
Tales of the Unexpected (2008, 14MB, 1:06 min.)

Debris (2008, 33MB, 3:20 min.)
By Carl Burgess.
‘Disappointment’ video here.

Tales of the Unexpected (2008, 14MB, 1:06 min.)

Debris (2008, 33MB, 3:20 min.)
By Carl Burgess.
‘Disappointment’ video here.
Another great piece from Morrisa Maltz, whom we first showed here last week.
This puts me in mind, stylistically, of another DVblog favourite, Donna Kuhn.
I mean that entirely positively – the content & tone are clearly different but there’s
something of the same dynamism and confidence in working with very diverse materials
in both artists.
“Eyecode is an interactive installation whose display is wholly constructed
from its own history of being viewed. By means of a hidden camera, the system
records and replays brief video clips of its viewers’ eyes. Each clip is articulated
by the duration between two of the viewer’s blinks. The unnerving result is a
typographic tapestry of recursive observation.”
By Golan Levin.

DEATHDISCO aphrodisiskratch remix (2006, 16.8MB, 25 sec loop)
Neat remix from 2006 by jimpunk of abe linkoln’s DEATHDISCO.mov,
posted here yesterday.
The sample is aphrodisiskratch by DJ QBert.
More jimpunk on DVblog.

DEATHDISCO (2005, 22.7MB, 1:31 min.)
From Abe Linkoln in 2005.

series 1, #10 (2006, 625KB, 1 sec. loop)

series 1, #1 (2006, 564KB, 1 sec. loop)

series 1, #20 (2006, 550KB, 1 sec. loop)
Attractive & interesting 2006 work from Belgian artist Hugo Heyrman
Despite a superficial similarity to the work of the late David Crawford
this work has a dynamic (and a charm) entirely its own.
Check out Heyrman’s Museums of the Mind site for more.

with wavering light (2010, 31MB, 3:03 min.)
Delicate, beautiful & assured work from occasional contributor here,
Brian Gibson.
I do particularly love the recorded-as-live harmonium, which, unlike
so much of the current use of music in movie-making serves to somehow
open out, rather than close off, the piece’s field of meanings.

Double Blind (clip) ( 2010, 70MB, 5:38 min)
“Annie Abrahams (from the Living Room in Montpellier, France)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.
In order to isolate them from their surroundings and make them
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.
There was no set duration.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”
Interesting and affecting convergence of the performative work
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.
We feature here only a tiny extract from the 4 hour plus performance
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.

T®1p±Ⓨ(|┐╱▒◤△▽///╱ ╱ (2010, 12MB, 2:37 min.)
By jimpunk, master of the remix & the ma$h-ups.
From – triptych.tv.