DVblog’s Doron & Michael at HTTP Gallery, London


West of the Great Altar of Zeus (Doron, 2009, 27MB, 1:51 min)

About


9 Third Avenue Haiku (Michael, 2008, 52.7MB, 4:32 min)

About

We normally avoid posting our own work but this
time we’re going to make an exception.
Doron & I have a joint show at HTTP gallery & we’d like to
invite any DVblog readers in the area to come
along to the private view, this Friday, 16th January.
(Details on the HTTP site linked above)
I’ve posted a piece by each of us (which should
give you a feel for whether you’d love or hate us) but the HTTP
show is going to be a little different from our usual work
so please come along, have a drink, take a look & say hello…

Jonathan Schipper – Opposition

opposition1
Opposition (2005, 4.5MB, 1 min.)

Interactive kinetic sculpture from Jonathan Schipper performed at Pierogi gallery in 2005.
“Two participants are taken from the audience and buckled into the saddles on either
end of the machine. The participants are then lifted into the air. Both participants are provided
hand controllers that allow them to control the movement of the saddles, which are on
pneumatically powered gimbals, and the central rotation of the machine. Some movements
are shared and some affect only one or the other of the two participants. The function of each
input button on the controllers is changed by a computer on a regular basis so that the
participants can not gain full control of the machine. A rock and roll band is playing electric
instruments near by. The amplification for the band is turned on by the machine while the
machine is in the air. The band members (Outside Man) wear helmets that isolate the band,
who can not hear anything other than their own sounds. After a few minutes the participants
are brought back to the ground and released from the machine. The band is turned off and
the machine is ready for the next cycle.”

KontraKontrolle – by Roel Wouters and Luna Maurer

kontra1
KontraKontrolle (2003, 8MB, 3:13 min.)

Performance during the Visual Power Show, Paradiso Amsterdam, October 2003
by Poly-Xelor (collaboration between Roel Wouters and Luna Maurer).
“KontraKontrolle is a performance concept where we literally stepped into the
computer-screen. By placing ourselves as icons (via bluescreen technique) on
top of the presenters screen we could interact live with the presenter’s actions.”

Sally – by Roel Wouters and Luna Maurer

sally1
Sally (2005, 5MB, 2:23 min.)

Sally is a project by Poly-Xelor (collaboration between Roel Wouters
and Luna Maurer). Sally is a movie for the project ‘Grote kunst voor kleine mensen
and has been be presentend at cinekid 2005, @ the Stedelijk museum.
The movie shows marbles in a room. The gravitation of the room is variable
therefore the marbles will dance over the floor, walls and ceiling.

Erik Bunger – the Allens


Erik Bunger – the Allens (2004, 23.3MB, 3:19)

Absolutely clever piece by Swedish artist Erik Bunger,
drawn from his experience moving from Sweden to
Germany, where many films on TV are dubbed. As
language can be so central to a character, Bunger
started thinking about people like Woody Allen, who
always play the same character but also one so
connected to his whiny, nervous New York accent.
For this installation piece, a computer program
continuously changed the dubbing of Allen between
his various vocal incarnations. Totally delightful.

Kurt Ralske – Alphaville


Alphaville ( extract) (2008, 32.MB, 51 secs)

Rather fetching art-work-over of Godard’s
great film Alphaville, by Kurt Ralske.

The Blackest Spot by Jody Zellen

sun
Blackest Spot (2008, 18MB, 2:17 min.)

A new installation by Jody Zellen at LA’s Fringe gallery.
The Blackest Spot is an interactive installation that uses Elias Canetti’s
seminal text “Crowds and Power” as its point of departure. Viewers step
on floor mounted triggers to change images and sounds within the space.

Young-Hae Chang Heavy Industries

Baum
Young-Hae Chang Heavy Industries at the New Museum (2008, 62.5MB, 2:48 min)

If you don’t know them, you should; Young-Hae Chang Heavy Industries
have been responsible for some of the most spine tingling & evocative work
on the net in the last ten years,
This documentary, lifted from the indispensable Rhizome, gives a good bares bones historical
account of them in the context of a show earlier this year at the New Museum.
I didn’t see the show & whilst I’m pleased they’re getting this wider exposure I wonder
if there isn’t something quite particular about the way their work presents in a browser
(preferably, in my view, with headphones on, ie. as submerged in these delicious
& fractured quasi narratives as only the net experience will allow).
Then, it is visceral and immediate.
On the evidence here, there seems to have been something
a little more diffuse about this multiple screen installation.
I don’t know; it’s a surmise; I’d be happy to be told I’m wrong.
It raises interesting questions, though, about the transplanting of work
from browser to gallery.

During The Beginning – Curt Cloninger

gumball
gumball (2008, 35 MB, 7:16 min.)

During The Beginning is a series of installation stations based on
Genesis 1:3, “And God said let there be light and there was light.”
Collectively, these stations perform the impossibility of reducing the
creation event to words. by Curt Cloninger.

Aaron Koblin –The Sheep Market

Sheepmarket
The Sheep Market (2008, 5.4MB, 32 secs)

Aaron Koblin, whose work we’ve featured here before does
rather wonderful things using the Processing language.
Well..of course that’s true..but if he wasn’t endowed with wit & smarts
& a sense of beauty then the tools he used would interest us not at all.
Here’s what he says about this piece (or rather the project for
which this vid is a short installation view):

TheSheepMarket.com is a collection of the first 10,000 sheep
made by workers on Amazon’s Mechanical Turk.
Workers were paid 0.02 ($USD) to “draw a sheep facing to the left.”
Animations of each sheep’s creation may be viewed at
TheSheepMarket.com.