation in Space” (1976) Marina Abramovic & Ulay ran around the room – two
bodies repeatedly move past each other. They collide at great speed like two planets,
mixing male and female energy into a third component called

Lev Manovich – Little Movies #3

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Classical Cinema II (1994-98, 1MB, 20 secs)

manovich #6
On the Transient Nature of an Electronic Image(1994-98, 3MB, 1:47 min)

Original post

Brian Bress – tshirt mummy

tshirt_mummy
tshirt mummy (2005, 16 MB, 3:25 min.)

by Brian Bress.

Lev Manovich – Little Movies #2

manovich #3
A Single Pixel (1994-98, 2MB, 43 secs)

manovich #4
Classical Cinema I (1994-98, 1MB, 34 secs)

Original post

Lev Manovich – Little Movies #1

manovich #1
Binary Code (1994-98, 2MB, 52 secs)

manovich #2
On the Ephemeral Nature of Little Movies (1994-98, 3MB, 1:05 min)

I mentioned the Manovich Little Movies in the post I did the
other week on Eryk Salvaggio’s ‘Unfinished Mpeg Haiku’.
In the course of writing that I went to Manovich’s site to look at them
& was surprised to find that their page was in some disarray
and the movies themselves had been removed.
Nor could I find them either in the version archived on the Rhizome Artbase.

It seems a shame for them not to be available -they’re historical
(and in many ways amazingly presecient) documents at the least,
although I find them – especially the last one – gripping and touching too.

Then I remembered the wonderful Wayback Machine and I found them
there, all snug and safe and sound.

We’ll post them here in twos in the next week or so,
in the order in which they appeared in Manovich’s
original presentation of them.
Although the image linking to it has been removed from the site
Manovich’s very interesting statement remains.
(I guess if that goes too you’ll still be able to Wayback it)

Tony Oursler – EVOL 1984

evol
EVOL (1984, 25 MB, 2:36 min.)

Tony Oursler is known for his fractured-narrative handmade video tapes including
The Loner, 1980 and EVOL 1984. These works involve elaborate sound tracks,
painted sets, stop-action animation and optical special effects created by the artist.
The early videotapes have been exhibited extensively in alternative spaces and museums..
His early installation works are immersive dark-room environments with video, sound,
and language mixed with colorful constructed sculptural elements. In these projects,
Oursler experimented with methods of removing the moving image from the video monitor
using reflections in water, mirrors, glass and other devices..” – from wikipedia