Interview with Lev Manovich (excerpt) (2006, 8.8 MB, 4:23 min.)
Lev Manovich is a Professor in Visual Arts Department, University
of California -San Diego and the author of The Language of New Media
which is hailed as
Interview with Lev Manovich (excerpt) (2006, 8.8 MB, 4:23 min.)
Lev Manovich is a Professor in Visual Arts Department, University
of California -San Diego and the author of The Language of New Media
which is hailed as
David Yun – A Taste of Home (2007, 4.9MB, 2:19)
When David Yun went home to care for his terminally
ill mother, he found himself as disconnected and
alienated from his small hometown as he had always
been. Clip from Yun’s seven and a half minute video.
Beautiful footage and a voice-over that never becomes
too precious or pretentious.
Strangely (or perhaps not), I have family from
that exact small town, Livonia, Michigan, USA, a Detroit
suburb.
Sadie Benning – Me and Rubyfruit (1990, 24.9MB, 5:40)
Classically beautiful and poignant video-diary-esque
early work from the innovative Sadie Benning. Me
and Rubyfruit, a reinterpretation of Rita Mae Brown’s
Rubyfruit Jungle, finds Benning lamenting the limitations
of being a young lesbian woman in modern culture.
Roughly sixteen when she made this piece, it was shot
on a Fisher-Price Pixelvision 2000 camera, making the
intense grainy footage all the more raw.
Young-Hae Chang Heavy Industries at the New Museum (2008, 62.5MB, 2:48 min)
If you don’t know them, you should; Young-Hae Chang Heavy Industries
have been responsible for some of the most spine tingling & evocative work
on the net in the last ten years,
This documentary, lifted from the indispensable Rhizome, gives a good bares bones historical
account of them in the context of a show earlier this year at the New Museum.
I didn’t see the show & whilst I’m pleased they’re getting this wider exposure I wonder
if there isn’t something quite particular about the way their work presents in a browser
(preferably, in my view, with headphones on, ie. as submerged in these delicious
& fractured quasi narratives as only the net experience will allow).
Then, it is visceral and immediate.
On the evidence here, there seems to have been something
a little more diffuse about this multiple screen installation.
I don’t know; it’s a surmise; I’d be happy to be told I’m wrong.
It raises interesting questions, though, about the transplanting of work
from browser to gallery.
LAb[au] – PixFlow #2 (2007, 132.3MB, 0:30)
PixFlow #2 is a generative artwork showing a vector field and moving particles/pixels shaping into flows as their density evolves. From the mutual influence in between vectors and particles results an unsuspected, highly evolving behavior.
a preview of the latest from LAb[au]
gumball (2008, 35 MB, 7:16 min.)
During The Beginning is a series of installation stations based on
Genesis 1:3, “And God said let there be light and there was light.”
Collectively, these stations perform the impossibility of reducing the
creation event to words. by Curt Cloninger.
restart (2006, 9KB, 4 min. loop)
We’re Alan Sondheim fans here at dvblog.
When so much work on the web is banal & lacking in ambition
he is an antidote, a tonic, a reason to hope.
His restless energy & intelligence transmute everything
he engages with into art (remember Picasso & those handlebars?)
Those living in the Santa Monica area might have seen his installation
‘embedded’ (also including work by filmmaker Leslie Thornton)
at the Track 16 gallery in 2006.
Limbo (2008, 26.3MB, 3:08 min)
We’ve shown Donna Kuhn’s work couple of times before.
Look at the trajectory.
It’s always been impressive but there’s a new note here:
a confidence & ambition that is really striking.
It’s a cliche but cliches are nonetheless sometimes true
-here’s someone who has found a very personal
voice & learned how sing with it in a sophisticated
& affecting way.
More here.