Train Coming

Train Coming -Surreal
The Smith Family/Train Coming/surreal.mov (2007, 1.12MB, 56 sec)

Train Coming
Edward Picot/traincoming.mov (2007, 31.9MB, 2:38 min)

Train Coming -Surreal2
The Smith Family/Train Coming/surreal2.mov (2007, 1.11MB, 57 sec)

I’m going to sign this one, because it’s marginally self-promoting
though not, I think, in a terrifically self-serving way.
I’m currently running a competition on my personal site to either perform, remix
do karaoke versions of, or do basically anything with, a short
(33 sec) song.
To date I haven’t exactly been inundated with entries, but
curiously three out of the current five are little movies &
great they are too.
Don’t think The Smith Family have a website (correct me if I’m
wrong folks) but Edward Picot can be found here & here.
Also – please feel free to have a go yourselves! -details from the competition link above.
Michael

Rick Silva – A Rough Mix

A Rough Mix
A Rough Mix (excerpt) (2007, 140MB, 8 min.)

Excerpt from a single channel and a looping installation DVD by Rick Silva.

Oh this is smart & rich & lovely work!
You think perhaps the remix idea has colonised all of our thoughts
& our work to the level of clich�.
(So maybe all that remains is to classicize it – to do it better & better,
which is certainly something Silva, in various guises, has recently done..)
One day, someone describes this work in words to you & you
might, if of a cynical turn of mind, think – ‘Ho-Hum!’
Then you actually look at it & there’s something alchemic going on.
From a fairly base metaphor, Rick Silva conjures a work of elegance,
substance & great beauty – a beauty not only visual but moral.
Look at it! – it’s a paean to the planet but many other things too:
the scratching becomes dance, it’s a dance film!
The music is so carefully cut (but in such an apparently offhand way,
the way one imagines the mythical 19th century gentleman
would cut): it’s a music video!
It’s a travelogue (but its editing would not have made sense
before the net).
Each basic level constantly & fruitfully gives rise to other emergent
meanings which in turn reseed new ways of thinking about the piece
– the mark of a serious & substantial work of art.

PS Interesting to compare this with Cary Peppermint’s recent
Series of Practical Performances in the Wilderness
– another work that is in a sense engaged around loosely ecological
themes, very much the zeitgeist, (but reasonably so!)
& whose artistic qualities are not confined, limited, by that engagement…

PPS Now I think about it – there’s all the wonderful stuff by Stallbaum & Poole too.
That fits in somewhere too…

PPPS Personally I like this much more than Silva’s recap – for me, in that, there was a sense in which the formal structure based on a kind of repetition over a long period eventually closes
us off ( although one can of course see how that work might have been
a very necessary staging post to this)
– here there’s a fantastic sense of opening-out
Exhilarating!

Quick, Quick, Slow – the Sex Pistols Remixed

Anarchy -Jim Punk
Anarchy (Jim Punk) (2006, 8.2MB, 52 sec loop)

Anarchy -Abe Linkoln
reresex (Abe Linkoln) (2006, 3.5MB, 16 sec)

Anarchy -Szpako
Anarchist (Szpakowski) (2006, 1MB, 26 sec loop)

Pistols remixes, from JimPunk,
Abe Linkoln & ..er.. me.

Send us yours & we’ll post ’em.

Apple – Hello 2007

videoblogging
Hello 2007 (2007, 3.6MB, 30 sec.)

The new iPhone commercial from Apple.

More Brian Gibson

Atlantis To Interzone
Atlantis to Interzone (2007, 14.8MB, 2:59 min)

Lang Syne Andalusian
Lang Syne Andalusian (2007, 39.2MB, 6:55 min)

Well, Atlantis to Interzone is a neat bit of cell phone footage
derived work but Lang Syne Andalusian is a tour de force of mashology,
remixing Bunuel’s notorious masterpiece with bits of stock footage.
Again: the musical eye… the musical eye

Music Credits:
Atlantis to Interzone: Klaxons Atlantis to Interzone (Mr. Miyagis Bootleg Remix)
Lang Syne Andalusian: Soundhog “The Rinse” Mix

Disco-nnect – Abe Linkoln/JimPunk/Subculture – a mash-up masterclass

wr4th_o{-g*d_m:x
Subculture: wr4th_o{-g*d_m:x (2007, 16.6MB, 1:26 min)

& j0hn malk°v:tch )::
JimPunk: & j0hn malk°v:ch ):: (2007, 10.2MB, 59 sec)

3P150D33
Abe Linkoln: 3P150D33 (2007, 6.89MB, 1:12 min)

Remix/collab/podcast running May -Sept, commissioned by
the excellent Turbulence & featuring 3 masters of the genre well known to dvblog regulars
[Subculture being Antonio Mendoza’s n0m de rem:x]
Exhilarating & educative too…do yourself a favor & check out the whole project

Brian Gibson – Facade

facade
Facade (2006, 8MB, 1:29 min)

facade remix
Facade Remix (2006, 5.85MB, 1:20 min)

Brian Gibson is a recently graduated video maker
with real & substantial talent.
In particular he is an excellent editor – with a
very musical eye (sic.).
This is the first of two posts featuring his work.
I’ve deliberately started with the one I think –
although it’s a good piece – is the weakest: Facade.
Nicely made, strong visual sense, marred only for me
by a slight surrender to sentimentality…
Then look at the remix, when he forgets
about expressing himself & starts to play
( & of course thereby expresses himself)
Now that’s good.
More soon – if you can’t wait, check out Brian’s site,
in particular the rather wonderful mash up Energy Flakes .

Music credits:
Facade: Dungen – Gl

His Girl Friday – between the lines…

still life
‘His Girl Friday’ – Between the Lines Edit (2006, 28.1MB, 8:25 min)

Elegant, witty & revealing re-edit of Hawks’s His Girl Friday
by Valentin Spirik.
The original is downloadable in its entirety from the
Internet Archive.

Amerikuh!

Where It Ends
Amerikuh (2006, 6.88MB, 1:32 min)

Neat satirical mash-up by Brian Liloia,
made for ( &, I gather, a semi-finalist at) the
stockstock film festival, so doubly impressive
when you consider he was allocated
the footage.
Nice work – hats off!

Trailers – Recuts – Twists and Turns

The Shining
The Shining (2005, 9.5MB, 1:24 min.)

Stanley Kubrick classic horror as a romantic-comedy family flick.
A masterful trailer cut by Robert Ryang.

Le Lion Devenu Vieux
Sleepless In Seattle (2005, 19.4MB, 58 sec.)

This is what happens when the ultimate chick flick gets
the horror/thriller trailer treatment from – Demis Lyall-Wilson.