LCDblossom_Phospherescent Polyp (2009, 8 MB, 25 sec.)
9″ LCD screen, hand-blown glass, fiber optics, plastics, resin,
enamel, acrylic, phospherescent silicon,12v led’s, custom audio/video dvd
Video sculpture by disney NASA borg.
LCDblossom_Phospherescent Polyp (2009, 8 MB, 25 sec.)
9″ LCD screen, hand-blown glass, fiber optics, plastics, resin,
enamel, acrylic, phospherescent silicon,12v led’s, custom audio/video dvd
Video sculpture by disney NASA borg.
microorganism studies (2007, 14 MB, 5:05 min.)
Work from an experimental television center residency by Zach Layton.
Resurrection (after Bouts) (2007, 3.2 MB, 30 sec.)
“A non-interactive, animated recreation of the Resurrection scene
by Dieric Bouts from 1455 made using current game development
technology and visual styles.”
By Brody Condon.
Black or White, the Gravy Version (2010, 58 MB, 2:38 min.)
An outing, or perhaps more a forced march, for Michael Jackson’s
Black or White refracted through the prism of English
whimsy that is Edward Picot (well, on occasion; fans will know
his range is much, much broader) with co-conspirator Hoola Hoop Kid.
Never understood the Jackson appeal myself but this I like a great deal.
Wish, though, they’d called it ‘Black or White, the Gravy Mix‘.
Blown Away(2003, 3MB, 52 secs)
Mental Profiling (2003, 7MB, 2:15min)
The New Saint of Louisiana (2003, 4MB, 41 secs)
Three more from Patrick Lichty.
Again- hard to believe these were made seven long digital years* ago.
Not a lot to add, except I approve his taste for Tuvan throat singing.
*Digital years a bit like dog years, of course.
The New Miranda (2003, 38MB, 2:17 min)
Blooper – Voodoo Chicks (200?, 1MB, 16 secs)
The Engines of Truth (2000?, 20MB, 5:08 min)
Our Patrick Lichty season resumes after quite the longest break ever,
partly because I misplaced the files he so generously gave us
in 2007.
Looking through these again it comes home very forcefully what
a significant role Lichty played in the development of a new language of art video,
one contemporaneous with the birth pangs and development of net art & later to
feed centrally into online art practice.
The pieces still impress as hugely imaginative and sometimes challenging
and apart from their physical size and compression don’t appear time worn
at all. In fact, in many ways they seem amazingly prescient, perhaps
even ahead of their time.
More soon.
Twin Portal (2010, 11MB, 2:00 min)
Biog:
Konx-om-Pax is 25 year old Glasgow based Director/Animator/Sound Designer
Tom Scholefield. In recent years worked with Warp Records, DFA Records,
No-Fun Productions, Universal Everything and Optimo Espacio.
Normally I find it an effort to care much for digitally constructed worlds
with a kind of sci-fi undercurrent; it all seems a bit easy (no matter, of course,
that it probably isn’t) and usually more than a bit banal.
However this guy does it with considerable style and I found myself
drawn in. It’s the level of detail, the care with which its put
together and the sheer verve and -yes- beauty of it.
The audio is great too & I like the bipartite stucture of the piece.
Slurb (excerpt) (2009, 24 MB, 3:43 min.)
“Slurb” was originally commissioned for a 2009 Tampa, Fla., arts festival.
The 18 min. continuous loop with an ambient electronic pop-inspired soundtrack
paints a picture of a post-apocalyptic future world that’s been destroyed by some
sort of alluvial pollution-triggered catastrophe.
By Marina Zurkow.
Music by Lem Jay Ignacio. Additional animation: Jen Kelly