High Five Low Five/Tim and Puma Mimi


Tim and Puma Mimi: High Five Low Five (2012, 283MB, 4:22 min)

Slightly self-consciously kooky but, it must be said, splendidly
entertaining bit of both music and moving image, from -ahem –
Tim and Puma Mimi.
Curiously we were lobbied for this by a publicist type fellow.
We’re quite flattered here at DVblog that we’re thought of as having
any clout.
I should say we turned down the first couple of things he suggested
and he obviously then did his homework because this one we like, a lot.

Wheeler Winston Dixon – Serial Metaphysics

Serial Metaphysics
Serial Metaphysics #1 (1984-86, clip, 6.4MB, 1:08 min)

Serial Metaphysics
Serial Metaphysics #2 (1984-86, clip, 5.9MB, 1:08 min)

Wheeler Winston Dixon is now a professor of film studies
at the University of Nebraska, Lincoln. Before he did that he made
a lot of (on the evidence of these clips & others) really great short movies.
In particular these two clips from Serial Metaphysics, apparently almost
entirely constructed from TV ads, whet the appetite for a viewing
of the whole twenty minutes.
Dixon conjures fever dream magic from commercial banality.
Check in particular the end sequence of clip one:
David Lynch eat your heart out.

Joan Jonas – Waltz

Waltz
Waltz (2003, 55.9MB, 7:04 min)

More ideas per second than many have in a lifetime & wonderful
& haunting & evocative & engaging & smart ones too.
She makes it look easy & natural. Think about it – bet it’s not.
A fantastic piece by veteran video artist/performer Joan Jonas found
on the invaluable Lumen Eclipse site.

Jose Carlos Casado – 3D Animation work

Inside v.07
Inside.v04 (2001, 6.7MB, 1:51 min)

Newbody v.01e
Newbody.v01e (2004, 14.5MB, 3:32 min)

Two short animations from the series ‘Meat’ by Jose Carlos Casado.
Ideas of potential new forms, clones, and artificially
produced offspring are touched upon in ‘Inside.v04’
‘Newbody.v01e’ is kind of Hieronymus Bosch does the Olympics,
the stuff of nightmares & transcendent beauty too . The score, by
Sophocles Papavasilopoulos, is also a small masterpiece:
complex, yet self-effacingly serving the totality.

Morrisa Maltz & Lauren Lillie – The Caretaker


The Caretaker (2013, 397MB, 7:24 min)

We’ve been following Morrisa Maltz‘s work since just about the beginning and we’re delighted to show here her first longer, narrative (well, if you count fever dream as narrative), piece.
Quite a lot of firepower (lots of collaborators) deployed here, happily to excellent effect ( In fact the piece actually directed by Lauren Lillie although the look of it is pure & vintage MM). It all retains in buckets the goose-bump factor of earlier work but embeds it into a very satisfyingly rounded whole.
This is great work; it deserves to be seen widely.

Alan Sondheim – Over The Edge

mathematics
Over The Edge (2010, 49MB, 1:37 min)

Alan Dojoji Pushes Fau Ferdinand in the Water because
She’s not Paying Him any ATTENTION!


so the story will be about I’m trying DESPERATELY TO GET YOUR ATTENTION,
but you’re ignoring me because you’re away or sleeping or not watching the
terrific goings-on in OpenSim so I sneak up on you (because you’re not
looking) and push you into the water which is very difficult because
pushing avatars requires the greatest skill, making sure that the pusher
is right behind the pushee, otherwise the pushee escapes, so you’re pushed
into the water and just as you’re falling you wake up and type “UOY” which
can only mean it’s a backwards world, and then we’re both in the water and
I’m dancing furiously and AGAIN YOU’RE PAYING NO ATTENTION!

Alan Sondheim

Adam Mufti – Garden Cities of the Future


Adam Mufti – Garden Cities of the Future (2008, 53MB, 7:19)

Remarkable, hypnotic work from the incredibly talented Adam Mufti.
Part meditation on modern life, part perhaps futuristic foreboding,
this piece sort of leaves me speechless, though I fear a lack of
editorializing might portray lukewarm feelings.
It’s really just that I’d rather a viewer experience this on his/her own.
I thought I’d watched a 3 minute piece – only when posting this did
I discover the actual runtime is more than double what it seems.
In this case, that’s exceptional.
The video also features the voice of London actress Juliet Rylance.
The whole thing, the composition, the editing, all of it: truly stunning,
took my breath away. Find a quiet spot and enjoy.

Brian Kim Stefans – Difficult Beauty

vex1
Vex #1 (2006, 29.1MB, 2:08 min.)

vex5
Vex #5 (2006, 25.9MB, 1:09 min.)

ferrari dogs
Ferrari Dogs (2006, 25.9MB, 1:09 min.)

You know sometimes how when you first look at a work
you can’t process it immediately, it seems jumbled – wrong –
& you’re tempted to dismiss it.
Then you live with it awhile & suddenly it leaps into focus &
you realise you’re in the presence of something much richer
& more rewarding than the things which did immediately fall into place?
Do you know that feeling?
Well, that’s how I felt as I prepared this post.
The work, by the artist & poet Brian Kim Stefans, snuck up
on me & then hit me over the head.
Furthermore, there’s still a puzzling quality to it all, for me:
the Ferrari Dogs piece seems like work of a different category
to the vex pieces somehow ( as does Manchurian Rainman on
the site. Check it. Now – what is that all about?)
Anyway – I’ll take mystery over glibness anyday – I look forward to more.

Hey Ya – OutKast

HeyYa
Hey Ya (2003, 80MB, 7:36 min)

“Hey Ya!” was a 2003 number-one single recorded by André 3000 of the
hip-hop duo OutKast.
The song’s music video, directed by Bryan Barber, features a performance,
styled in the manner of TV’s black and white era (although it’s in color).
It won the MTV Video Music Awards in 2004 for Video of the Year.

Toby Tatum – The Sealed World

TobyTatumTheSealedWorld.jpg
The Sealed World (2009, 217MB, 5:59 min)

Very nicely executed short film from UK film-maker Toby Tatum,
who is clearly both gifted and imaginative.
It brings to mind an attempt to conjure in a distilled way the atmosphere of
pieces like Lucile Hadzihalilovic’s Innocence.
(and nothing wrong with this; I’m using Innocence as a point of comparison
rather than asserting influence)
I’m not sure it entirely succeeds – the act of distillation, of reduction to
suggestion, to atmosphere (ironically the very richness of the prize-winning music by Abi Fry
contributes to this) means it ends up feeling laid on a tad thickly.
Nonetheless it’s work that demands & deserves attention and I’ll be interested to see where
Tatum heads next.

Ran Slavin – Organic Urbanic

organicurbanic
Organic Urbanic (2002, 14 MB, clip, 1:17 min)
“Organic Urbanic is a reality-fiction video based on an ambient
micro/macro cosmos of the urban-organic tapestry of the city.
The local and familiar transgresses into a dense textured
urban scape. The city is featured and filtered as a distorted
blue print image of itself.
The streets cars and buildings reveal an organic living machine-symbiotica.
Organic Urbanic amplifies what is already there. Among others, a complex
inner connectivity of city factors amplified and relocated.”

By Ran Slavin
Full duration: 9:00 min.

Ran Slavin – omni1.9

omni1.9
omni1.9 (2002-97, 18 MB, 1:28 min, excerpt)
“The idea behind this loop is to show the 360 degrees of choice. The mad culmination of wanting
to go to all directions at once. Inspired by the ceiling of the Geneva airport while in transit.
Shown also as a video installation of varying loop durations on a transparent two way screen.

Like a small vignette of digital nature, the small figures are continuously looping in a busy circular
motion with the urge to span in all directions at once.This stasis, a static dance, the body like a
scanner unable to decide, caught between indecision. A seemingly digital nature. The bodies
which are silhouettes of the artist, become small digital scanner probes.”

Video and audio: Ran Slavin
Original: 6:33min/variable/2002-97

Henrik Capetillo: Moments – Illusions

moments, illusions
Moments-Illusions (2003, 44MB, 8:35 min)
Recommended to us by the estimable Sam Renseiw here’s work
by his fellow Copenhagen based artist Henrik Capetillo.
I’m assuming that since at one point this file flashes up
“PREVIEW VERSION” the actual piece is considerably higher res.
I’d love to see that version because what we get from this is
a bit of a tease – I think for this kind of digital drawing intervention
into real world footage to really work everything has to be nice and
crisp and seamless ( Rick Silva, for example, is a master at this). That said, it’s
still a haunting bit of work which lingers in the memory and makes one want more.

Monochrom – The Earth Has Been Destroyed

The Earth Has Been Destroyed
The Earth Has Been Destroyed (2010, 194MB, 5:06 min)

Something new from the splendidly sideways Austrian art/mischief wranglers
Monochrom is always welcome and this piece is no exception.
Absurd ( Popcorn for Chrissakes!!), just about hanging together,
but hanging together artfully nonetheless; even a little bit chilling too.

Other Monochrom stuff on DVblog.

Readings

readings
Readings (2008, 43 MB, 9:53 min.)

I must admit I’d never really heard of fashion video as a genre
until someone I teach showed me an astonishing piece by
Ruth Hogben & Gareth Pugh last week, which sent me off in search of more.
This piece comes from site called ShowStudio:

‘an award-winning fashion website, founded and directed by Nick Knight,
that has consistently pushed the boundaries of communicating fashion online.’

according to its ‘show studio’ page.

The piece we’re posting here is directed by Knight together with the designer
Hussein Chalayan, with editing by Ruth Hogben and music by Anthony, of Johnsons
fame.
It’s a tour de force, fizzing with ideas, a mesmerising watch,
and a fund of stealable ideas, so we’ll definitely be returning
for more, though I have to say I only see a dark void where
a living heart might have beat – there’s no speck of warmth
or humanity to it.

Jon Rafman – Woods of Arcady

woods of arcady
Woods Of Arcady (2010, 44MB, 3:56 min)

The Song of the Happy Shepherd

William Butler Yeats (1865-1939)

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.

Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.

I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.

*******************************************

Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.

Konx-om-Pax –Twin Portal

shanno
Twin Portal (2010, 11MB, 2:00 min)

Biog:

Konx-om-Pax is 25 year old Glasgow based Director/Animator/Sound Designer
Tom Scholefield. In recent years worked with Warp Records, DFA Records,
No-Fun Productions, Universal Everything and Optimo Espacio.

Normally I find it an effort to care much for digitally constructed worlds
with a kind of sci-fi undercurrent; it all seems a bit easy (no matter, of course,
that it probably isn’t) and usually more than a bit banal.
However this guy does it with considerable style and I found myself
drawn in. It’s the level of detail, the care with which its put
together and the sheer verve and -yes- beauty of it.
The audio is great too & I like the bipartite stucture of the piece.

Marina Zurkow: Slurb – single channel animation

slurb
Slurb (excerpt) (2009, 24 MB, 3:43 min.)

“Slurb” was originally commissioned for a 2009 Tampa, Fla., arts festival.
The 18 min. continuous loop with an ambient electronic pop-inspired soundtrack
paints a picture of a post-apocalyptic future world that’s been destroyed by some
sort of alluvial pollution-triggered catastrophe.
By Marina Zurkow.
Music by Lem Jay Ignacio. Additional animation: Jen Kelly

Morrisa Maltz – Previous Process

previous process
Previous Process (2010, 15MB, 1:25 min)

New work from Morrisa Maltz, both revisiting and developing
themes, images and ideas from previous work.
Maltz’s work is growing & unfolding at a slightly scary pace.
The piece too, a little bit scary; or, better, unheimlich.
Interesting to compare it even with the last piece of hers we posted here,
bare weeks ago.
I want to say Maltz has a natural feel for image, cut, sound
but I suspect it is actually worked for and worked for hard.
Good. No falling back, then, on glib facility but lots
more change, development and fascinating work to come.

Suzon Fuks – RINGS from #1 to #6

rings1to6
RINGS from #1 to #6 (2009, 24 MB, 6:35 min.)

An ongoing series (now numbering six) of one-minute unedited shots which
can each stands alone. Improvised choreography multi-reprojected on body parts,
with James Cunningham, Helen Varley Jamieson, Scotia Monkivitch and Suzon Fuks. Text by Fernand Shirren.
By Suzon Fuks.