Please Don’t Look Like A Pear (2010, 10 MB, 3:22 min)
I love Donna Kuhn’s work.
I’ve rhapsodised about it here before, so I’ll just note, first,
that she continues to develop in the most thoughtful & interesting of ways
& second that this video is very funny, poetic
& scarier than most horror movies.
( Donna: ‘people don’t believe that these are completely unembellished
craigslist personals ads’)
To do all three – a coup!
More soon please Donna!
Leh-Jani (2007?, 10 MB, 3:22 min)
Omar Souleyman being the performer not the video maker,
whose name unfortunately I can’t find.
[STOP PRESS: Mark Gergis has got in touch to say he made the video.
Googling him has unravelled an interesting trail of audio & video work
which we hope to follow further in future]
Anyway the wonderful video ( & it is wonderful -even the cheesy ‘boxy’
effect which is used once & in exactly the right place –
& edit & pacing are pretty much perfect)
serves performer -what a voice!- & song admirably…couple of minutes
of sheer cool & utter exhilaration somehow
paradoxically delivered in the same package.
This is fast shaping up to be my favourite ever music vid,
and the album from Sublime Frequencies (they say they’re sold
out, but a little searching secured me a copy elsewhere) is as good
as this promises.
More to be found on Y**T***.
RAMBO (1987, 5.6 MB, 2:32 min)
ZERO ONE KILL MY DESIRE (1988, 7 MB, 3:12 min)
Early videos by Max Moswitzer using found footage material,
video collage, remix and animation.
More Max Moswitzer here.
Applause (2010, 104 MB, 1:02 min)
Last week we showed some of Kerry Baldry’s curatorial work,
now here’s one of her own pieces.
Says Kerry:
“Applause is a piece of work made on 16mm film.
Using superimposition and coloured gels Applause has been edited in camera …”
& its a smart & winning piece which punches above its weight.
It looks great & there’s something about the way the visuals work
that really illuminates the sound – the..er..um..applause-ness –
of the applause & this in turn directs us back, carefully, to the visuals.
(& both make us ponder it as a social phenomenon)
The piece made me listen attentively, mindfully, & then look &
listen & think & then do all three again.
Interview with Pablo Valbuena (2009, 43 MB, 3:46 min)
Studio Banana TV interviews visual artist and architect Pablo Valbuena.
After working in digital media designing virtual architectures for videogames,
he currently looks for new ways of using light to introduce the dimensions of
time and movement in urban spaces, altering the perception of physical space
through projected virtual realities.
Monster/Identity Prosthetic (2009, 54 MB, 1:13 min)
Documentation from last years Spark Festival of a rather splendid
installation by Todd Polenberg.
A Letter From Beirut (2006, 36.9MB, 4:41 min.)
This video letter was made on July 21, 2006 at the studios of Beirut DC, a
film and cinema collective which runs the yearly Ayam Beirut Al Cinema’iya Film
Festival. This video letter was produced in collaboration with Samidoun, a grassroots
gathering of various organizations and individuals who were involved in relief
and media efforts from the first day of the Israeli attack on Lebanon. It was
also featured at the Biennial of Arab Cinema, organized by the Arab World
Institute in Paris.
ZWlSCHENLAGERUNG EINER NULLOESUNG (1988, 10.5 MB, 4:47 min)
COMPUTER GAME (1987, 9 MB, 3:53 min)
Early videos by Max Moswitzer using found footage material, remix
and live performance.
ZWlSCHENLAGERUNG EINER NULLOESUNG was using documentary
films from 1938-1945 and was a live action performance at the
University of Applied Arts in Vienna in 1988.
COMPUTER GAME was exhibited at ARS Electronica in 1987.
More Max Moswitzer here.
