Konx-om-Pax –Twin Portal

shanno
Twin Portal (2010, 11MB, 2:00 min)

Biog:

Konx-om-Pax is 25 year old Glasgow based Director/Animator/Sound Designer
Tom Scholefield. In recent years worked with Warp Records, DFA Records,
No-Fun Productions, Universal Everything and Optimo Espacio.

Normally I find it an effort to care much for digitally constructed worlds
with a kind of sci-fi undercurrent; it all seems a bit easy (no matter, of course,
that it probably isn’t) and usually more than a bit banal.
However this guy does it with considerable style and I found myself
drawn in. It’s the level of detail, the care with which its put
together and the sheer verve and -yes- beauty of it.
The audio is great too & I like the bipartite stucture of the piece.

Morrisa Maltz – Previous Process

previous process
Previous Process (2010, 15MB, 1:25 min)

New work from Morrisa Maltz, both revisiting and developing
themes, images and ideas from previous work.
Maltz’s work is growing & unfolding at a slightly scary pace.
The piece too, a little bit scary; or, better, unheimlich.
Interesting to compare it even with the last piece of hers we posted here,
bare weeks ago.
I want to say Maltz has a natural feel for image, cut, sound
but I suspect it is actually worked for and worked for hard.
Good. No falling back, then, on glib facility but lots
more change, development and fascinating work to come.

Suzon Fuks – RINGS from #1 to #6

rings1to6
RINGS from #1 to #6 (2009, 24 MB, 6:35 min.)

An ongoing series (now numbering six) of one-minute unedited shots which
can each stands alone. Improvised choreography multi-reprojected on body parts,
with James Cunningham, Helen Varley Jamieson, Scotia Monkivitch and Suzon Fuks. Text by Fernand Shirren.
By Suzon Fuks.

Elodie Pong

040_215_elodie_pong
Secret 040 (2006, 3 MB, 1:16 min.)

Secret from “Secrets For Sale”, a film which reveals the radical
ADN/ARN experience, an interactive installation addressed to one
person at the time, in which each visitor was invited to confide and
then contractually sell a personal secret.
Project by Elodie Pong.

Knitoscope Testimonies by Cat Mazza

alex360
alex360 (2010, 1 MB, 30 sec.)

efj360
efj360 (2010, 3 MB, 1:28 min.)

“Knitoscope Testimonies is the first web based video using “Knitoscope” software,
a program that translates digital video into a knitted animation. Knitoscope is a moving
image offshoot of microRevolt’s freeware knitPro. Knitoscope imports streaming video,
lowers the resolution, and then generates a stitch that correspondes with the pixels color.
The title “Knitoscope” is based on Edison’s early animation technology the kinetoscope,
which was a “coin operated peep show machine

By Cat Mazza.

Rick Silva – Krummholz Formation

krummholz formation
Krummholz Formation (2010, 112MB, 16:48 min)

It’s always a pleasure to post new work from Rick Silva here
and this piece is no exception.
His work has been heading somewhere strange, gripping
and utterly his own for some time now.
I find this loyalty to a very personal vision both admirable
and exemplary. I’m fascinated to see whether further development
along this path is possible or whether there will at some point be a sharp
change of direction.
(Once again with this piece I really want to see it
in a gallery -nobody is more adept or at home at work for the net than Silva
but I can’t help feeling that this work needs space and distance…)

Nigel Ayers – War Criminal

first line
War Criminal (2003 -2010, 22MB, 3:18 min)

When I first saw this piece from Nigel Ayers I assumed, quite wrongly, he
was involved with some heavy duty image manipulation in the cause of a
kind of conceptualist ‘activism’ (and I sat scratching my head at just how difficult it
must have been to get that image onto so many moving figures).

DOH! The facts are much weirder and much, much better…
Great stuff! Hats off! Not worthy, not worthy!

“Dream Sequence” by Jennifer and Kevin McCoy

dream_sequence1
Dream Sequence (2006, 5 MB, 2:31 min.)

dream_sequence2
Dream Sequence (2006, 7 MB, 3:20 min.)

“Installation view and detail images of Dream Sequence from the solo exhibition
‘Directed Dreaming’ at Postmasters, New York, March 2006.
Two parallel discs feature images from dreams that rotate slowly while the camera
remains fixed. Our sleeping selves are superimposed by way of a mirror, and the
resulting dream sequences are projected onto the wall.”

by – Jennifer and Kevin McCoy.

Eryk Salvaggio Unfinished Mpeg Haiku

first line
First Line (2002, 165kb, 7 secs)

second line
Second Line (2002, 224kb, 10 secs)

If I remember rightly Eryk Salvaggio posted a link to this tiny piece
on the Rhizome list in 2002, at a time when the Rhizome Artbase was
still rejecting some embryonic video or video like works as ‘not net-idiomatic’.
The post was something of an epiphany for me and I suspect
when the history of online video comes to be written this work,
together with the Manovich “Little Movies”, will loom large
(As beginning to find a way towards precisely a ‘net-idiomatic’
video practice).
Also: I thought then (and I still think now) it is wonderful work.
Here’s what Salvaggio said about it at the time:

Mpeg Haikus
these are short films which work in their original digital formats
as 30 to 60 second mpeg files. The idea was to stay “egoless”
as in the nature of a haiku, and so there is no design – the films
and the files are presented by whatever defaults your browser
uses. The first, “Unfinished Mpeg Haiku,” is a short 30 seconds
of an airplane’s vapor trails across the sky, the second, a 30
second loop of a bird hopping on industrial machinery.
The third line is not represented, but is intended to be the
viewer’s response, ie. dismissal, understanding, happiness,
sadness- whatever meaning the viewer makes.

The Idea of Karen Blisset

The Idea of Karen Blisset
The Idea of Karen Blisset (2010, 77 MB, 1:13 min)

On the ever splendid Netbehaviour list there are all sorts of
interesting shenanigans as Karen Blisset, a fairly long time
contributor, offers to give her e mail log in to anyone who asks for it
in order to allow them to “be” her.
One of the interesting things about it is I’m not sure how
many people have actually taken up the offer ( and, of course, there’s
no way of telling)
(Go and join Netbehaviour to get the full works, it’s a warm and
welcoming place but one, nonetheless, with a tradition of robust
and interesting debate)
Anyway, one of this set of Karens contacts us
with a movie called ‘The Idea of Karen Blisset’.
I for one expected something quite fierce & in your
face but instead there’s this rather delicate & gentle &
lovely piece.
Very nice.
Interesting to see how it all unfolds…

PS 25th July
Since we posted this, another movie from ‘Karen Blisset’ appeared on the list:

The Idea of Karen Blisset
I am Karen Blisset (2010, 17 MB, 38 secs)

and, later the same day, yet more…

Jacky Sawatzky – Follow Me

jacky_sawatzky_follow_me
Follow Me (2009, 173 MB, 7:10 min)

The first section of this piece by Jacky Sawatzky, in the library,
is one of my favourite dance video moments ever,
but the whole thing buzzes with life & ideas &
there’s a winning willingness to take risks & lack of
cynicism to it all too.
More here.

Pink Tall Bike

pink tall bike
Pink Tall Bike (2010, 50 MB, 2:16 min)

One of those does-what-it-says-on-the-can movies.
Made by Mike Stoddard & Ryan Lynch who say:

”This is our latest creation made from free bikes and parts,
comprised of three womens’ frames, bed frame iron (front fork),
and an old ATV shock.
Filmed on the Woonsocket River Bikeway in Rhode Island. ‘

…not much to add except to say it’s very diverting &
WANT ONE!

More from Rob Parrish/Hopper Video

Vampire Sun
Vampire Sun (2004, 13.7MB, 2:41 min.)
Vertigo Essay
Vertigo Essay (2004, 13.8MB, 2:30 min.)

Stuff from 2005 from Rob Parrish at Hopper Video.
Couldn’t be more packed to the gills, these movies,
with formal invention. Torn between admiration &
extreme irritation at the Edvard Grieg vocoder.
Not sure it all entirely comes off but it’s
to be commended, as is the fact that
serious thinking is clearly at work here.
Better than timidity, for sure.
(HV still going strong & well worth checking out.
We’ll revisit ourselves, I think, in the Autumn.)

Dan Graham – Beyond

dan_graham_beyond
Dan Graham – Beyond (2009, 40 MB, 3:02 min)

Narrated by Anne and Joel Ehrenkranz and Curator Chrissie Iles, artist
Dan Graham discusses Heart Pavilion (1991), Public Space,
Two Audiences (1976), and Opposing Mirror and Video Monitors (1974).
All were on view in Dan Graham: Beyond at the Whitney Museum in 2009.

Produced by the Whitney Museum.

Eddie Whelan – whats ahead

whats ahead
whats ahead (2010, 53 MB, 2:35 min)

Whilst many predicted that datamoshing would quickly become a
tired & routine Cliché who’d ever have thought someone might rather
classicize it: make of it something measured, understated, controlled
& with it yield such delicate & rarefied loveliness as does Eddie Whelan
in this music vid for The Meanest Boys.
Simply great.

Rupert Howe – The Wicker Man Remade

wickerman
The Wicker Man (2010, 12 MB, 1:09 min)

wickerman live
The Wicker Man Live (2010, 7 MB, 3:31 min)

Rupert Howe is always doing interesting things.
He’s also an early adopter of the sort of tech that in-my-old-age I
would cautiously leave a few months to see how it turns
out, so many of the interesting things he does mystify me
somewhat at first.
SO.. here he seems to have got given (?) lots of extras
(in what universe does this occur?) to remake a section of
cult British horror film The Wicker Man on Hampstead Heath.
The results are jaw dropping in two ways.
Jaw droppingly charmingly-funny.
And jaw droppingly odd.
Most of his work is essentially some combination of these
two axes. ( Plus serious skills)
As an added bonus there a kind of Making-Of-The-Wicker-Man-Remake
which apparently was originally streamed live from his mobile.
I didn’t even know you could do that.
If anything the ‘making-of’ piece surpasses the substantive one on the
Howe strangeness scale. Even his friends & colleagues seem touched too
by a species of benign insanity.
Long may he flourish.

Sun Capture – Julianne Swartz

suncapture
Sun Capture (1999, 9.6 MB, 1:23 min.)

Transferring the reflection of a natural occurrence (the movement of the sun)
from outdoors to indoors, Brooklyn-based artist Julianne Swartz creates
her site-specific installation “Sun Capture” with existing architecture, metal pole,
mirror, sun, and wind.

Brody Condon – DefaultProperties()

baptism
DefaultProperties() (2006, 6 MB, 30 sec.)

“The first in a series of re-interpretations of Late Medieval Northern
European religious paintings, DefaultPropeties(); is a non-interactive,
animated recreation of the baptism scene from the Triptych of
Jean des Trompes by Gerard David from 1505 using current game
development technology and visual styles.”
By Brody Condon.

Alan Sondheim: large tree-scan world images

Treee
treee (2006, 2.28MB, 1:03 min)

treees 3
treees 3 (2006, 5.86MB, 38 sec)

treees 8
treees 8 (2006, 9.15MB, 58 sec)

“similar to a scanning electron microscope, two images of a moving tree
with enormous detail were stitched together, warped, merged, and
analyzed at every stage. the result is a planetary configuration; one can travel
for at least an hour or two through the detailing. at times threads or
tubes appear; at times there are planes, sharpened edges, odd holes and
gaps. a tetrahedral mapping was employed.

it is this acute exploration of acute angles of inner worlds that
fascinates me. the mp4 file is small and an enormous amount of detail
is lost, but you get the idea. there are videos as well of course.
here is the resurrection of encapsulated movement-into-landscape of a
five-story tree outside the virtual environments laboratory at west
virginia”

Alan Sondheim

Donna Kuhn – Please Don’t Look Like A Pear

Applause
Please Don’t Look Like A Pear (2010, 10 MB, 3:22 min)

I love Donna Kuhn’s work.
I’ve rhapsodised about it here before, so I’ll just note, first,
that she continues to develop in the most thoughtful & interesting of ways
& second that this video is very funny, poetic
& scarier than most horror movies.
( Donna: ‘people don’t believe that these are completely unembellished
craigslist personals ads’
)
To do all three – a coup!
More soon please Donna!

Kerry Baldry – Applause

Applause
Applause (2010, 104 MB, 1:02 min)

Last week we showed some of Kerry Baldry’s curatorial work,
now here’s one of her own pieces.

Says Kerry:

“Applause is a piece of work made on 16mm film.
Using superimposition and coloured gels Applause has been edited in camera …”

& its a smart & winning piece which punches above its weight.
It looks great & there’s something about the way the visuals work
that really illuminates the sound – the..er..um..applause-ness –
of the applause & this in turn directs us back, carefully, to the visuals.
(& both make us ponder it as a social phenomenon)
The piece made me listen attentively, mindfully, & then look &
listen & think & then do all three again.

Studio Banana TV Interviews Pablo Valbuena

pablo_valbuena
Interview with Pablo Valbuena (2009, 43 MB, 3:46 min)

Studio Banana TV interviews visual artist and architect Pablo Valbuena.
After working in digital media designing virtual architectures for videogames,
he currently looks for new ways of using light to introduce the dimensions of
time and movement in urban spaces, altering the perception of physical space
through projected virtual realities.

Todd Polenberg – Monster/Identity Prosthetic

Monster/Identity Prosthetic
Monster/Identity Prosthetic (2009, 54 MB, 1:13 min)

Documentation from last years Spark Festival of a rather splendid
installation by Todd Polenberg.

Three from Writtle

Impossible Conversations
Ashleigh Smith – Impossible Conversations (2010, 75 MB, 2:30 min)

Out of Sight, Out of Mind
Emma Haggis – Out of Sight, Out of Mind (2010, 118 MB, 2:18 min)

Response
Lucy Mills – Response (2010, 108 MB, 2:02 min, silent)

So, first, I should say, Writtle is where I taught this year, but it cuts both ways:
I wouldn’t post these pieces by graduating students here on DVblog unless I
thought they were all great, which I do.
They’re also diverse, in a fascinating way.
There’s Ashleigh Smith’s haunting – stays with you long afterwards – game/real life hybrid,
Lucy Mills beauty industry critique – half mash-up, half rather brave performance,
(It’s interesting the way that all three pieces incorporate, to
some degree, elements of self performance) and Emma Haggis’s superbly made
and utterly captivating stop motion environmental piece.

In each case one can see a personal language well into its development.
(All these pieces or variants/derivatives thereof formed part of larger
installations; I’m impressed by the naturalness & lack of self consciousness
with with these three move between modes of working/presentation)

I hope they’re all still making work in ten years – given this
starting point then that would be a treat in store.

Stan Douglas – Win, Place or Show

stan_douglas
Win, Place or Show (clip) (1998, 1.6 MB, 47 sec.)

Two men are having a discussion in a small apartment. The scene,
lasting only six minutes, is filmed from twenty camera positions.
A computer program then produces some 200,000 possible combinations
of images and sounds, so the viewer always sees a different version of the story.
Win, Place or Show questions our conditioned viewing behaviour.
video installation by Stan Douglas.
from ZKM Videosammlung.

Walead Beshty on his Whitney Biennial Installation

walead_beshty
Walead Beshty – Whitney Focus (2008, 25 MB, 2:18 min)

2008 Whitney Biennial artist Walead Beshty discusses his photographs
of the former Iraqi embassy to the former East Germany (two nations that no longer exist)
and the complex ideas behind them. He also explains why his glass sculptures
have acquired multiple cracks and fissures.

Produced by the Whitney Museum.

Abe Linkoln/Triptych TV

triplightz
triplightz (2010, 2 MB, 5 sec silent palindrome loop)

3skullstr
3skullstr (2010, 18 MB, 7 sec silent palindrome loop )

skull3pth
skull3pth (2010, 2 MB, 7 sec silent palindrome loop)

Three new pieces from Abe Linkoln on the ever reliable,
ever astonishing, what was called Triptych TV.

2 from Lumière et Son

time travel
Time Travel (2010, 10 MB, 1:10 min)

A Right of Passage
A Right of Passage (2010, 14 MB, 1:04 min)

We’ve not hidden our enthusiasm here for the work,
always interesting ,often stunning, of Sam Renseiw.
Sam’s been a particularly deft & prolific exponent of the
Lumière form re-invented/discovered/conceptualised
by Andreas Haugstrup Pedersen and Brittany Shoot (of this manor).

Here the whole thing goes a stage further with a great
collaboration between Renseiw and British filmmaker/sound artist
Philip Sanderson, archived on a site called Lumière et Son
which title, for me at least, occasions both a groan and a kind of grudging admiration.

The work is great – Renseiw’s originals, with new found-sound additions
from Sanderson; playful, witty and perhaps even a a little profound,
in a Zen kind of way.

I hadn’t really clocked it properly until I saw a couple of these pieces
at a screening in London the other day.

Here’s one from that programme (the original of which
we posted here a while ago) plus another that especially
tickled me.
Splendid stuff & here’s to many more!

Derek Larson – Blank State

tootsie
Tootie (2010, 7 MB, 51 sec.)

danny_tanner
Danny Tanner (2010, 11 MB, 1:14 min.)

boss
Boss (2010, 12 MB, 1:18 min.)

“Derek Larson is concerned with “working with his hands” in the sculptural space
inside video and in blurring the lines between social and media spaces.
He describes his intention to close his videos in a “culturally dependent,
feedback-loop” and, as a sculptor, is attracted to video’s infinite reproducibility.
His works appropriate the methodologies and deadpan humor of tactical media while
drawing a focus on its formal qualities and relationships in lieu of fixed and pointed content.”
LOUIS V. E.S.P.

Edward Picot – Dr Hairy’s Address to the Nation

election
Dr Hairy’s Address to the Nation (2010, 69 MB, 9:42 min)

With the UK general election coming up on Thursday
here’s Edward Picot’s Dr Hairy putting in his three penn’orth.

Whilst previous efforts have been more straighforwardly satirical
this is simply, and quite splendidly, barking…

Because it *is* funny ( the vicar punchline being my favourite)
it’s easy to overlook how much Picot has developed as
a filmmaker -there’s a quite individual and original syntax at work here,
deployed confidently and effectively throughout.

The Insomniac City Cycles – Ran Slavin

the_insomniac_city_cycles
The Insomniac City Cycles Trailer (2004-2009, 60 MB, 1:56 min)
“A man wakes up with a bullet wound in an abandoned parking garage in Tel Aviv,
having lost his memory and a gun. As the man struggles to recall his recent past,
a woman wakes up in a Shanghai hotel from a similar dream.
A fragmented conversation with a stranger on the phone sets off a strange exploration
between the two.
Tel Aviv and Shanghai in a movie within a movie and a dream within a dream..
..In The Insomniac City Cycles Ran Slavin explores a world with internal logic built
on the axis of memory the real and the fantastic.
It is a travel through dream structures, events and un-foldings that inventively blend
mystery, neo-noir and science fiction genres with experimental film making techniques.”

Directed Written and Produced by Ran Slavin.

Marisa Olson – 2 videos

Dark Stars
Dark Stars (2006, 6.9MB, 1:30 min)

From Here
From Here (2006, 29MB, 4 min)

Two rather attractive & intriguing pieces by Marisa Olson
made at a 2006 residency at the Experimental Television Center.

Said Marisa:
“Both are made using a combination of analog & digital processes
and Dark Stars is almost completely analog.. but
then again, both appropriate found material from the internet.
From Here is the music video for Zach Layton’s remix of my song of the
same name. Dark Stars uses samples from one of those old VHS video
games”.

More from Marisa on DVblog here.

Double-Taker (Snout) – interactive installation

snout
Double-Taker (Snout) (2008, 7MB, 52 sec.)

“Double-Taker (Snout)” deals in a whimsical manner with the themes of trans-species
eye contact, gestural choreography, subjecthood, and autonomous surveillance.
The project consists of an eight-foot (2.5m) long industrial robot arm, costumed to
resemble an enormous inchworm or elephant’s trunk, which responds in unexpected
ways to the presence and movements of people in its vicinity. Sited on a low roof above
a museum entrance, and governed by a real-time machine vision algorithm,
Double-Taker (Snout) orients a supersized googly-eye towards passers-by, tracking their
bodies and suggesting an intelligent awareness of their activities. The goal of this kinetic
system is to perform convincing “double-takes” at its visitors, in which the sculpture
appears to be continually surprised by the presence of its own viewers

Troika Ranch -16 [R]EVOLUTIONS

16 [R]EVOLUTIONS
16 [R]EVOLUTIONS (2006, 3MB, 1:50 min)

I saw this piece from NY based group Troika Ranch a few years back
in deepest Essex, UK & it was utterly great –
took me about ten minutes to put my jaw back in postion after.
Certainly by far the most convincing & mature use of digital
technology/projection in a dance context I had then seen.
Much of the visual flavour comes from the Isadora real time video
manipulation software created by co-artistic director Mark Coniglio &
used together with motion sensing software.
It’s not just the tech stuff though – it’s great choreography & dance
somehow informed by the particular rhythms, logic, that the tech
feedback loop sets up, implies.
It’s the fact, too, that a company deploying cutting edge tech can
still use simple shadow & stillness to devastating effect.

donebestdone

Willow Creek Coffee
Willow Creek Coffee (2006, 14.5MB, 47 sec.)

A Greater Degree of Hardware Awareness
A Greater Degree of Hardware Awareness (2006, 25.6MB, 4:40 min.)

Is that a Shakespeare reference I see before me?
These 3 artists from Milwaukee ( who seem to have mutated
into an essentially music making outfit since) used whatever comes to
hand or mind, allied to an aesthetic that privileged
collaboration, speed & the improvisational,
to make this beautiful & engaging work.

Nam June Paik – documenta performance

NJP_documenta1977.mov
documenta performance (1977, 6 MB, 1:35 min.)

The 1977 “documenta” show, which became known as the ‘media documenta’,
opened its doors with a live satellite telecast from Kassel.
Nam June Paik appeared together with Charlotte Moorman and used the slot
for a Dadaistic, allusive excursion through his performance and installation works.
from ZKM Videosammlung.

Buky Schwartz – 2 illusory videos

buki_schwartz2
videoconstructions2 (1978, 5MB, 1:16 min.)

buki_schwartz1
The Chair (1980, 36MB, 9:54 min.)

Buky Schwartz (1932-2009), an Israeli sculptor and video artist
who passed away last year, was known for his deceptive videos
that interplay between illusory appearance and the actual ‘reality’.
The 2 vids here were exhibited at the Whitney Biennial in New York in 1981.
From the splendid Videoart.net

your eye on local sports

nick_vitou1
untitled 1 (2010, 630kb, 7 sec.)

nick_vitou2
untitled 2 (2010, 1MB, 10 sec.)

nick_vitou3
trophy sports (2010, 768kb, 8 sec.)

three miniatures from nick vitou (ormo).
all cellphone uploads to facebook.
all shot on location while running replay for a local sports television network.
..DNF chancellor with a gold eye.

& check out his music endeavors at LAPS.

Opto-Isolator – Golan Levin and Greg Baltus

optoisolator
Opto-Isolator (2007, 6MB, 46 sec.)

“Opto-Isolator inverts the condition of spectatorship by exploring the questions:
“What if artworks could know how we were looking at them? And, given this
knowledge, how might they respond to us?” The sculpture presents a solitary
mechatronic blinking eye, at human scale, which responds to the gaze of visitors
with a variety of psychosocial eye-contact behaviors that are at once familiar and
unnerving. Among other forms of feedback, Opto-Isolator looks its viewer directly
in the eye; appears to intently study its viewer’s face; looks away coyly if it is stared
at for too long; and blinks precisely one second after its visitor blinks.”

By Golan Levin and Greg Baltus.

Takashi Ito – Spacy

Private Charges
Spacy ( 1981, 14MB, 2:27)

The other day,on a whim, I bought Takashi Ito’s collected works on DVD
from the BFI shop. I’d never heard of him before.
I’m so glad I did. It is utterly compelling and remarkable work.
Spacy is an early piece and the clip here is neither complete
not particularly good quality but it does give you a taste of Ito’s early
– almost formalist – style.
There’s such delight in seeing how this broadens into the flexible,
confidently handled and singular idiom of the later pieces, where a quite
musical rigor in the formal structuring is never absent but which
also underpins a beautifully ambiguous and rich expressivity.
The whole set was one of those all too rare tingle-down-the-spine
revelations which I gulped down in a couple of sittings.
This is outstanding & important work – I urge people to become acquainted with it.

Deaf Swedish Beaver TV

deafswedishbeavertv
Deaf Swedish Beaver TV (2010, 9MB, 1:03 min)

Sooooo un-PC on just soooo many levels
and quite quite wonderful too, a great Lumière from
DVblog’s own Brittany Shoot.

my dark horse is horny – Jaron Albertin

my_dark_horse
my dark horse is horny (2008, 18MB, 1:23 min.)

Disturbingly hilarious and weird video from Jaron Albertin.

suzon fuks :: rings #1 – #6

rings1to6
rings #1 – #6 (2007, 25MB, 6:35 min.)

“Ongoing series of one-minute unedited shots which can each stands alone.
Improvised choreography multi-reprojected on body parts, counterpointed
by texts by Fernand Shirren, Maurice Bejart’s music advisor and rhythm teacher
of many dancers and choreographers, and a significant inspiration in Fuks’ work.
made collaboratively with and performed by Helen Varley Jamieson,
James Cunningham, Scotia Monkivitch and Suzon Fuks.”

Directed by Suzon Fuks.

Jolipunk – Octopus

Octopus
Octopus (2010, 56MB, 1:15 min)

When we previously featured a piece by Jolipunk we took the
exceptional step of including a warning that it might disturb.

This new piece is interesting on several counts –
(1) The somewhat in-your-face Oldboy reference/homage
(I can’t believe there’s anyone interested in film who isn’t at least
aware of that scene)
(2) The sharp focus once again on the mouth and mouth
related transgression.
(3) That -at least in my case – it didn’t send me running
for the sick bucket or even force me to turn away; indeed there’s
something even elegant (especially after the beats kick in
around 47 secs) about it.
(4) The jumpy editing and ambiguous music (which flits rapidly
from mood to mood, ominous at one time, quite lighthearted
at others) which serve both to distance us from simple disgust
and from a too easy identification with the Chan-wook Park sequence.

Sometimes work is “interesting” without being good – here
the things that make it the one make it the other too.

Veronique Hubert – Two Movies

A Venir Le Monde Sera Beau
A Cube Bavards (2009, 20MB, 2:47 min)

A Venir Le Monde Sera Beau
A Venir Le Monde Sera Beau (2009, 52MB, 9:51 min)

OK -comparisons, I’m aware, can sometimes obscure as much as they illuminate but
imagine, if you will, a female, French, slightly more lapidary, Matthew Barney and it does
seem to fit the bill.
Exemplary and wonderful strangeness from Veronique Hubert.

Eyecode – Golan Levin

eyecode
Eyecode (2007, 7MB, 52 sec.)

“Eyecode is an interactive installation whose display is wholly constructed
from its own history of being viewed. By means of a hidden camera, the system
records and replays brief video clips of its viewers’ eyes. Each clip is articulated
by the duration between two of the viewer’s blinks. The unnerving result is a
typographic tapestry of recursive observation.”

By Golan Levin.