When Clouds Clear (2008, 15.3MB, 2:26)
Directed by Anne Slick and Danielle Bernstein,
When Clouds Clear is a remarkably intimate portrait
of a tiny Ecuadorian village’s struggle against
mining companies that seek to take over (and destroy)
the land they have long cultivated as their home.
Shot on a lovely mix of Super 8, 16mm, and video
to show the complexities of different viewpoints, the
film is one of the most beautiful I have had the
privilege of viewing this year.
Commercial Spots (2006, 8.4MB)
Archive sutff from the Sporkworld stable, this time from Millie Niss & it has
all the hallmarks that make Sporkworld work such an unalloyed pleasure.
Manifestly bullshit free, apparently straightforward but with onion like layers,
this one wonderfully highlights Niss
Must Read After My Death – Morgan Dews (2007, 23.9MB, 1:47)
When a Hartford couple turns to psychiatry for help
with their marriage in 1960, things quickly spiral out
of control. Couples counseling, individual and group
therapy and 24-hour marathon sessions ensue. Their
four children suffer and are given their own psychiatrists.
Pills are prescribed, people are institutionalized, shock-therapy
is administered. This is an intimate story in the family
Stapelia Ophelia (2005, 2.7MB, 1:23 min.)
‘The corpse flower’ in the window is getting louder, I can hardly
think. There is no running away from the smell, the sound is
deafening if you listen closely. The flowers keep coming back, I
cannot stop them. There is wind & rain as well, now, as I am seeing
the clip much later, the elements without which the day would be void.
Passage to Ill (1999, 5.5MB, 2:34 min)
“Passage to Ill was one of the first pieces I wrote as “hektor“,
playing the cynical romantic and trying to get in bed with “Ill”
(a punny nickname for a real person).
After seeing me perform it at the Nuyorican poet
rb_06_apr_26 (2006, 26.5MB, 4:33 min.)
Sublimity & wit from Amanda Congdon.
from rocketboom, April 26, 2006.
Earth to Earth (2005, 23MB, 3:22 min.)
“This film was made according to the hardcore rules of Straight8, which gives
filmmakers a single roll of Super8, forcing them to edit in camera and shoot
every shot as a first take. You submit the exposed cartridge plus a separately
recorded soundtrack and hope that the two match up. Luckily ours turned out
OK and it was selected one of the straight8 Cannes finalists in 2005.
The idea came from having a crappy DVD player which kept skipping and I was
overcome by an incredible desire to drive a garden fork through the front of it –
you can see the result in the background.
We had great fun shooting the film, during which time it snowed heavily
Invisible People – Larry (2008, 48.6MB, 9:21)
Invisible People is a new project from Mark Horvath
that documents homelessness in Los Angeles. The
interviews are unedited, and it can honestly be hard
to watch some of them – but isn’t that the point?
The site comes with a warning:
Caution: some content may be offensive. Our hope is
you’ll get mad enough to do something.
This particular interview is one of my favorites, as Larry
is charismatic and Mark was able to capture that easily.
But I’d encourage you to go watch the others as well.
Mark himself is in a rough financial situation that might
soon land him back on the streets too.
Seems we are often our own best advocates.
Urban Eden (2006, 5MB, 1:50 min.)
“This movie takes place in the “Urban Eden” of the IBM Building’s Public
Atrium & Sculpture Gallery. The soundtrack consists of quotes involving the
words, “apple” and “Eden.” Ironic, isn’t it, that the IBM Building is decorated
with sculpted Apples as if they were promoting a rival company’s products….”
by Millie Niss from sporkworld.
La vitesse – Toma (2005, 7MB, 1 min.)
La Vitesse – Raphael (2005, 6.8 MB, 1 min.)
La telephon portable – Linda (2005, 5.6MB, 1 min.)
Another round of videos from Les Filmistes Associ
By Mica.