Train Coming

Train Coming -Surreal
The Smith Family/Train Coming/surreal.mov (2007, 1.12MB, 56 sec)

Train Coming
Edward Picot/traincoming.mov (2007, 31.9MB, 2:38 min)

Train Coming -Surreal2
The Smith Family/Train Coming/surreal2.mov (2007, 1.11MB, 57 sec)

I’m going to sign this one, because it’s marginally self-promoting
though not, I think, in a terrifically self-serving way.
I’m currently running a competition on my personal site to either perform, remix
do karaoke versions of, or do basically anything with, a short
(33 sec) song.
To date I haven’t exactly been inundated with entries, but
curiously three out of the current five are little movies &
great they are too.
Don’t think The Smith Family have a website (correct me if I’m
wrong folks) but Edward Picot can be found here & here.
Also – please feel free to have a go yourselves! -details from the competition link above.
Michael

Film

Film
Film (2005, 1.6MB, 17 sec loop)

“It’s Prelinger Archive footage of 1920s London.
Method:
(1) Make a virtual ‘film strip’, a long jpeg.
(2) Make a virtual ‘projector’ for this in Director.
(3) Export it all to QuickTime & Bob’s your uncle.”

from scenes of provincial life.

Eyebeam: open city

opencity
Open City (2007, 26.2 MB, 4:27 min)

Open City: Tools for Public Action was an exhibition and series of public programs
at Eyebeam that focus on the ingenuity of graffiti writers, artists, protesters,
pranksters & hackers attempting to reclaim the public realm.
Here’s work from 11 of the artists featured in the exhibition.
From the Graffiti Research Lab.

Rick Silva – A Rough Mix

A Rough Mix
A Rough Mix (excerpt) (2007, 140MB, 8 min.)

Excerpt from a single channel and a looping installation DVD by Rick Silva.

Oh this is smart & rich & lovely work!
You think perhaps the remix idea has colonised all of our thoughts
& our work to the level of clich�.
(So maybe all that remains is to classicize it – to do it better & better,
which is certainly something Silva, in various guises, has recently done..)
One day, someone describes this work in words to you & you
might, if of a cynical turn of mind, think – ‘Ho-Hum!’
Then you actually look at it & there’s something alchemic going on.
From a fairly base metaphor, Rick Silva conjures a work of elegance,
substance & great beauty – a beauty not only visual but moral.
Look at it! – it’s a paean to the planet but many other things too:
the scratching becomes dance, it’s a dance film!
The music is so carefully cut (but in such an apparently offhand way,
the way one imagines the mythical 19th century gentleman
would cut): it’s a music video!
It’s a travelogue (but its editing would not have made sense
before the net).
Each basic level constantly & fruitfully gives rise to other emergent
meanings which in turn reseed new ways of thinking about the piece
– the mark of a serious & substantial work of art.

PS Interesting to compare this with Cary Peppermint’s recent
Series of Practical Performances in the Wilderness
– another work that is in a sense engaged around loosely ecological
themes, very much the zeitgeist, (but reasonably so!)
& whose artistic qualities are not confined, limited, by that engagement…

PPS Now I think about it – there’s all the wonderful stuff by Stallbaum & Poole too.
That fits in somewhere too…

PPPS Personally I like this much more than Silva’s recap – for me, in that, there was a sense in which the formal structure based on a kind of repetition over a long period eventually closes
us off ( although one can of course see how that work might have been
a very necessary staging post to this)
– here there’s a fantastic sense of opening-out
Exhilarating!

KDM 100 – A Dispatch from the Front Line

Hey Joe (M.River)
Hey Joe [M.River] (2007, 17.9MB, 3:35 min)

Hey Joe (T.Whid)
Hey Joe [T.Whid] (2007, 17.5MB, 3:31 min)

Previously:

…bastard…Duchamp…Marx…splendid & singular….
Karaoke Death Match 100…brutal…alcohol…blood…sing-along…
fury…pee breaks…Carpenters…heavy…teleprompter …clearly…
50 days…sneak… ahem…er… moving
T.Whid…shambling…M River…weird…dynamics…
falling over…human…wonderful…

Just over half way through: – vote early, vote often!

Karaoke Death Match 100.

Quick, Quick, Slow – the Sex Pistols Remixed

Anarchy -Jim Punk
Anarchy (Jim Punk) (2006, 8.2MB, 52 sec loop)

Anarchy -Abe Linkoln
reresex (Abe Linkoln) (2006, 3.5MB, 16 sec)

Anarchy -Szpako
Anarchist (Szpakowski) (2006, 1MB, 26 sec loop)

Pistols remixes, from JimPunk,
Abe Linkoln & ..er.. me.

Send us yours & we’ll post ’em.

‘Messa di Voce’ by Golan Levin and Zach Lieberman

Messa di Voce
Messa di Voce (2003, 12.3MB, 2:40 min)

Messa di Voce (Ital., “placing the voice”) is an audiovisual performance
in which the speech, shouts and songs produced by two abstract vocalists are
radically augmented in real-time by custom interactive visualization software.
by Golan Levin & Zach Lieberman.

Nathaniel Stern – Compressionism

Compressionism
Compressionism (2006, 17.2MB, 5:37 min)

About time we had a new ism 🙂
DVblog regulars will have seen Nathaniel Stern’s video work here before
in particular the Odys series, characterised both by a luminous intelligence
& a willingness to take artistic risks.
In this short documentary about this (genuinely interesting & fruitful) ism of his own devising Stern
avoids lots of pitfalls: it’s clear, it’s thoughtful & smart, never smug & it makes
one want to see more of the work.

Karaoke Death Match 100 – MTAA

We Gotta Get Out of This Place
We Gotta Get Out of This Place [M.River] (2007, 15.8MB, 3:15 min)

Hashpipe
Hashpipe [T.Whid] (2007, 17MB, 3:23 min)

From the bastard progeny of Marcel Duchamp & the Marx Brothers,
the splendid & singular MTAA, comes Karaoke Death Match 100.
Here’s the thing:

Artist collaborative M.River & T.Whid face off in the most brutal performance art smack down of the new millennium.. Karaoke Deathmatch 100! This alcohol-fueled blood feud features 50 rounds of sing-along fury (taped live over an 8-hour period with hardly any pee breaks). No Carpenters hit too cheesy, no heavy metal lyric too trite for these teleprompter warriors to hurl in a battle to the end. Who will emerge victorious? Only YOU can decide.

It’s great stuff & clearly one to follow closely -we’ll be returning to them here ‘ere
close of play in 50 days. Just want to sneak in, though, that actually I found this
quite ahem..er.. moving: – the sheer effort invoked in the
act of singing; T.Whid’s strange shambling captive bear dance & M River’s weird
but somehow totally appropriate sudden & violent changes of dynamics.
A bit like Bas Jan Ader falling over, there’s something more here than originally
meets the eye & ear, & it’s a lot human & a bit wonderful.

PS. compare & contrast

Disco-nnect – Abe Linkoln/JimPunk/Subculture – a mash-up masterclass

wr4th_o{-g*d_m:x
Subculture: wr4th_o{-g*d_m:x (2007, 16.6MB, 1:26 min)

& j0hn malk°v:tch )::
JimPunk: & j0hn malk°v:ch ):: (2007, 10.2MB, 59 sec)

3P150D33
Abe Linkoln: 3P150D33 (2007, 6.89MB, 1:12 min)

Remix/collab/podcast running May -Sept, commissioned by
the excellent Turbulence & featuring 3 masters of the genre well known to dvblog regulars
[Subculture being Antonio Mendoza’s n0m de rem:x]
Exhilarating & educative too…do yourself a favor & check out the whole project