
Save Your Skin (2007, 4 MB, 1:03 min)
Save Your Skin – stolen skins, scripted environment,
where the skins of avatars are being put on display.
A Second Life performance by Gazira Babeli.

Save Your Skin (2007, 4 MB, 1:03 min)
Save Your Skin – stolen skins, scripted environment,
where the skins of avatars are being put on display.
A Second Life performance by Gazira Babeli.

Please Don’t Look Like A Pear (2010, 10 MB, 3:22 min)
I love Donna Kuhn’s work.
I’ve rhapsodised about it here before, so I’ll just note, first,
that she continues to develop in the most thoughtful & interesting of ways
& second that this video is very funny, poetic
& scarier than most horror movies.
( Donna: ‘people don’t believe that these are completely unembellished
craigslist personals ads’)
To do all three – a coup!
More soon please Donna!

RAMBO (1987, 5.6 MB, 2:32 min)

ZERO ONE KILL MY DESIRE (1988, 7 MB, 3:12 min)
Early videos by Max Moswitzer using found footage material,
video collage, remix and animation.
More Max Moswitzer here.

A Letter From Beirut (2006, 36.9MB, 4:41 min.)
This video letter was made on July 21, 2006 at the studios of Beirut DC, a
film and cinema collective which runs the yearly Ayam Beirut Al Cinema’iya Film
Festival. This video letter was produced in collaboration with Samidoun, a grassroots
gathering of various organizations and individuals who were involved in relief
and media efforts from the first day of the Israeli attack on Lebanon. It was
also featured at the Biennial of Arab Cinema, organized by the Arab World
Institute in Paris.

Ashleigh Smith – Impossible Conversations (2010, 75 MB, 2:30 min)

Emma Haggis – Out of Sight, Out of Mind (2010, 118 MB, 2:18 min)

Lucy Mills – Response (2010, 108 MB, 2:02 min, silent)
So, first, I should say, Writtle is where I taught this year, but it cuts both ways:
I wouldn’t post these pieces by graduating students here on DVblog unless I
thought they were all great, which I do.
They’re also diverse, in a fascinating way.
There’s Ashleigh Smith’s haunting – stays with you long afterwards – game/real life hybrid,
Lucy Mills beauty industry critique – half mash-up, half rather brave performance,
(It’s interesting the way that all three pieces incorporate, to
some degree, elements of self performance) and Emma Haggis’s superbly made
and utterly captivating stop motion environmental piece.
In each case one can see a personal language well into its development.
(All these pieces or variants/derivatives thereof formed part of larger
installations; I’m impressed by the naturalness & lack of self consciousness
with with these three move between modes of working/presentation)
I hope they’re all still making work in ten years – given this
starting point then that would be a treat in store.

Walead Beshty – Whitney Focus (2008, 25 MB, 2:18 min)
2008 Whitney Biennial artist Walead Beshty discusses his photographs
of the former Iraqi embassy to the former East Germany (two nations that no longer exist)
and the complex ideas behind them. He also explains why his glass sculptures
have acquired multiple cracks and fissures.
Produced by the Whitney Museum.

Interview with Chen Chieh Jen (2008, 40 MB, 6:05 min)
Studio Banana TV interviews Taiwanese videoartist Chen Chieh Jen.
Chen

Dr Hairy’s Address to the Nation (2010, 69 MB, 9:42 min)
With the UK general election coming up on Thursday
here’s Edward Picot’s Dr Hairy putting in his three penn’orth.
Whilst previous efforts have been more straighforwardly satirical
this is simply, and quite splendidly, barking…
Because it *is* funny ( the vicar punchline being my favourite)
it’s easy to overlook how much Picot has developed as
a filmmaker -there’s a quite individual and original syntax at work here,
deployed confidently and effectively throughout.

The Insomniac City Cycles Trailer (2004-2009, 60 MB, 1:56 min)
“A man wakes up with a bullet wound in an abandoned parking garage in Tel Aviv,
having lost his memory and a gun. As the man struggles to recall his recent past,
a woman wakes up in a Shanghai hotel from a similar dream.
A fragmented conversation with a stranger on the phone sets off a strange exploration
between the two.
Tel Aviv and Shanghai in a movie within a movie and a dream within a dream..
..In The Insomniac City Cycles Ran Slavin explores a world with internal logic built
on the axis of memory the real and the fantastic.
It is a travel through dream structures, events and un-foldings that inventively blend
mystery, neo-noir and science fiction genres with experimental film making techniques.”
Directed Written and Produced by Ran Slavin.