I’m Dreaming of a White President (2012, 15MB, 3:16 min)
Great bit of film-making to match a genius song.
But…but…
Of course you want Obama to win just
to wrongfoot the racists et. al. but you
can’t help wishing he’d actually done something
to merit the mad hostility of the rich, the bigots
and the terminally gullible.
Character 2/3 – Inverted Rose (2012, 43MB, 55 secs)
2nd in the series of 3, the first of which we posted last week.
I think these are lovely and haunting and I’m impressed by Morrisa
Maltz’s diligence and imagination.
(I love what she does with sound, too)
Is it just me or do these slightly conjure Isadora Duncan for anyone else?
Last one on Friday.
Puddle Extension (2007, 5MB, 6:42 min.)
Masonite, masking tape, and plastic sheeting device
designed to extend a rain puddle’s reach by 16 inches.
By Richard Haley.
In the realm of ‘A Series of Practical Performances In The Wilderness’
by Cary Peppermint and Christine Nadir. (1) (2)
Character 1/3 [Infinite Loop] (2012, 130MB, 1:07 min)
I love Morrisa Maltz’s work. I particularly relish the way
she doesn’t rest on her laurels but pushes herself ever on to new
and (over-used word in the arts but, I think, apposite here)
fearless ways of thinking about and making things.
This is the first of three pieces best described, literally,
as moving pictures.
Tremendous!
Imitations of Life (excerpt) (2003, 35MB, 4 min.)
Imitations of Life is a ten-part video that strains childhood through a history
of reproduction, culling pictures from the Lumières to
the present day in order to find the future in our past.
by experimental filmmaker Mike Hoolboom.
Adam Mufti – Garden Cities of the Future (2008, 53MB, 7:19)
Remarkable, hypnotic work from the incredibly talented Adam Mufti.
Part meditation on modern life, part perhaps futuristic foreboding,
this piece sort of leaves me speechless, though I fear a lack of
editorializing might portray lukewarm feelings.
It’s really just that I’d rather a viewer experience this on his/her own.
I thought I’d watched a 3 minute piece – only when posting this did
I discover the actual runtime is more than double what it seems.
In this case, that’s exceptional.
The video also features the voice of London actress Juliet Rylance.
The whole thing, the composition, the editing, all of it: truly stunning,
took my breath away. Find a quiet spot and enjoy.
Sunday Afternoon Narcissism (2012, 190MB, 2:46 min)
Hypnotic and disorientating chunk of enchantment from London artist
Lucy Mills.
Only one cavil and that’s the title – the self-deprecation involved might
serve to camouflage the actual richness of this piece, at least from the
casual viewer*.
Let’s be optimistic and assume careful viewing, which work of
this quality certainly merits.
* Although, on reflection, the ‘Sunday Afternoon’ also suggests a certain
dreamy languor quite in keeping with just how gently ravishing it all is.
Disappearing Body (2012, 44MB, 1:02min loop)
Time marches on but some things don’t change and one of these is
our unbounded admiration here for the work of Alan Sondheim.
This is a perhaps a lollipop in comparison to some of his work but
it is, as always, rich and beautiful and lodges both in the conscious
mind and in our dreams.
Says Sondheim:
Mark Esper’s Two-Tone Enlightenment work forms the basis
of this short video. The screen presents shadows as positive,
not negative; infrared light forms the projection source
which is read and interpreted by revolving LEDs.
The body disappears. In the video, I imitated the effect
using video echo in an attempt to erase the body almost
entirely. Mark’s piece is brilliant, and the video is a
byproduct; I take advantage of the illumination to create
a somewhat clumsy series of movements.
Thus the mechanical is made virtual, and the virtual made
mechanical; such reversals form the core of theory povera.
The One That Got Away (2005, 19MB, 9:02 min.)
In the Fall of 2004,Marisa Olson gained worldwide attention
while training to audition for American Idol
Eat up, Little Pearl – trailer (2012, 42MB, 3:26min)
Absolutely wonderful promotional/performance video from US performance/dance
outfit Mad King Thomas (whom I know little about but would love to see),
the vid directed, apparently, by Kevin Obsatz who was behind the
video haikus we posted in July.
Video…&..er…troupe…all great, great.