Nathaniel Stern & Scott Kildall – Tweets in Space

Tweets in Space
Tweets in Space (2012, 52MB, 2:27 min)

Scott Kildall and Nathaniel Stern of Wikipedia Art return with another
project both odd, lyrical and utopian.
“Tweets in Space” will beam Twitter discussions from participants worldwide
towards GJ667Cc: a planet 22 light years away that apparently might support
earth-like life.
Anyone can take part, simply by adding #tweetsinspace to their tweets during
two performance times in September, when Stern and Kildall will be doing live
projections at the International Symposium on Electronic Art in New Mexico,
and boldly tweeting where none have tweeted before.

They say:
“This differs from every past alien transmission in that it is not only
a public performance, but also performs a public: it is a real-time
conversation between hopeful peers sending their thoughts to everywhere
and nowhere.
Our soon-to-be alien friends will receive unmediated thoughts and responses
about politics, philosophy, pop culture, dinner, dancing cats and everything
in between.
By engaging the millions of voices in the Twitterverse and dispatching them
into the larger Universe, “Tweets in Space” activates a potent discussion
about communication and life that traverses beyond our borders or understanding.
It promises more than could ever be delivered.”

This is their fundraising video – please consider making a donation to make the
project happen and also publicise and share it on lists, facebook, twitter, etc.

Joan Healy: Deranged, but in a Good Way


Sithair

Sithair (2007, 6.4MB, 1:49 min)

Cyberskin
Cyber Skin (2007, 38.8MB, 3:05 min)

Meat Market
Meat Market (2007, 39.6MB, 7:14 min)

I was lucky enough to see young Irish artist Joan Healy
present her work at a 2008 DATA event in Dublin.
It was strange.
First off, consciously or not, she has this innocent
butter-wouldn’t-melt-in-my-mouth demeanour and then she
shows this.. er..stuff
Documented here, in ascending order of weirdness, there’s a performance piece
where she transforms her hair into a musical instrument,
a piece where she satirises the current bio-art fashion by
getting into a box, exposing some of her back (the installation
claims this is especially grown cyber-skin)
& then attempting to draw to screen the patterns the punters trace
out on her.
Last is ..well.. (vegans avert your eyes), electronically assisted dancing meat
– you know.. chops.. steaks.. & the like..
After she gave her talk I said to her I thought her work was ‘utterly deranged’
She smiled sweetly and said she would take it as a compliment.
It was.

Dan Canyon

Quilts Never Sleep
Quilts Never Sleep (short version) (2007, 20.9MB, 3:07 min)

Me... U
Me… U (2007, 80MB, 12:45 min)

Two very different but attractive & telling pieces from Dan Canyon.
The first was part of a show of – you guessed it – quilts in London in 2006,
about which read more here.
The second could’ve been made for dvblog, well, at least for me, as I’m a fool
for all things turntablist, & features the splendidly monickered Mickey Morphingaz.

Gilbert & George -The Singing Sculpture

Gilbert and George
The Singing Sculpture (1992, 830k, 41 sec.)

“Singing Sculpture documents one of Gilbert & George’s most famous “living sculpture” pieces.
Covered in multicolored bronze paint, the artists sing and interchange parts of the English
music hall standard “Underneath the Arches.” Through their stylized performance,
Gilbert & George deliberately blur the lines between life and art, reality and contrivance.
This ambiguity does not rely on a transformation from living to sculptural form. On the contrary,
they have merged the two in order to obliterate, rather than emphasize, the distinctions between life and art.” – Walker Art Center
from Video Data Bank

1905 at 2 a.m. in the subway

0896
2 a.m. in the subway (1905, 8 MB, 56 sec.)

A subway platform, a policeman and a conductor, a well-dressed man
with a cigar and two women dressed in long skirts and jackets.
One of the women causes a sensation by raising her skirt and
revealing her stocking. Artificial legs are displayed out the subway car window.
Hilarious.
From – The Open Video Project.

Brian Kim Stefans – Difficult Beauty

vex1
Vex #1 (2006, 29.1MB, 2:08 min.)

vex5
Vex #5 (2006, 25.9MB, 1:09 min.)

ferrari dogs
Ferrari Dogs (2006, 25.9MB, 1:09 min.)

You know sometimes how when you first look at a work
you can’t process it immediately, it seems jumbled – wrong
& you’re tempted to dismiss it.
Then you live with it awhile & suddenly it leaps into focus &
you realise you’re in the presence of something much richer
& more rewarding than the things which did immediately fall into place?
Do you know that feeling?
Well, that’s how I felt as I prepared this post.
The work, by the artist & poet Brian Kim Stefans, snuck up
on me & then hit me over the head.
Furthermore, there’s still a puzzling quality to it all, for me:
the Ferrari Dogs piece seems like work of a different category
to the vex pieces somehow ( as does Manchurian Rainman on
the site. Check it. Now – what is that all about?)
Anyway – I’ll take mystery over glibness anyday – I look forward to more.

James Joyce has a Posse

james joyce has a posse
James Joyce has a Posse (2011, 32MB, 4:49 min)

And mentioning Curt Cloninger, as we did on Friday last, it’s nice to report he has made
a new video which is both gorgeous and engimatic, with a musicality which stems
not only from the actual sounds but the video’s very construction, that repeated
wistful, strange, ‘Portrait of the Artist’, title motif…
Cloninger is someone (Eddie Whelan the other who springs to mind) who has thoroughly incorporated
data-moshing as an expressive tool into their vocabulary, defying reports of its early death.
Poetry.

PS And just in passing – I’m fascinated by movies like this one, for which it’s very difficult
to create an adequate poster image.
Data-moshing is a particularly dynamic form of moving image work
where the motion is like the Cheshire Cat’s grin.
It’s not just data-moshing – it happens elsewhere.
It’s like some movies are, in some sense, “further away” in the line of image kinship
with the still.

Errol Morris: Donald Trump on Citizen Kane

trump_kane
Donald Trump on Citizen Kane (2004, 40.2MB, 3:22 min.)

by Errol Morris.
‘The last thing one would imagine Donald Trump talking about is Citizen Kane,
what many believe to the greatest film ever made, but here he is talking about
in one of the aborted projects by Errol Morris — like he has lived it, like he is a
reincarnation of Charles Foster Kane. The beauty is not just in the Errol Morris
meditative style or even what Trump has to say about Citizen Kane but what we
want to see. Mainly, that Trump’s life mirrors that of Kane and that this real life
epic character sees his own tragedy.
Talking about wealth, he says ‘In real life, wealth does in fact isolate you from other
people…it is a protective mechanism’. That quote speaks volumes. The salesman is
poking holes into his much marketed life. Asked on what advice he would give
Charles Foster Kane, Trump says boldly: ‘Get yourself a different woman!’.