Curt Cloninger -<em> Pop Mantra</em>

Pop Mantra
Pop Mantra Video Documentation #4 (2008, 51.7MB, 5:17 min)

Pop Mantra
Pop Mantra Video Documentation #7 (2008, 50.5MB, 5:41 min)

I like & admire Curt Cloninger for his steadfastness of belief in both his religion
& his artistic work.
He’s also one of the best writers about new media around at the moment.
In both theory & practice he’s curious, inventive, knowledgable, quirky and passionate.

Unlike many in this sphere he’s also not afraid to think aloud in public, to take risks.
Even, (quelle horreur!), to risk appearing uncool.
Recently he’s been making work away from the web, some of it performative
& very interestingly so.

Here (& I stress what you see here is the documentation, not the piece
itself -a fine, but important, distinction) he repeatedly sings & plays a
single phrase from a popular song, in this instance Radiohead’s Karma Police, for several hours.
For me there are number of interesting resonances – minimalism, shamanism,
the kinds of ‘test’ that occur in many religious belief systems, a losing, dissolving
of the self (In additon to the eponymous “mantra” ,there’s an echo too, I think, of Sufism);
but also there is the straightforward investigation*** of the mechanics of playing,
of performing (& there’s a fractal quality to the rather symmetric & crystalline
structure of popular song that makes this kind of extracting both possible & immediately
approachable -it’s a world familiar enough to welcome us in.)

The two extracts are from different ends of this marathon
( & selecting & typing that word just conjured another association –
the of the twenties & thirties).

I find this work fascinating.
Fascinating & affecting too.

*** It’s almost always a laughable misuse of the word to say ‘investigation’
in an art-speak context. Here it seems correct & natural.

Two from Pash

Ludwig
Ludwig Poos Schwabe (2007, 36MB, 1:20 min)

Ping Pong
1st Ping-Pong Lesson With Lucha Lib (2008, 31.2MB, 4:18 min)

Even 18 years after the wall came down there’s still a quite palpable
residue of the great absurdist tradition that flourished under Stalinism in work
being made in the former Eastern bloc.
(Of course it goes back further, to

Carey/Laric/Stracke

Laric/Carey
Touch My Body (Oliver Laric version) (2008, 40.9MB, 4:18 min)

Laric/Carey
No Mariah (Caspar Stracke version) (2008, 52MB, 4:03 min)

OK, pay attention! This is complicated.
Ms Carey (or her corporate minders) release a video, which if she did have
a significant part to play in it shows such a staggering lack of self esteem
that a kind of dark despair begins to envelop me.
Artist Oliver Laric remixes it, removing all the backgrounds and replacing it with
green, for ease of a certain species of remixing.
There follows what is actually an interesting and nuanced exchange of views.
Then Caspar Stracke posts the second of our videos & MTAA make a
very funny joke.

Three more from Paul Kelly

Dust/Spring Evening
Dust/Spring Evening (2005-7, 26.2MB, 1:57 min)

dignity
Dignity (2004, 40.4MB, 7:02 min)

Rain : Focus
Rain : Focus winter in the north (2004-9, 9.5MB, 1:12 min)

We showed a couple of rather restrained, pastoral pieces by Paul Kelly
in February of this year.
So, here’re three rather restrained, somewhat more urban pieces.
I admire the determinedly austere approach, to make much – or rather
to make us make much- of what is given to the camera (quite a lot, it has
to be said, in Dignity which is a touching portrait of man & dog), although
one does have visions of a kind of Yoda figure meditating in depth before every possible
editing decision to take the four years Focus apparently took to make.
I look forward to more.

Two from Robert Croma

Thibaut Is Singing On Oberstein Road
Thibaut Is Singing On Oberstein Road (2008, 15.5MB, 2:36 min)

Rules of Engagement
Rules of Engagement (2008, 18.1MB, 2:15 min)

Tremendous work from Robert Croma.
The Iraq piece is harrowing but you should watch it nonetheless.
The Thibaut piece is simply exhilarating.
I was trying to figure out what exactly makes this work so outstanding.
I don’t think it’s just the fact that it is technically so good (although it is).
It’s to do with Croma’s taste, judgement & instinct, or at least how he
deploys these to tell us something, or rather to intuit-to-us something
about being a human being.
You couldn’t make a rule of it, for that would render it inert & mechanical,
but, loosely, in these two pieces, it seems to me to lie in a going-beyond
-the-expected – a process with its heart in the little codas which open
out the pieces in a quite extraordinary way.
So the Iraq piece, though supremely well done, is initially not a
million miles away from much other remix type work, but it is the final
calling-to-attention, the framing, of the gait of one of the people
whom we have just seen obliterated that re-doubles its horror
but also creates the tiniest ground for hope in the inescapable
(thanks to Croma) clear recognition of our common humanity.
A similar process occurs in the Thibaut piece
– its potency initially seems to reside in the simplicity of the
camera exploring the still, the conjunction of the new and old
imaging technology and the simple & moving fact of evocation
of time passed.
It’s beautiful; and many would have been tempted to leave it there.
The final section is a risk – it could have have the opposite effect
to what it actually does; it could have closed off, made pat.
Here perhaps the technical fluency does play a defining role but the
effect is the exact opposite of closure -we’re left, once again, in a very
different way, filled with a sense of the mystery & complexity & possibility
(& the fragility) of being human.

<em>'Ce soir je vous propose'</em> -<br> transcendence from <em>Dan Canyon</em>

3 of 7
3 of 7(2002, 74.7MB, 4:00 min)

4 of 7
4 of 7(2002, 105MB, 4:00 min)

Two (from a series of seven) heartbreakingly beautiful, lump-in-the-throat-evocative
lyric poems about being young, disguised as music video/documentaries.

Dan Canyon is a natural filmmaker. He so is.
What more to say, except nice to see Blackheef pronounced correctly?

See all seven.

Creation Myth by Robert Todd


Robert Todd – Creation Myth (2007, 39.3MB, 5:46)

Robert Todd is a master of 16mm. With an enormous
catalog behind him and no sign of his work ceasing in
the near future, Todd is slowly migrating his work onto
his personal website.
What a treat for us.

This piece, Creation Myth, is one of several I will repost
here over time, to show respect for these subtle, moving
visions.

Todd says: “Love of sky, love of earth and air, with
water helping us along form the backdrop to this
reflection of life-essence and its evolution.”

And, full disclosure: Rob has previously been my
professor, and I personally consider him one of
the kindest, most knowledgeable and professional
working artists under whom I have had the privilege
of studying. I wish I had been better able to absorb
his teachings at the time. He is truly a Bolex genius.

Nameless Films

Croque Quartet
Croque Quartet (2007, 29.5MB, 2:05 min)

Didn
I Didn’t Say That (2007, 45.8MB, 3:14 min)

Writer, musician, artist & general polymath Talan Memmott turns his attention
to film in this series of shorts made in collaboration with Sandy Florian.
They say
Nameless is a collaboration between Sandy Florian and Talan Memmott…
they make excessively short experimental narrative films, mostly in Paris…

Short they may be but Florian & Memmott’s works are assured, quirky,
evocative & entertaining.
You can see the whole series to date here .

The Loneliness of the Species


Krista Birnbaum – Agatha and Bernice (2006, 35.2MB, 4:12)

The Loneliness of the Species is a three-video series
by Krista Birnbaum, featuring little white mice friends
and their respective teacups. The first features a mouse
named Constance, who roams his china playground alone.
The second (seen here) and third videos show the coming
together of Agatha and Bernice. A pleasure for animal
lovers, a simple, elegant piece about companionship and solitude.