
Invisibility (2005, 8.2MB, 1:40 min.)

Spoon Bending with Jerry Lentz (2005, 5.1MB, 1 min.)
Two from – jerrylentz.com

Mr. Robot (2004, 2.8MB, 2:31 min.)

Scotch and Soda (2005, 4.4MB, 2:10 min.)
Eugene Mirman is a comedian, writer, and film maker based in
New York City. Eugene has appeared on several TV shows, including
Late Night With Conan O

Reach – A Lecture Musical (2005, 15.3MB, 3 min.)
This video gives me chills, it is simply hilarious.
Performing a musical number to such a captive
and unsuspecting audience is wicked.
Takes a lot of guts to pull a stunt like this.
Prangstgr
By Mica Scalin.

Instant conductors : Tpada (40.3MB, 4:19 secs)
A piece by Brian Gibson which captures you with
its trance like visuals and experimental audio.
Instant conductors : tpada is part of a full length
album project created with a video camera to capture visuals
and audio then assembling them into a stunning form of art.
Using a range of different camera angles focused in on areas
from where the musical source is created, this forms an explosion
of creativity manifesting as hybrid song/video.
If you’re intrigued by this clip it’s well worth checking out
untitled project 3 which features
a short number on mini organ with video accompaniment.
Also download the 3 track EP for free at glimpsecontrol .

My Funny Valentine (2006, 15.1MB, 2:55 min)
Video by Michael Szpakowski.
The singer is his daughter, Anna Szpakowska.
(Michael playing the piano).
..once again a happy Valentine’s Day to all from us at DVblog.org

Easy Listening (2005, 4.2MB, 1:56 min.)
At once a performance and performance-documentation, this video
grew out of the admission that much of Marisa Olson

Beardbox (2009, 24.8MB, 2:44 min)
We’ve featured work by Gabriel Shalom here before.
Deft, witty and involving it was then & so it is here too.
Shalom is also public spirited and has just started up this
interesting looking blog for ‘Both theoretical & practical dialogue
about the future of the cinema’.
This combination of some serious thinking with high level technical chops
promises more of interest in the future -we’ll be watching.
For the moment, more here.

moose and atv (2005, 2MB, 46 sec.)

springwater finale (2005, 6.5MB, 2:27 min.)
Final two pieces, chapters 7 & 8, from

Weapon of Choice (2001, 37.1MB, 3:52 min)
Great Spike Jonze directed video for Fat Boy Slim’s
Weapon of Choice, featuring Christopher Walken.

Criss Cross (2003, 95MB, 7:42 min.)
The extraordinary ICP orchestra put Monk’s Criss Cross
through its paces.
All good, but just wait for the Misha Mengelberg piano solo.
Piano players everywhere: weep. Everyone else just relish.
Bliss.

Blau Wald Dorf ( Blue Wood Village) (excerpt) (2001, 1.7MB, 53 secs)
The music of Helmut Oehring is like nothing you’ve ever heard.
A hearing child of deaf mute parents, he incorporates his early
experiences into the music he writes, which frequently features
sign language ( not in a token but a completely necessary and
integrated manner).
The actual sound world of the music, moreover, is suffused with a character that
must surely have been formed by those same early experiences -stringed instruments
are tuned down to points of almost unplayable slackness & there is a fragmentary and
distanced, almost walled-off, quality to it all.
If you’re intrigued by the clip it’s well worth checking out recordings of his stuff.

We Are Gone (2008, 55.8MB, 2:50 min)
I was drawn to this because of its connection with the
sublime Howe Gelb ( he produced & plays on the album & it’s on
his OW-OM label), but it’s winning beyond that very good intial reason.
Ms Maki’s song & performance are quite lovely in their passionate restraint
& the video, directed by Scott Cudmore & shot by Lee Towndrow on,
I gather, though I’ve lost the link to the page that told me so, the ‘video’
setting of a stills cam, matches the song in passion, restraint & loveliness.
Cudmore and Towndrow pass, with flying colours, a very simple test
-anyone who can’t produce something affecting with the most minimal
of technical resources probably shouldn’t be making movies at all…

KontraKontrolle (2003, 8MB, 3:13 min.)
Performance during the Visual Power Show, Paradiso Amsterdam, October 2003
by Poly-Xelor (collaboration between Roel Wouters and Luna Maurer).
“KontraKontrolle is a performance concept where we literally stepped into the
computer-screen. By placing ourselves as icons (via bluescreen technique) on
top of the presenters screen we could interact live with the presenter’s actions.”

Pop Mantra #3 (2008, 103MB, 9:53 min.)
The third in a series of performances where Curt Cloninger continuously
performs a short excerpt from a single pop song for several hours,
blindfolded.
At OTO in Brooklyn, New York.
Excerpt: “tonight / wait, now” from The Ramones song “I Just Wanna Have Something To Do”
Duration: 6 Hours
Media: Electric Guitar, Voice, Black Felt Blindfold, Black Converse All Stars, Time
Read more here.

Drumsticks (2008, 32.1MB, 2:43 min)
I know no more about Doomtree than you can glean, gentle viewer, from their site
& their my space but this video simply fills me with joy.
First off, nothing with massed bicycles in it can be all bad but, over & above,
it’s something to do with the combination of skillz & almost palpable & somehow
innocent sincerity that just makes a beeline for my heart. Lovely.

Kiki and Bubu and the Feelings (2008, 48.9MB, 4:48 min)
More splendid agit-puppetry from monochrom.

Freeze Bass Rock (date unknown, 0.9MB, 47 sec)

Going On (date unknown, 1.1MB, 58 sec)
Lamentably poorly filmed, but nonetheless delicious bits of
scratching from delarge.co.uk, which I think is a Brighton,
UK based visual arts &c. collective, though I could be wrong –
these guys are cool & don

New York Times Special Edition (2008, 16.2MB, 2:12 min)
Self-explanatory movie giving background & reaction
to the day before yesterday’s visionary prank ( &
how often do you hear those two words together?)
by those visionary pranksters The Yes Men.
More here.
Breathtaking & inspiring.

Sharon Hayes – Symbionese Liberation Army (SLA) Screeds #13, 16, 20 & 29 (2002, 7.4MB, 2:49)
Between 2001 and 2002, artist Sharon Hayes
reenacted four tapes from the SLA Patty Hearst
abduction in 1974. These respeakings were
performed before an audience, mostly memorized,
but the audience was instructed to correct or feed
Hayes a line when she made a mistake.
Entertaining, reflective, and somewhat moving.
A real treat whether you lived through the original
events or not.

10_10_07 (2007, 8MB, 1:16 min.)
From Astoria, Queens, it’s the whether|man.
More vids here..
Regular visitors will be aware of how little excuse we need
to post work from the formidable Alan Sondheim.
So…it’s Wednesday… – here’s one of his recent Second Life
pieces.
His accompanying text appears below.
Jennifer and Julu: Clean yourselves, you dirty boys!
Jennifer and Julu: Clean yourselves, you dirty girls!
Julu: Hello Nikuko, you are looking wonderful this very morning.
Nikuko: Hello Julu, why you are looking odd I do think!
Julu: And my leg too hanging by a thread! Nikuko, where are you?
Nikuko: Oh dear you are half-blind Julu!
Julu: And you are All-Blind-Nikuko!
Julu: Can you see anything here? Can you see anything at all?
Nikuko: I hear your voice!
Nikuko: You do not, Julu, you do not have anything!
Julu: Maud, you must move slightly to your left, thank you.
Julu: Maud, you are not looking properly or you would move!
Nikuko: I am looking just fine, thank you!
Nikuko: I am so, I’m trying as hard as you are!
Julu: Adjust yourself!
Julu: You are adjusting yourself in a very wrong way!
Julu: It is 10:30 and you have just lost your head!
Nikuko: Ha ha ha I have lost my head over you!
Julu: And hello Nikuko, and how are you?
Nikuko: Now we will Swirl and Change.

Random Show – Always on Time (2005, 4.4MB, 2:22)
Oh, how I loved this video. And how I still do.
If you don’t get it, look up the Ja Rule/Ashanti version.
From the now defunct Random Show.

Lincoln (2008, 69MB, 7:36 min)
Typically exquisite bit of work from poet of the video
& occasional contributor here, Brian Gibson.

Puppet Boy (clip) (2008, 5MB, 1:04 min.)
For more than a decade, the artist and music video director Johannes Nyholm
has been working on animated films about the little clay figure, Puppet Boy.
In a claustrophobic chamber drama, the frustrated puppet is engaged in an endless
battle against the agonies of everyday life. Nyholm

Konono No 1 Promotional Video (2005, 14MB, 4:20 min)
I was a bit wary of the rather glib “Congotronics” marketing
surrounding the absolutely fantastic music coming from Konono No 1
and other bands (including the Kasai All Stars) from Kinshasa,
Democratic Republic of the Congo*** – there’s so often a touch
(or more) of paternalism in these things as western rock luminaries
find some beautiful flower of music and well intentionedly but stupidly
trample and traduce it as they make it “palatable” for western consumers.
However I was completely won over by this article, which makes clear
producer Vincent Kenis’s deep knowledge of and devotion to the music
and its performers.
Furthermore it’s the kind of scholarly yet readable account of something
that one so often yearns to find on the net & so rarely does.
Watch the vid then read the article.
I bet you end up buying some of the music.
*** the much trumpeted comparison with avant-rock &c is marketing horseshit of the highest order of course – why the hell should two things that have developed in virtually completely separate social, political, economic & cultural circumstances be comparable in any meaningful sense simply because they share common surface features? Worse still, the comparison could be taken to imply that this music was somehow evolving towards the condition of western avant-rock..euurgh!

Fell in Love with a Dead Boy (2008, 66.7MB, 11:01 min)
I was a little chary ,at first, of posting this, not because I don’t
think it’s good (I do) but because Isidore Bethel had me a little
worried that it might be someone’s autobiography fuelling it &
I wasn’t entirely sure I should post it before that person had
thought about whether that was a good thing…a lot.
Silly me, because Isidore cheerfully assures me it’s all fictional.
He’s good.
Not to be OTT but there’s something that smacks
of Citizen Kane about this, in both a good and a bad sense.
Good, in that there is such energy & skill deployed here
(not just artistic, the guy can clearly organise too).
Furthermore, it packs a real punch, as witness my confusion.
On the debit side there’s sometimes a sense of everything including
the kitchen sink being dug out and after the initial rush (happens with
Kane for me too folks – little too much obvious desire to be epic) you
begin to see the thing as held together to some degree by sheer willpower,
even where the occasional hole is visible…
I look forward to see where Isidore Bethel will go next -we’ll hear a good
deal more of him, I’m sure.
Also: nice score from David Nyman (like its use in the piece too: non-obvious)
& a careful, intelligent performance of the script from Megan Popkin.
(not sure I’m making out the credits properly -did she share the writing credit? –
the script: that’s a piece of work too.)

Kiki and Bubu and the Good Plan (2008, 74MB, 7:24 min)

Kiki and Bubu and the Shift (2008, 39MB, 4:11 min)
Well, almost.
Marred only by some fashionable end-of-the-working-class-in-the-West
(who collects your trash, checks out your groceries, teaches your kids?)
nonsense, this is on the whole the finest piece of glove puppet based
agit-prop I’ve ever seen & very funny to boot.
In particular the best of these pieces,Kiki and Bubu and the Good Plan,
is an absolutely clear & devastating reply to the marketeers…
See ’em all…

Pop Mantra Video Documentation #4 (2008, 51.7MB, 5:17 min)

Pop Mantra Video Documentation #7 (2008, 50.5MB, 5:41 min)
I like & admire Curt Cloninger for his steadfastness of belief in both his religion
& his artistic work.
He’s also one of the best writers about new media around at the moment.
In both theory & practice he’s curious, inventive, knowledgable, quirky and passionate.
Unlike many in this sphere he’s also not afraid to think aloud in public, to take risks.
Even, (quelle horreur!), to risk appearing uncool.
Recently he’s been making work away from the web, some of it performative
& very interestingly so.
Here (& I stress what you see here is the documentation, not the piece
itself -a fine, but important, distinction) he repeatedly sings & plays a
single phrase from a popular song, in this instance Radiohead’s Karma Police, for several hours.
For me there are number of interesting resonances – minimalism, shamanism,
the kinds of ‘test’ that occur in many religious belief systems, a losing, dissolving
of the self (In additon to the eponymous “mantra” ,there’s an echo too, I think, of Sufism);
but also there is the straightforward investigation*** of the mechanics of playing,
of performing (& there’s a fractal quality to the rather symmetric & crystalline
structure of popular song that makes this kind of extracting both possible & immediately
approachable -it’s a world familiar enough to welcome us in.)
The two extracts are from different ends of this marathon
( & selecting & typing that word just conjured another association –
the of the twenties & thirties).
I find this work fascinating.
Fascinating & affecting too.
*** It’s almost always a laughable misuse of the word to say ‘investigation’
in an art-speak context. Here it seems correct & natural.

Ludwig Poos Schwabe (2007, 36MB, 1:20 min)

1st Ping-Pong Lesson With Lucha Lib (2008, 31.2MB, 4:18 min)
Even 18 years after the wall came down there’s still a quite palpable
residue of the great absurdist tradition that flourished under Stalinism in work
being made in the former Eastern bloc.
(Of course it goes back further, to

Screen Kiss (clip) (2005, 3.1MB, 1:00 min.)
Jillian is trying to make Billy Bob Thornton jealous, inserting
herself into existing film clips and getting kisses from Daniel Day Lewis,
Vincent Gallo, Johnny Depp, and Billy Bob
Rather wonderful piece from Shawn Kornhauser & Brandon Joyce
who seem to exist in a strange crevice between real Philadelphia & well…some other one.
The layers of japes & spoofery multiply exponentially but something near the truth,
whatever that is, can be found here, here &
here.
I think.

Knife (2007, 67 MB, 5:50 min.)
“Death Valley is hot. We wouldn

Violin Power (clip, 1978, 2.1MB, 1:17 min)
The Vasulkas, husband & wife team Woody & Steina,
have devoted over thirty years to an intensive exploration
of the possibilities of electronic image making.
It

Peace (2005, 19.7MB, 2:46 min)
This Borat performance at a country-western bar in Tucson, Arizona
provoked a sharp letter from the Anti-Defamation League.

SF Culture (2007, 17 MB, 2:09 min.)
“Bumped into a street opera singer in San Francisco who saw my
camera and said, “Of course you can film me.” He didn’t know who I was,
but I told him afterwards and still gave me permission to show, so here is
live from Sutter Street, Robert Close!!!!”
From Paul Knight at – Pjkproductions.

MOON CRASH (2008, 58 MB, 4:42 min.)
“MOON CRASH is a 360 degree immersive experience using DJ sets
and mutant slides, painted live with video projections.
All visuals are painted on acetate using slide mounts, vitrail glass paint
and drops of water. The paints are solvent based and don

gumball (2008, 35 MB, 7:16 min.)
During The Beginning is a series of installation stations based on
Genesis 1:3, “And God said let there be light and there was light.”
Collectively, these stations perform the impossibility of reducing the
creation event to words. by Curt Cloninger.

Huffer (2002, 69.2MB, 2:15 min)
Video for the 2002 single from The Breeders
The new album is great too; feels like it was made by
smart wayward, passionate, human beings
rather than a focus group.

restart (2006, 9KB, 4 min. loop)
We’re Alan Sondheim fans here at dvblog.
When so much work on the web is banal & lacking in ambition
he is an antidote, a tonic, a reason to hope.
His restless energy & intelligence transmute everything
he engages with into art (remember Picasso & those handlebars?)
Those living in the Santa Monica area might have seen his installation
‘embedded’ (also including work by filmmaker Leslie Thornton)
at the Track 16 gallery in 2006.

Limbo (2008, 26.3MB, 3:08 min)
We’ve shown Donna Kuhn’s work couple of times before.
Look at the trajectory.
It’s always been impressive but there’s a new note here:
a confidence & ambition that is really striking.
It’s a cliche but cliches are nonetheless sometimes true
-here’s someone who has found a very personal
voice & learned how sing with it in a sophisticated
& affecting way.
More here.

I want it that way (2005, 20.3MB, 3:39 min.)
A super hit back in 2005 that started the Karaoke trend
on Utube. (3M hits)
from- The Dormitory Boys.

Memory Loss (2008, 61.4MB, 2:13 min)

No Exit (2008, 38.2MB, 2:19 min)
Two pieces from Lee Sarter.
Memory Loss is an unequivocal success in my view,
evocative, very nicely constructed & haunting.
(Even manages to temporarily subdue my deeply felt &
longstanding antipathy to ambient sounding piano
soundtracks)
I don’t think No Exit works quite so well but it’s clear
in both that there’s a thinking & creative filmic intelligence at work here.
I look forward to more.

Moves and Shadows (2008, 17.5MB, 3:17 min)
3:17 min of visual enchantment from the genius Dane
in this utterly ravishing dance vid.

Me and Billy Bob (2004, 22.7MB, 7:04 min.)
Jillian inserted herself into existing film clips as the recurring
object of actor Billy Bob Thornton

Cube Pusher (2007, 31MB, 2:49 min)
Deft & very attractive interweaving of video & live performance from pixelbirds.
They make it look effortless; of course it’s anything but.
There’s an interesting form emerging here, with this physical intervention/relation
of live performers to a projection.
This notion has some way to unfold yet, I think, but
this is an excellent staging post.

Ride with Theo (2005, 27.7MB, 6 min.)
Directed in 2005 by Owen Plotkin of the now corporation
(Owen is also behind the excellent gaaagled.com)
this is a piece of viral advertising for an annual bike ride to raise
money for leukaemia research at Hammersmith hospital, London.
It features the splendid Theodore Bouloukos, whom regular dvblog
viewers will have seen & admired in Doron Golan�s recent piece.

Forgot (2008, 98.3MB, 12:06 min, silent theatrical act)
This is simply wonderful.
Doron’s work is strange – it doesn’t lend itself to blow by blow verbal description:
er..‘Some actors perform in a silent movie based on Waiting for Godot‘
Then you actually look at it (or if you haven’t you should, you really should).
The grammar of his editing is completely unique & mysterious (a feature of all his longer pieces).
‘Why did he do that?’ – ‘Dunno – but it made my spine tingle’
Work like this often slips under the radar because it has no easy marketing line,
it can’t be glibly summed up, reduced to an easily digestible one-liner.
Work like this is food you have to chew a little…but what flavour & what nourishment!
Also, the acting ( and the director/actor collaboration) is outstanding.
Smart, funny, puzzling, touching by turns…and generous also…
With Theodore Bouloukos, Joanne Douglas, Brian Gibson and Stephanie Noritz

Cosimo Terlizzi by Regina Irena Radmanovic (2008, 4MB, 1 min.)
Special Mention “1.000 Euro for 1 Minute”, 2008

IlluminAzione by Corrado Bungaro (2007, 4MB, 1 min.)
Winner “1.000 Euro for 1 Minute” 2007
From Videominuto –
exhibition of videos not longer than one minute in duration.
A new video from Lewis LaCook comes too infrequently.
He’s one of a kind in his and here too.
There’s a throwing of everything, including the
kitchen sink, going in his movies & it shouldn’t work
but it so does.
We’ll repost another of his pieces tomorrow; a little feast for you.
Just for the record here’s Lewis’s description of the piece:
Joey, or DJ Joey, as he is affectionately called, is a
young man in Lorain, Ohio, who spends most of his day
dancing on the corner of 28th Street and Elyria Avenue
to his boombox, waving and smiling at passing
traffic.
This video was constructed of footage found on
YouTube, all dealing with Lorain, Ohio. This is the
first video I

Geoffrey Alan Rhodes – Mirror (2006, 22.2MB, 6:09)
Holy sh*t this is amazing.
Geoffrey Alan Rhodes, aka GARhodes, is an
insanely talented artist across mediums.
The impossible mirror shot only becomes more
impressive as this piece progresses, and I sure do
love reflexive performance art done right.
Wow.

One the puppet of the other (2007, 178 MB, 26 min.)
Video composed of a webcam streams captured during a performance
of Annie Abrahams and Nicolas Frespech in 2007 at the
Webflash Festival in Centre Georges Pompidou, Paris.
Speaks French with English subtitles.

Terra Nova: The Antarctic Suite (excerpt) (2008, 31 MB, 5:36 min.)
‘A look into the creative process of the making of DJ Spooky

Volver trailer (2006, 30 MB, 1:38 min)
A long time ago I sat stony faced and unmoved through the much lauded
Women on the Verge of a Nervous Breakdown & concluded,
quite wrongly, that Almodovar was not for me.
In 2006 about him by Bob Light in the UK Socialist Worker
prompted me to go & see his latest movie, Volver,
& I’m so glad I did – it’s simply magnificent.
Since then I’ve done a bit of catching up.

Goya’s Stories (2006, 26.4MB, 3:38 min)
Three Goya paintings – La Maja Desnuda (Nude Maja), El Rey Carlos
Cazador (King Carlos dressed as a hunter) and Autorretrato (Self-portrait) –
are brought to life by three present-day stand-ins. The beauty of the piece is
that none of the three people from the present day is an obvious
equivalent for the painting alongside which he or she is placed.
The least satisfactory of the three is the Maja. Goya’s nude is both
more blatantly sexual and less conventionally glamorous than the
equivalent we are given here. On the other hand the Carlos and
the Autorretrato – respectively a a wild-haired gaunt ceramicist
fingering a three-cornered pot, and an imposingly fat middle-aged
man half-naked at the seaside – do replicate the powerful combination
of individual character and human fallibility which comes across from
the Goya originals.
Edward Picot
Doron Golan has constructed contemporary stories from Goya
paintings, using people whose resemblance to Goya’s subjects is
striking.
One need not be familiar with the masterworks themselves to enjoy the
whimsical – at times, poignant – real life portraits constructed from
the paintings. Michael Szpakowski’s music intensifies the mood and detail of
Golan’s video. Like ekphrastic poetry, the video and music carry viewers into a
deeper exploration both of the paintings and the stories spun from
them.
Martha Deed

Anarchy (Slight Delay) (2006, 17.8MB, 3:23 min.)
In which Aaron Valdez takes the Sex Pistols vid from
these very pages and..er..does stuff to it.
Explains Aaron:
‘This is the second entry in a study (or me messing around) with audio
and video delay. I did a Bob Dylan one way back. Nothing new but
interesting nonetheless. I made three tracks of video each offset by
6 frames then I cut out three frames alternating between those three
tracks. It

Anarchy in the UK (1976, 18MB, 3:32 min)
The Sex Pistols performing Anarchy in the UK in 1976
on the Granada TV show ‘So It Goes’.
From Bedazzled
PS In case you missed it first time round check this out too 🙂

Jaan Pehechan Ho (1966, 55.4MB, 5:33 min)
Clip from the 1966 film Gumnaam sung by
Bollywood legend Mohammed Rafi, which you might
recognise from the opening sequence of Ghost World.
There’s the full lyrics & several translations here.
From WFMU’s Beware of the Blog

Mes Amis (2007, 37.8MB, 7:35 min)
Giles Perkins, from the excellent onsuper8.org
(whose own great work we’ve shown, last week & previously)
pointed this one out to us.
Gorgeous he said, and he was right.
Comes from here & there’s a discussion here.