Marisa Olson – 2 videos

Dark Stars
Dark Stars (2006, 6.9MB, 1:30 min)

From Here
From Here (2006, 29MB, 4 min)

Two rather attractive & intriguing pieces by Marisa Olson
made at a 2006 residency at the Experimental Television Center.

Said Marisa:
“Both are made using a combination of analog & digital processes
and Dark Stars is almost completely analog.. but
then again, both appropriate found material from the internet.
From Here is the music video for Zach Layton’s remix of my song of the
same name. Dark Stars uses samples from one of those old VHS video
games”.

More from Marisa on DVblog here.

Sondheim – Watching Them

watchingthem
Watching Them (2010, 14MB, 38 secs)

ALL

ALL-BEARING Omniparous
ALL-CHEERING That which gives gaiety to all.
ALL-CONQUERING That which subdues every thing.
ALL-DEVOURING That which eats up every thing.
ALL-FOURS A low game at cards, played by two.
ALL-HAIL All health.
ALL-HALLOWN The time about All-saints day.
ALL-HALLOWTIDE The term near All-saints, or the first of November.
ALL-HEAL A species of iron-wort.
ALL-JUDGING That which has the sovereign right of judgment.
ALL-KNOWING Omniscient, allwise.
ALL-SEEING That beholds every thing.
ALL-SOULS DAY The day on which supplications are made for all souls
by the church of Rome; the second of November.
ALL-SUFFICIENT Sufficient to any thing.
ALL-WISE Possessed of Infinite Wisdom

(From John Walker’s Critical Pronouncing Dictionary, 1825 ed.)

38 seconds of strange & aching beauty from Alan Sondheim.
The text above accompanied the original posting
of the vid on the Netbehaviour & Webartery lists.

John Berryman – Dream Song #29

watchingthem
Dream Song #29 (1967, 11MB, 2:20 min)

There sat down, once, a thing on Henry’s heart
s

Martha Deed – <em>The Lost Shoe</em>

the lost shoe
The Lost Shoe (2010, 16MB, 4:35 min)

Martha Deed, one of our favourite people, & co-founder with
the much missed Millie Niss of the fantastic Sporkworld Microblog,
which we’ve raved about before & which we can’t recommend too
highly, has a paper publication coming out, a book of poems, for which
she created this chilling and beautifully made video “trailer”.

Watch the trailer then

with wavering light – Brian Gibson

with wavering light
with wavering light (2010, 31MB, 3:03 min.)

Delicate, beautiful & assured work from occasional contributor here,
Brian Gibson.
I do particularly love the recorded-as-live harmonium, which, unlike
so much of the current use of music in movie-making serves to somehow
open out, rather than close off, the piece’s field of meanings.

Sam Renseiw – Fragmented Occurences

Fragmented Occurences
Fragmented Occurences (2010, 67MB, 4:33 min.)

It’s a little while since we featured anything from the splendid Sam
Renseiw
, so here’s a recent piece.
In contrast to many of his films, which have an incredibly strong
sense of a particular place, this was apparently composed
from odds and ends of footage from various locations during the last
few months.
I think it works beautifully; it’s instructive to see Sam intervening,
perhaps a little more than usual, at the editing level.
(His camera work is always very distinctive – there’s often a sense
-true or not- that many pieces are largely composed in the shooting.)

Whatever the case, this is, as always, a wonderful and utterly distinctive voice.

PS This is our 1000th post of the new series. Many thanks to all who have sent words of encouragement & appreciation. It makes the time spent working on DVblog feel doubly worthwhile.

Annie Abrahams & Curt Cloninger -<em> Double Blind</em>

double blind
Double Blind (clip) ( 2010, 70MB, 5:38 min)

“Annie Abrahams (from the Living Room in Montpellier, France)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.

In order to isolate them from their surroundings and make them
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.

There was no set duration.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”


Interesting and affecting convergence of the performative work
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.

We feature here only a tiny extract from the 4 hour plus performance
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.

Complete Double Blind documentation & links

Liz Sterry – Borders

Borders
Borders (2010, 201 MB, 3:59 min, silent)

Worth every second of the download for this extraordinary
piece from young UK artist Liz Sterry, a digital arts student at the design school
in Writtle, Essex, UK*.
It’s an astonishingly assured bit of conceptual gorgeousness.
I’m particularly taken with..what’s the word.. the ..um..rightness of judgement
with which it was shot and assembled – on the surface thrown together
but everything combining so easily & elegantly to create something of
logic, power and great beauty.

*Transparency – where I currently teach.

Tarlabasi Crawl – Jeremiah Day

tarlabashi_crawl
Tarlabasi Crawl (2009, 18 MB, 8:23 min.)

Jeremiah Day is interested in resistance movements, as well as the flux of
knowledge, stories and identity through the migration of people and histories.

‘Text Rain’ by Camille Utterback and Romy Achituv

textrain
Text Rain (1999, 12 MB, 2:34 min.)

‘Text Rain’ is an interactive installation in which participants
lift and play with falling letters in real time. The falling letters
form lines of a poem about bodies and language.

By Camille Utterback and Romy Achituv.