
Hans Lo – How TV Works (2009, 9.7MB, 2:15)
Series of educational videos made by Hans Lo
for his young niece Sophie.

Hans Lo – How TV Works (2009, 9.7MB, 2:15)
Series of educational videos made by Hans Lo
for his young niece Sophie.

Frames Per Second (2008, 27 MB, 3:26 min)
Video and photo installation by VJs Bopa and Bruno Tait.
The exhibition is based on the idea of using video and slide projectors to
capture a random moment in time from animations on photographic paper,
foregoing the simple system ‘screen shot’ and projecting light onto ILFORD
photo print paper.

City of Fear (2008, 118MB 4:13 min)
Tad.. er.. earnest & a bit Burroughs lite at moments,
but gripping to watch, moves along nicely and clearly the work
of someone with serious skills, strong visual sense and something to say.
The green slime section must’ve been fun to do.
More here.

nkdlunch (2009, 1:24MB 2:44 min)

coraria (2009, 1:35MB 2:09 min)
Ultimately, personally, I admire these more than I like them.
It’s clever/witty stuff, no doubt, squeezing sections of films,
or mash-ups thereof, down to the size of the old floppies
but you just feel it pretty much stops there. Is there much
to actually watch/engage with & if there is, how much of this
arises from the original material before the conceptual
shenanigans commence?
This is especially marked in ‘Coraria’, which feels entirely
parasitic upon John Cage and upon the tremendous performance &
photogenic qualities of Cora Schmeiser.
Hmm. You decide.
[There’s a more detailed ( & sympathetic!) account here
& you can buy the pieces on floppy, should you feel so moved, here]

Frames (1985, 31 MB, 6:25 min)
Early experimental Super8 films by Owen O’Toole.
Short interview with him here.

South and mobile to the house of Mina (2009, 31MB 3:18 min)
From DVblog’s own Doron Golan, this is simply stunning.
What I find so exciting is that Doron combines here
(and I haven’t spoken to him about this piece so I don’t know
whether he himself sees it this way) his fascinating & often intense
recent studies in image manipulation with something of the improvisatory
quality & narrative forward motion of earlier pieces.
In a world where so much work is predicatable and safe, what a delight
& what a tonic for the head and heart both, to see work that stretches out
like this and which so resolutely rejects the safe, the dull, the glib & the banal.

Redmires to Hillsborough and Back (2008, 274MB 21:09 min)
I love this piece, partly for sentimental reasons in that it
features the town (and in fact at two points the street)
of my birth and upbringing, but it’s not simply that.
I like the formal device upon which Dave Milner hangs this austere
& accurate portrait of a greyish October Sheffield.
Austere, but not without warmth or humour: Milner’s tussle with his SatNav,
his under the breath impatience at the traffic & the various other small
en-route mishaps lend a three dimensionality and a narrative forward
motion to what could be easily have been either a dry exercise or simply
a bit of ,for want of a better word, internet folk art…
Milner’s site, with both contemporary and (slightly) historical photos
of Sheffield and other places is compelling too.
Again, I plead guilty to a personal interest in the places times and
themes but it’s the thoroughness devoted to an evocation of place
and time that is both effective and moving.

Versions (2009, 57 MB, 6:25 min)
By Oliver Laric.
From The Internet Pavilion of La Biennale di Venezia.

Charlene Rule – Private Screening (2009, 10.9MB, 1:38)
Lovely view from Scratch TV.

Bruce Conkle (2009, 243MB, 5:32 min)
A very deftly made & absorbing documentary directed by Robert D’Esposito &
shot by Kevin Forrest about the excellent Portland, OR based artist Bruce Conkle.
It’s a bit of a download but worth it both as a nifty bit of filmmaking
(and everything is good – listen to that crystal clear sound!)
but also because Bruce’s work is great.
There’s a big fat HD version on the Vimeo link above ..
We’re leaving you with something chunky to contemplate
as we’re going to take a summer break now.
We’ll be back on September 14th (unless anything so
wonderful & time limited appears we just have to put our
Daiquiris down, shuffle into the house & post it…)
Have a good summer!