‘Embedded’ – Alan Sondheim in Santa Monica

restart
restart (2006, 9KB, 4 min. loop)

shift
shift (2006, 5.1MB, 57 sec.)

jig
jig (2006, 2.8MB, 32 sec.)

We’re Alan Sondheim fans here at dvblog.
When so much work on the web is banal & lacking in ambition
he is an antidote, a tonic, a reason to hope.
His restless energy & intelligence transmute everything
he engages with into art (remember Picasso & those handlebars?)
Those living in the Santa Monica area might have seen his installation
‘embedded’ (also including work by filmmaker Leslie Thornton)
at the Track 16 gallery in 2006.

Donna Kuhn – Limbo

Limbo
Limbo (2008, 26.3MB, 3:08 min)

We’ve shown Donna Kuhn’s work couple of times before.
Look at the trajectory.
It’s always been impressive but there’s a new note here:
a confidence & ambition that is really striking.
It’s a cliche but cliches are nonetheless sometimes true
-here’s someone who has found a very personal
voice & learned how sing with it in a sophisticated
& affecting way.
More here.

Broken Bones – House of Freaks

House of Freaks
Broken Bones (2006, 18.8MB, 3:11 min.)

After the murder of Bryan Harvey, half of the band House of Freaks,
I had wanted to make a music video for one of their songs as a small tribute,
but I was just too heartbroken to approach it.
I found the occasion on my last train ride home to Virginia.
I filmed this on the way down and edited it on my way back to New York.
While this talented duo had two legitimate pop hits in the 1980s
and an international fan base, their influence is far greater than
their current notoriety would suggest. I think so.

By Mica.

Shotgun Stories


Jeff Nichols – Shotgun Stories (2008, 10.3MB, 1:50)

Shotgun Stories tells the tale of two families with the
same father. One, in which the children are named
Kid, Boy, and Son, came before dad sobered up and
found Jesus. The second, his marriage to a beautiful
woman who had four more boys, was his do-over.
After his death, an explosive feud breaks out between
the grown half-siblings.
It opened to rave reviews, and from the chilling
trailer alone, I can see why.