
Richard Jochum, Selfportrait as a Group #5 (2006, 14.5MB, 3:33)
Captured by Richard Jochum, proof that a photograph is much
more than we ever see: a collection, a collective process,
the self interconnected.

Richard Jochum, Selfportrait as a Group #5 (2006, 14.5MB, 3:33)
Captured by Richard Jochum, proof that a photograph is much
more than we ever see: a collection, a collective process,
the self interconnected.

Waltz (2003, 55.9MB, 7:04 min)
More ideas per second than many have in a lifetime & wonderful
& haunting & evocative & engaging & smart ones too.
She makes it look easy & natural. Think about it – bet it’s not.
A fantastic piece by veteran video artist/performer Joan Jonas found
on the invaluable Lumen Eclipse site.

Erection (1971, 180MB, 18:06 min.)
A nineteen-minute film by John and Yoko, which was made in London during
1970 and 1971. When John had heard that the London International Hotel was
to be built in Kensington, he sought permission to film its entire construction.
Once he’d obtained it he contacted the photographer Iain MacMillan and asked
him to take a series of photographs of the construction. MacMillan had a stills
camera and filmed the erection of the hotel from a fixed position for a period
of eighteen months.
The stills were presented in sequence in the film, which ended with a shot of the
completed hotel where all the lights were then turned off, leaving a black screen.
On the soundtrack Yoko sang two songs, ‘Airmale’ and ‘You’, using tapes of recordings
of Joe Jones Tone Deaf Music Co., which was, in fact, a number of toy percussion
instruments that played themselves, a squeaky style of sound devised by a former
associate of Yoke’s Fluxus days, Joe Jones. The hotel was situated at 147 Cromwell
Road and later became the London Swallow Hotel.

Amy Carpenter – Why Not? (2006, 8.4MB, 2:56)
In thinking back on the people that inspired me when
video online first began to really take hold of everyone,
I remembered Amy Carpenter’s Welcome to Amyville.
This little piece from a few years ago always stuck with me.
It felt so innovative at the time and still really outshines
many similar works to have come after it.

Bob’s Big Date (2008, 7 MB, 50 sec.)
“These are the adventures of a psychopath named Bob. Bob is not
a nice man; not even a little bit. This show is the video equivalent
of a Sunday comic strip.
Here Bob goes out on a date with Betty, perhaps the first woman
other than his mother to truly understand and appreciate him.”
From The AV Club.

comme un chat noir au fond d’un sac (2006, 18.4MB, 4:47 min)
A beautiful excerpt from Stephane Elmadjian’s feature film found
on composer Daniel Wohl’s website.
Starting off a bit intense it winds itself down and into some breathtaking stuff.

Picasso – I salute you, I embrace you! (2006, 3MB, 29 sec)

Prévert goes postcard shopping (2005, 10MB, 1:22 min)
Two gems from the excellent website of the French
Institut National de l’Audiovisuel , featuring two figures
associated with surrealism, the poet Jacques Prévert &
(seen here on crackingly deranged form) the artist Salvador Dali

Beauty (2007, 11.4MB, 1:04 min.)

Romania (2007, 19MB, 2:01 min.)
What to say, we’ve said it all, again & again, Sondheim’s
movies are a unique & indispensable body of work.
Specifically, anyone working in video on the net who
doesn’t know them is navigating blind.
For a free masterclass hop over to his site & work your
way through all the stuff with .mov or .mp4 extensions.
( I mean, don’t confine yourself to the movies but this
is dvblog)
You won’t have wasted your time.

Indian Movie [Declan Kilfeather] (2007, 3MB, 55 sec)

Punch [Kerry Baldry] (1994, 30MB, 1:14 min)

Land Gauge [Steven Ball] (1981/2008, 44MB, 1:21 min)

Upside Down World [Marty St.James] (2008, 19MB, 1:25 min)
I wrote a review of Vols. 1 to 4 of Kerry Baldry’s excellent One Minutes
project for a new journal, the Moving Image Review and Journal, and I thought it would be nice to post the pieces I discuss in it here.

Big Moth (2011, 9MB, 3:05 min)
“Experimental film and sound collage with a spoken poem
about embodying a moth”
As you do, as you do…
Another piece of strange & haunting loveliness from Simon Mclennan*.

The Head of Raymond K (2006, 25.3 MB, 2:50 min.)
“Did any of this happen? Should I quit drinking coffee?
Do I exist? Am I only a construct in the mind of some insane norwegian?
Should I quit my job? Change my head?
These are only a few of the existential questions you might ask yourself
when you venture into the head of Raymond K.“
Part 2 of 5 from Bottom Union

excerpt from ‘Word Music Fire’ (1981, 60 MB, 7:45 min)
Found at newmusicbox ,which also has lots of interesting interview footage
with the composer. Despite the low quality of this clip, it suffices to indicate
what a thrilling piece of work this (originally made for TV by Channel 13/WNET)
must be in its entirety.
I’ve been a bit of an Ashley agnostic until now, but this has really whetted my appetite
for more.
Partly it’s that, music aside, the vid by John Sanborn in collaboration with Kit Fitzgerald
from ELECTRONIC ARTS INTERMIX is so great.

European Vacation (2005, 25.6 MB, 2:18 min.)

Morning Routine (2005, 44.3 MB, 4:34 min.)
The Summer of Van Torre was hugely popular in 2005 in video blogging circles.
The wepisodes recount the life of Jon VanTorre, each week bringing him closer
to total cardiac arrest with Ether Baths, Spider-Man Nightmares, and Meat Sandwiches.
The series (which began in 2001) was presented online in 05 by “Human Dog”.
Here is an interview (2005, 67.5 MB, 13 min.) by Josh Leo with writers & directors
Jon VanTorre, Michael Schwartz and Chris Weagel.

The Mouse Escapes (2010, 56MB, 11:06 min)
After we posted the trailer for this the other week, director Simon
Mclennan was kind enough to let us post the whole movie, so here it is (and quirky, and poetic and imaginative as it promised to be, it is.)

Trailer for ADN/ARN (2003, 30 MB, 4:04 min.)
ADN/ARN was an interactive installation addressed to one person at the time,
filmed with 8 surveillance cameras, in which each visitor was invited to confide and then contractually sell a personal secret. The initial system took place in Lausanne at CIRCUIT Centre d’art contemporain.

You, the World and I (2010, 67MB, 6:10 min)
Another piece from Jon Rafman, and whilst it’s made with the same dexterity,
wit and inventiveness as all his work this one doesn’t quite hit me in the
same place as the others we’ve posted.
(Don’t get me wrong – this piece would garner unstinting praise were
it from most other people – it’s just that Rafman sets the bar high for himself).
It’s something to do with the closure-as-a-story.
It’s a bit too neat. The found material seems deployed as an aid to
story-telling rather than dripping with the glorious uncertainty and
ambiguity that chartacterised some other earlier work.
(An analogy: the difference between a Rauschenberg Combine
and a picture in shells at a seaside gift shop. Not that extreme here, of course)
None of which is meant to imply that it isn’t worth at least 12:20 min of your time…

Woods Of Arcady (2010, 44MB, 3:56 min)
The Song of the Happy Shepherd
William Butler Yeats (1865-1939)
The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.
I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.
*******************************************
Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.

Consolation Service (1999, 10 MB, 1:43 min.)
“Consolation Service” follows a young Finnish couple, Anni and J-P, as they
make public their decision to divorce. It is set in early spring in Helsinki, with
its frozen landscape on the cusp of thawing.
Consolation service (awarded at the Venice Biennial in 1999) Ahtila also
deconstructs the formation of the narrative and cinematic illusion: as though
in a straight documentary film (Cinéma vérité), both narrator and camera are
shown openly. The illusion of fiction is thus shattered, made visible. The use of
a hand-held shaking camera reminds the group Dogma 95 led by Lars Von Triers.

Beach (2009, 64 MB, 4:57 min.)
“A happy family is shown on a beach in Tel Aviv, as 100 km away a girl runs
from the bombardment of a beach in Gaza. It’s a reality where tranquility may
turn into horror in an instant. The conflicting scenes on a TV on the blink raise
the impossibility of accepting an absolute picture of a reality.”
By Guli Silberstein.

Secret 044 (2007, 10 MB, 4:27 min.)
Another secret.
See original post for details.

RINGS from #1 to #6 (2009, 24 MB, 6:35 min.)
An ongoing series (now numbering six) of one-minute unedited shots which
can each stands alone. Improvised choreography multi-reprojected on body parts,
with James Cunningham, Helen Varley Jamieson, Scotia Monkivitch and Suzon Fuks. Text by Fernand Shirren.
By Suzon Fuks.

Travelling (2004, 185 MB, 11:33 min)
Carefully made & delicious to watch travelogue
(although I think it conflates a number of different trips,
so in one sense it’s about travel itself as much as place)
from French artist Christophe Gendre.
More soon.

Singer (2005, 4.7MB, 1:15 min.)

Grouik-Grouik (2005, 11.9MB, 1:48 min.)
Accomplished stop motion shenanigans from French
videomaker Charlie Mars, self-styled ‘Videomaker from Outerspace’.