Tea Tree (2008, 12.3MB, 2:24 min)
Waterball (2008, 20.9MB, 2:23 min)
Not that much to add to what we’ve said before.
More work, careful, modest, austere and somehow darkly
(& I don’t just mean the light or lack of) beautiful, from Kev Flanagan.
Category Archives: observational
The USA. Be Proud.
Hillbilly USA (2005, 7MB, 1:41 min.)
A beautifully executed found object hillbilly
masterpiece. From – Borders Perrin Norrander
Thomson & Craighead – Template Cinema – RealTime
Short Film about Nothing (Realtime. 3:40 min.)
Template Cinema– is a networked installation by –
Thomson & Craighead.
It generates lo-fi movies made from existing data
appropriated in realtime from the world wide web.
Watch a sample movie.
Know Your Meme – Single Serving Sites
Single Serving Sites (2008, 30MB, 4:44 min.)
The Rocketboom Institute for Internet Studies presents its findings
on Single Serving Sites
Tinjail – Dante
Nira Pereg – G Spotting
G Spotting (2003, excerpt, 4MB, 1 min.)
“G Spotting is a search for the pleasure zone of the look. In keeping
with commands, which are read out aloud, the camera moves horizontally
and vertically over an architectural landscape towards what seems like
pleasure zones. Although the search is visual, the image remains unplanned,
following the sound and carrying out each command. While using the urban
landscape as a chart of the female body, the work touches on the themes of
surveillance, modern weaponry and pornography.”
by Israeli video artist Nira Pereg.
Ash Sechler – 2 movies
Transformation (2009, 15.5MB, 1:18 min)
Representation of Memory (2006, 75.4MB, 2:22 min)
Clearly there is something in the water in Athens, Georgia giving us,
as it has, John Michael Boling & Javier Morales, John Crowe,
Dan Osborne, Brantley Jones and now Ash Sechler.
Hmm – The School of Athens, Georgia.
There’s no common style but there is a certain sensibility which,
curiously, pervades the quiet meditative stuff as well as the more
out-there and bizarre – it’s a species of wryness combined with an
eye for the casually arresting, odd and beautiful.
It’s exemplified here in both these rather good pieces, though I particularly
like Representation of Memory.
Sam Renseiw – Blind Voodles
Blind Voodle #1 (2009, 57.4MB, 6:25 min)
Blind Voodle #2 (2009, 31.6MB, 3:35 min)
Oneiric gorgeousness from the magnificent Sam Renseiw.
Dan Osborne – Mariah Carey/Boyz II Men
Mariah Carey/Boyz II Men(2009, 86MB, 4:49min)
Splendid bit of drôlerie from Dan Osborne, whose work
we’ve featured here before and certainly will again.
It’s funny, sure, but as with a good deal of Osborne’s work it
treads an interesting line between funny bone and heartstring.
Oh..alright..maybe heartstring is a bit strong but there’s a
certain, and a rather touching, melancholy lurking here.
Also – what is it about Mariah Carey and art video on the net?
Cinzia Cremona – Solo Show
Solo Show (2006, 25MB, 6:22 min.)
Solo Show takes the viewer on a short trip in a complicit game of art making.
The image overlaps the body of the viewer with that of the artist. As the frame
moves from place to place, formats and titles are recalled in an attempt to
uncover the dynamics of making meaning by calling things art.
by Cinzia Cremona.
David Lynch’s Daily Weather Report
David Lynch’s Daily Weather Report, November 25, 2008 (2008, 1.1MB, 0:25)
David Lynch’s Daily Weather Report, December 16, 2008 (2008, 1.1MB, 0:19)
“People are kind of interested in weather. It
Henry Hills – Money
Scratchvideo – Collections
QuantumMatter (2005, 3.7 MB 31 sec.)
QuantumSpace(2005, 3MB, 40 sec.)
QuantumLife (2005, 3.3MB, 27 sec.)
A series of moving images from Charlene Rule.
By Mica Scalin.
‘Bird’ by Ken Seeno
Millie Niss – Commercial Spots
Commercial Spots (2006, 8.4MB)
Archive sutff from the Sporkworld stable, this time from Millie Niss & it has
all the hallmarks that make Sporkworld work such an unalloyed pleasure.
Manifestly bullshit free, apparently straightforward but with onion like layers,
this one wonderfully highlights Niss
A Series of Practical Performances In The Wilderness (3)
moose and atv (2005, 2MB, 46 sec.)
springwater finale (2005, 6.5MB, 2:27 min.)
Final two pieces, chapters 7 & 8, from
stapelia ophelia
Stapelia Ophelia (2005, 2.7MB, 1:23 min.)
‘The corpse flower’ in the window is getting louder, I can hardly
think. There is no running away from the smell, the sound is
deafening if you listen closely. The flowers keep coming back, I
cannot stop them. There is wind & rain as well, now, as I am seeing
the clip much later, the elements without which the day would be void.
A Bronx Kid Comes Home to the Comfort of Sadness
Crosswalk – Kelly Mark
Kelly Mark – Crosswalk (2001, 1.2MB, 0:38)
Basketball court sprints at a busy intersection. Man unknown.
From Kelly Mark.
Kate Maki – We are Gone
We Are Gone (2008, 55.8MB, 2:50 min)
I was drawn to this because of its connection with the
sublime Howe Gelb ( he produced & plays on the album & it’s on
his OW-OM label), but it’s winning beyond that very good intial reason.
Ms Maki’s song & performance are quite lovely in their passionate restraint
& the video, directed by Scott Cudmore & shot by Lee Towndrow on,
I gather, though I’ve lost the link to the page that told me so, the ‘video’
setting of a stills cam, matches the song in passion, restraint & loveliness.
Cudmore and Towndrow pass, with flying colours, a very simple test
-anyone who can’t produce something affecting with the most minimal
of technical resources probably shouldn’t be making movies at all…
Earth to Earth – Nick Scott
Earth to Earth (2005, 23MB, 3:22 min.)
“This film was made according to the hardcore rules of Straight8, which gives
filmmakers a single roll of Super8, forcing them to edit in camera and shoot
every shot as a first take. You submit the exposed cartridge plus a separately
recorded soundtrack and hope that the two match up. Luckily ours turned out
OK and it was selected one of the straight8 Cannes finalists in 2005.
The idea came from having a crappy DVD player which kept skipping and I was
overcome by an incredible desire to drive a garden fork through the front of it –
you can see the result in the background.
We had great fun shooting the film, during which time it snowed heavily
Urban Eden by Millie Niss
Urban Eden (2006, 5MB, 1:50 min.)
“This movie takes place in the “Urban Eden” of the IBM Building’s Public
Atrium & Sculpture Gallery. The soundtrack consists of quotes involving the
words, “apple” and “Eden.” Ironic, isn’t it, that the IBM Building is decorated
with sculpted Apples as if they were promoting a rival company’s products….”
by Millie Niss from sporkworld.
More from Les Filmistes
La vitesse – Toma (2005, 7MB, 1 min.)
La Vitesse – Raphael (2005, 6.8 MB, 1 min.)
La telephon portable – Linda (2005, 5.6MB, 1 min.)
Another round of videos from Les Filmistes Associ
By Mica.
Les Filmistes
Voting
I know we featured the folks at Sporkworld only recently
but they just posted this and it’s wonderful
– & somewhat topical…
Watch it all – it’s deadly serious but Millie Niss
makes her points with the kind of comic timing
many would kill for.
Will Luers – Commute
Will Luers – Commute (unnamed one of eight) (2001, 3.6MB, 1:00)
Will Luers – Commute (unnamed one of eight) (2001, 3.5MB, 1:00)
I set myself the task of recording the same route
to work (Brooklyn-Manhattan) eight different
mornings from winter through spring. Each
segment was edited to exactly 60 seconds.
The linear and cylical experience of the urban
commuter lends itself to the database structure.
Will Luers, also known as Taylor Street Studios and
various projects under the name SolubleFish, has a
great history of making web video. Sometimes artists
are a little miffed when we post their older work, but
I think respecting your own history is important.
Luers’s work is no different. This piece from 2001
might seem obvious in 2008, when taping your
commute seems pedestrian (hah) and obvious.
But these vignettes – eight in total – are a lovely
reflection on repetition, routine, and subtle change.
Recent work from Paul Kelly
The Video Artist (2004-8, 15.5MB, 1:19 min)
Corporate Flag (2008, 47.2MB, 4:06 min)
Narrative (2008, 19.9MB, 1:35 min)
We’ve featured a number of pieces by Paul Kelly
in the last year, although in terms of their date of
making they stretch over some 4 years.
Looking back it seems to me there’s a very striking
sense of development.
The language and technique here is leaner, tougher
& more focussed, though without any loss of the
delight in the beauty & mystery of the everyday
that is a keynote of all the work.
As a little aside I know Paul has been making stuff
for Brittany (of this manor) & Andreas’s
Lumi
Dan Osborne’s Investigations
Investigations (2008, 40.1MB, 2:05 min)
Perfect piece of film making by Dan Osborne.
Interesting to compare it to the piece by him we posted
earlier this year.
There’s a lot in common, true, but what strikes me is both the
real elegance & the very precise focus of this new piece.
In contrast with the (admittedly very attractive) sprawl of
the earlier work there is not a second here that doesn’t feel
purposeful & controlled.
Interesting to see how this body of work develops.
the whether|man
10_10_07 (2007, 8MB, 1:16 min.)
From Astoria, Queens, it’s the whether|man.
More vids here..
Robert Croma –The Journey
The Journey(2008, 30.8MB, 3:12 min)
Like a modern day Dante Robert Croma manages to squeeze
poetry even from a rush hour journey on the London Underground.
Beautiful. Beautiful & elegant & telling.