Alan Sondheim – Over The Edge

mathematics
Over The Edge (2010, 49MB, 1:37 min)

Alan Dojoji Pushes Fau Ferdinand in the Water because
She’s not Paying Him any ATTENTION!


so the story will be about I’m trying DESPERATELY TO GET YOUR ATTENTION,
but you’re ignoring me because you’re away or sleeping or not watching the
terrific goings-on in OpenSim so I sneak up on you (because you’re not
looking) and push you into the water which is very difficult because
pushing avatars requires the greatest skill, making sure that the pusher
is right behind the pushee, otherwise the pushee escapes, so you’re pushed
into the water and just as you’re falling you wake up and type “UOY” which
can only mean it’s a backwards world, and then we’re both in the water and
I’m dancing furiously and AGAIN YOU’RE PAYING NO ATTENTION!

Alan Sondheim

Brian Bress – rock your body

rock_your_body
rock your body (2007, 31 MB, 4:45 min.)

by Brian Bress.

Simon Mclennan – The Mouse Escapes

the mouse escapes
The Mouse Escapes [Trailer] (2010, 4MB, 37 secs)

Difficult to gauge from the trailer what the full 12 minute piece
might be like but it will clearly be interesting & atmospheric and guided
by an acute visual sense.
The music, written by director Mclennan, is also rather good.
Website, with lots of details, here.

Black or White, the Gravy Version

black or white
Black or White, the Gravy Version (2010, 58 MB, 2:38 min.)

An outing, or perhaps more a forced march, for Michael Jackson’s
Black or White refracted through the prism of English
whimsy that is Edward Picot (well, on occasion; fans will know
his range is much, much broader) with co-conspirator Hoola Hoop Kid.
Never understood the Jackson appeal myself but this I like a great deal.
Wish, though, they’d called it ‘Black or White, the Gravy Mix‘.

Sondheim & an Ad…

rilkes tongue
Rilkes Tongue (2006?, 73 MB, 1:44 min)

Alan:
“something to stare at

This is a few years old, but hasn’t been put up; the dancer is Maud
Liardon, either Foofwa or I held the camera and made the video and
effects reminiscent of G. Moreau come to life, the church is in the
Swiss Alps, Rilke was buried behind it, murals of tormented hell,
angelic world of Elegies, we were transported”

PLUS
tether

…Alan Sondheim is one of the artists whose work you can see if
you can get to Nottingham, UK this Thursday – Sunday, 11th-14th Nov, 12-5 pm, in the first offline
appearance by DVblog, where a 45 minute program of work first posted here
will be continuously screened at The Wasp Room, part of Tether Studios.

Details:
Tether Studios,
17a Huntingdon Street
Nottingham
NG1 3JH

tel: 07729124336

mail@tether.org.uk

Artists featured:
Kerry Baldry, Steven Ball, Robert Croma, Rupert Howe, JimPunk, Donna Kuhn, Morrisa Maltz, Millie Niss, Giles Perkins, Sam Renseiw, Alan Sondheim, Nathaniel Stern, Liz Sterry, Eddie Whelan

Also – if you’re reading this & are interested in screening this program -we have both PAL and NTSC
DVDs available. Just mail us!

Suzon Fuks – RINGS from #1 to #6

rings1to6
RINGS from #1 to #6 (2009, 24 MB, 6:35 min.)

An ongoing series (now numbering six) of one-minute unedited shots which
can each stands alone. Improvised choreography multi-reprojected on body parts,
with James Cunningham, Helen Varley Jamieson, Scotia Monkivitch and Suzon Fuks.
Text by Fernand Shirren.

By Suzon Fuks.

Jacky Sawatzky – Follow Me

jacky_sawatzky_follow_me
Follow Me (2009, 173 MB, 7:10 min)

The first section of this piece by Jacky Sawatzky, in the library,
is one of my favourite dance video moments ever,
but the whole thing buzzes with life & ideas &
there’s a winning willingness to take risks & lack of
cynicism to it all too.
More here.

Donna Kuhn – Please Don’t Look Like A Pear

Applause
Please Don’t Look Like A Pear (2010, 10 MB, 3:22 min)

I love Donna Kuhn’s work.
I’ve rhapsodised about it here before, so I’ll just note, first,
that she continues to develop in the most thoughtful & interesting of ways
& second that this video is very funny, poetic
& scarier than most horror movies.
( Donna: ‘people don’t believe that these are completely unembellished
craigslist personals ads’
)
To do all three – a coup!
More soon please Donna!

Omar Souleyman – Music Video for ‘Leh Jani’

Applause
Leh-Jani (2007?, 10 MB, 3:22 min)

Omar Souleyman being the performer not the video maker,
whose name unfortunately I can’t find.
[STOP PRESS: Mark Gergis has got in touch to say he made the video.
Googling him has unravelled an interesting trail of audio & video work
which we hope to follow further in future]

Anyway the wonderful video ( & it is wonderful -even the cheesy ‘boxy’
effect which is used once & in exactly the right place
& edit & pacing are pretty much perfect)
serves performer -what a voice!- & song admirably…couple of minutes
of sheer cool & utter exhilaration somehow
paradoxically delivered in the same package.
This is fast shaping up to be my favourite ever music vid,
and the album from Sublime Frequencies (they say they’re sold
out, but a little searching secured me a copy elsewhere) is as good
as this promises.
More to be found on Y**T***.

Troika Ranch -16 [R]EVOLUTIONS

16 [R]EVOLUTIONS
16 [R]EVOLUTIONS (2006, 3MB, 1:50 min)

I saw this piece from NY based group Troika Ranch a few years back
in deepest Essex, UK & it was utterly great –
took me about ten minutes to put my jaw back in postion after.
Certainly by far the most convincing & mature use of digital
technology/projection in a dance context I had then seen.
Much of the visual flavour comes from the Isadora real time video
manipulation software created by co-artistic director Mark Coniglio &
used together with motion sensing software.
It’s not just the tech stuff though – it’s great choreography & dance
somehow informed by the particular rhythms, logic, that the tech
feedback loop sets up, implies.
It’s the fact, too, that a company deploying cutting edge tech can
still use simple shadow & stillness to devastating effect.