HOTEL by Karen Chan

hotel
HOTEL (2009, 24MB, 3:10 min.)

By Karen Chan. Super 8. Superb. Hotel room. Shot in Berlin.

Sam Renseiw – Fragmented Occurences

Fragmented Occurences
Fragmented Occurences (2010, 67MB, 4:33 min.)

It’s a little while since we featured anything from the splendid Sam
Renseiw
, so here’s a recent piece.
In contrast to many of his films, which have an incredibly strong
sense of a particular place, this was apparently composed
from odds and ends of footage from various locations during the last
few months.
I think it works beautifully; it’s instructive to see Sam intervening,
perhaps a little more than usual, at the editing level.
(His camera work is always very distinctive – there’s often a sense
-true or not- that many pieces are largely composed in the shooting.)

Whatever the case, this is, as always, a wonderful and utterly distinctive voice.

PS This is our 1000th post of the new series. Many thanks to all who have sent words of encouragement & appreciation. It makes the time spent working on DVblog feel doubly worthwhile.

Chris Collins – lightsaber affirmation tunnel

light_saber
lightsaber affirmation tunnel (2007, 33 MB, 1:04 min.)

By Chris Collins.

Joy Comes in the Morning

joycomesInthemorning1
Joy Comes in the Morning (2005, 24MB, 4:14 min.)

“In 2005 I concepted, pitched and produced a music video for the band Xploding Plastix.
I directed and animated the video using L.A. artist Joe Ledbetter’s hand-painted elements
to create a puppet-show aesthetic.”

from Scott Friedman.

Annie Abrahams & Curt Cloninger -<em> Double Blind</em>

double blind
Double Blind (clip) ( 2010, 70MB, 5:38 min)

“Annie Abrahams (from the Living Room in Montpellier, France)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.

In order to isolate them from their surroundings and make them
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.

There was no set duration.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”


Interesting and affecting convergence of the performative work
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.

We feature here only a tiny extract from the 4 hour plus performance
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.

Complete Double Blind documentation & links

Jim Punk – T®1p±Ⓨ(|┐╱▒◤△▽///╱ ╱

tr1pt1ch20100129
T®1p±Ⓨ(|┐╱▒◤△▽///╱ ╱ (2010, 12MB, 2:37 min.)

By jimpunk, master of the remix & the ma$h-ups.

From – triptych.tv.

Residential Erection – Kenneth Tin-Kin Hung

residentialerection
Residential Erection (2008, 48 MB, 4:35 min)


Two from Kate Dickinson

19th
19th ( 2010, 1MB, 1:00 min, silent)

are you ready
Are You Ready? ( 2008, 20MB, 52 secs)

Two contrasting short movies from Leeds, UK, artist Kate Dickinson.
The second should provoke a smile (did for me) but it’s
the first, in which not a great deal happens & in a deliberately
confined area of the screen to boot, that I particularly liked.
There’s a melancholy about its view of an overcast
Leeds landscape which is amplified by cropping a good deal of it out.
The resulting minimalism marshalls the viewer’s attention in a quite hypnotic way.