Howe Gelb – Spiral

Spiral
Spiral (2008, 16 MB, 3:41 min)

On the whole I’m totally bored with popular music of all kinds,
especially sick at hearing how “innovative” this or that is just to find
it as dull & derivative & lazy as the rest.

SO..the wonderful Howe Gelb continues to be a signal exception
to the gloom. Passionate, odd and totally engaging music seems to flow
from him continually & ( I could be wrong) he doesn’t seem to have
fallen into the trap of giving people what he thinks they want rather
than what his artistic conscience tells him to make – or to put it better
art trumps business in his work in a shockingly unusual way.
Long may it continue.

Brantley Jones Again

Mountains
Mountains – “Interlude” (2010, 105 MB, 2:11 min)

Wistful, quirky & -well, just quite lovely – bit of filmmaking from
Brantley Jones who squeezes real magic – what feels in part like a summoning up of a child’s
eye view of the world (in the best possible sense) – from minimal resources.
Don’t be fooled though – there’s both eye and technique at work here.
We’ve shown his work here before & on the evidence of this will certainly
do so again.

The music is Interlude by Mountains from the album Sewn

Brian Gibson – On A Roof

on a roof
On A Roof (2010, 20 MB, 2:52 min)

Sheer ravishing loveliness from DVblog’s own Brian Gibson
( I posted his last piece too, I know, but he’s not making that much these days
& what he does make is just so great, I can’t resist.)
More please!

Deerhoof Music Video – Martha Colburn

deerhoof1
Wrong Time Capsule(2005, 6.6 MB, 3 Min.)

This is a music video from 2005 for the band Deerhoof, created by
the artist Martha Colburn. A self-taught filmmaker, she
animates her collages into very fancy, lo-fi, kaleidoscopic,
trash-rock adventures. If you don’t get it from this description,
she has many cilps from her films posted on her website.
Go out of your way to see her work.

By Mica.

Move – Move if you wanna – Keith Schofield

mims
“Move” (2009, 25MB, 3:06 min.)

Mims – “Move”, a hip-hop music video that used high-speed Phantom
cameras to shoot the “ultra slow-motion” dance/movement sequences.
By Keith Schofield.

Keith Schofield – “Heaven Can Wait”

charlotte-gainsbourg+beck
“Heaven Can Wait” (2009, 21MB, 2:40 min.)

Charlotte Gainsbourg & Beck music video by Keith Schofield.
Skateboard on Cheeseburgers and Floating Cloth shots inspired
by the work of William Hundley.

with wavering light – Brian Gibson

with wavering light
with wavering light (2010, 31MB, 3:03 min.)

Delicate, beautiful & assured work from occasional contributor here,
Brian Gibson.
I do particularly love the recorded-as-live harmonium, which, unlike
so much of the current use of music in movie-making serves to somehow
open out, rather than close off, the piece’s field of meanings.

Sam Renseiw – Fragmented Occurences

Fragmented Occurences
Fragmented Occurences (2010, 67MB, 4:33 min.)

It’s a little while since we featured anything from the splendid Sam
Renseiw
, so here’s a recent piece.
In contrast to many of his films, which have an incredibly strong
sense of a particular place, this was apparently composed
from odds and ends of footage from various locations during the last
few months.
I think it works beautifully; it’s instructive to see Sam intervening,
perhaps a little more than usual, at the editing level.
(His camera work is always very distinctive – there’s often a sense
-true or not- that many pieces are largely composed in the shooting.)

Whatever the case, this is, as always, a wonderful and utterly distinctive voice.

PS This is our 1000th post of the new series. Many thanks to all who have sent words of encouragement & appreciation. It makes the time spent working on DVblog feel doubly worthwhile.

Joy Comes in the Morning

joycomesInthemorning1
Joy Comes in the Morning (2005, 24MB, 4:14 min.)

“In 2005 I concepted, pitched and produced a music video for the band Xploding Plastix.
I directed and animated the video using L.A. artist Joe Ledbetter’s hand-painted elements
to create a puppet-show aesthetic.”

from Scott Friedman.

Annie Abrahams & Curt Cloninger -<em> Double Blind</em>

double blind
Double Blind (clip) ( 2010, 70MB, 5:38 min)

“Annie Abrahams (from the Living Room in Montpellier, France)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.

In order to isolate them from their surroundings and make them
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.

There was no set duration.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”


Interesting and affecting convergence of the performative work
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.

We feature here only a tiny extract from the 4 hour plus performance
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.

Complete Double Blind documentation & links

Paul Rodriguez – Flowers

Flowers
Flowers (2010, 52 MB, 3:16 min)

I really hated this piece, a music video for Former Ghosts,
the first time I saw it, although I’d previously enjoyed work
by Paul Rodriguez and posted some here.
My first impressions were confirmed by a trawl through
the publicity material surrounding it:
“A naked dude gets peed on in this disturbing clip from the electro-goth
project led by Freddy Ruppert. Director: Paul Rodriguez….”

which seemed a tad..er..calculating
I was so bemused by how much I took against the piece
that I watched it several times over to try and analyse my reactions
and the more I looked at it the more the sheer deftness,
care and feel for the medium with which it is made began to
prevail over my dislike of the content.
Rodriguez confirms himself a filmmaker of real talent, with a great eye
and superb attention to detail.
I’m not sure someone possessed of his gifts needs to work so hard to
make us look his way but I remain very interested to see where he goes next.

Michael Bell-Smith – “Walk Again” music video

walk_again
Walk Again (2006, 36 MB, 2:29 min.)

By Michael Bell-Smith.

Ask Vatne Brean –Two Short Movies

Freely Improvised Music With Digital Effects On Analog Wind Instrument In Depth Against Painted Directed Italian Reality Game Show On a Flat Screen
Freely Improvised Music With Digital Effects On Analog Wind Instrument In Depth Against Painted Directed Italian Reality Game Show On a Flat Screen (2009, 20 MB, 3:27 min)

Small creatures everywhere looking for adventures
Small creatures everywhere looking for adventures (2009, 14 MB, 2:24 min)

But not short titles eh Ask?
Work of skill, verve, charm & oddness from Ask Vatne Brean
about whom I know nothing , except I think he is Norwegian.

Update: He is Norwegian & is an 18 year old
music student.
Impressive & somewhat scary – I look forward to seeing how his
work develops.

core duo riddim – abe linkoln

core duo riddim
core duo riddim (2006, 23.8MB, 3 min)

Music video from awhile back by abe linkoln for ‘core duo’
an experimental-y, electronica-y, dance-y kind of outfit.
Good stuff !

Jason Miller – Fall Was Kind

fall was kind
Fall Was Kind (2009, 40 MB, 2:57 min)

Well, we’re a season out, but it somehow feels altogether
appropriate to feature this bit of tranquil & melancholy loveliness
on a holiday day like today.

(Made, BTW, by yet another School of Athens alumnus, Jason Miller)

We’re going to take a short break ourselves now, but we’ll be back,
batteries fully re-charged, on January 4th.

We wish everone a happy & peaceful holiday season.

SNABBEAS – GOTO80 and Ilan Katin

snabbeas
SNABBEAS (2009, 107 MB, 4:36 min.)

Music video for the GOTO80 track ‘Snabbeas’ by Ilan Katin
of Team Modul8.

Annette Hollywood – Stuttgarter Filmwinter Trailer

filmwinter trailer
Stuttgarter Filmwinter – Trailer (2009, 6 MB, 58 secs)

Adding with distinction one feels to the, perhaps hitherto
somewhat sparsely populated, genre of German-Art-Country & Western
is this quite splendid trailer from Annette Hollywood for the annual
Stuttgarter Filmwinter festival.
The subtitles are in Schwabian, the local dialect, and we
reproduce both Engilsh and Schwabian lyrics below.
Photography is by Anna Go, all else by Ms Hollywood.
Fab.

for a shooting cowboygirl like me
in the cold desert of artscenery
filmwinter is like a warm campfire
and makes filmworld much higher

they bombard you with prices of honour
like this arty wolperdonger

Aaron Cavanagh – 3D

3D
3D (2009, 52 MB, 1:42 min)

I taught Aaron Cavanagh last year at Teesside University.
I don’t know whether he’s still making video but anyone
who can make stuff as viscerally exhilarating
as this certainly should be.
Couple more from Teesside next week.

Plastilina Mosh: OXIDADOS

oxidados
OXIDADOS (2003, 13MB, 3:09 min)

Plastilina Mosh, one of the original, eclectic rock en Espanol groups.
Here is a new, old school video like the 80.

By Mica Scalin.

Two from The Silver Jews

to the max
to the max (2005, 37.9MB, 3:30 min)

Sleeping is the Only Love
sleeping is the only love (2006, 7.2MB, 2:54 min)

From The Silver Jews.

Donna Kuhn Blown Away Rose

Blown Away Rose
Blown Away Rose (2009, 48 MB, 2:06 min)

We’ve observed before how wonderfully productive
Donna Kuhn makes her relatively restricted lexicon
of images ( OK Greek Professors! -I know there’s a problem with that expression
but it does, and I don’t know what the image equivalent of lexicon is.)
Side by side with this she cautiously introduces new elements, which I look
forward to seeing her work over in her inimitable way during the course of her next few movies.
Latest is the landscape of New Mexico.
That makes me want to visit; the video as a whole makes me want to squeal with
delight.

Subterranean Homesick Blues – Bob Dylan

subterranean
subterranean homesick blues (1967-2005, 7.5MB, 1:37 min.)

Clip from –

Data Moshing with Eddie Whelan

caralion
caralion (2009, 10 MB, 1:03 min)

metalbear
METALBEAR (2009, 11 MB, 44 secs)

atlasbear
atlas bear (2009, 9 MB, 54 secs)

There’s a wonderful strangeness and abandon to Eddie Whelan’s work.
Here he indulges in some rather winning datamoshing.
It all looks garishly gorgeous but the icing for me is his choice
and use of music/sound, which resonates very effectively with the visuals.
The lion piece, in particular, seems to me to be deeply melancholy, lovely
and pretty funny, all at the same time.

‘New Me’ by Aleksandra Domanovic

newme
New Me (2006, 21 MB, 4:04 min.)

Music video for Jamie Lidell by Aleksandra Domanovic.

Florian Cramer – Floppy Films


nkdlunch (2009, 1:24MB 2:44 min)


coraria (2009, 1:35MB 2:09 min)

Ultimately, personally, I admire these more than I like them.
It’s clever/witty stuff, no doubt, squeezing sections of films,
or mash-ups thereof, down to the size of the old floppies
but you just feel it pretty much stops there. Is there much
to actually watch/engage with & if there is, how much of this
arises from the original material before the conceptual
shenanigans commence?
This is especially marked in ‘Coraria’, which feels entirely
parasitic upon John Cage and upon the tremendous performance &
photogenic qualities of Cora Schmeiser.
Hmm. You decide.

[There’s a more detailed ( & sympathetic!) account here
& you can buy the pieces on floppy, should you feel so moved, here]

Laurie Johnson – Bleak House


Bleak House (2009, 23MB, 1:34)

Assured & atmospheric piece from Laurie Johnson.
Interesting to compare it with previous work.
There’s a distinct sense of consolidation, of raising the game,
going on here.
One to watch.

Incident at Festival Pocket Films


Incident (2009, 44MB, 1:27 min)

DVblog’s Michael Szpakowski won the Jury Prize at the
Pocket Films Festival at the Forum des Images in Paris
last weekend for this short dream-documentary.

Arni & Kinski – Editors: Smokers Outside The Hospital Door

editors_smokers
Smokers Outside The Hospital Door (2007, 10MB, 5:30 min.)

The first single by the British indie rock band – Editors.
Video by Arni & Kinski. (more vids here)

House of Dreams

houseofcards1
House of Dreams (2009, 14MB, 2:57 min.)

A remix of Michael Szpakowski’s remix of Radiohead’s “House of Cards”.
Using images from Second Life and The Endless Forest, with some lyrics
which Edward Picot added in a whisper.

Wikipedia Art/Wikipedia Heart – David Kent Watson


Wikipedia Heart (2009, 36MB, 3:12 min)


Wikipedia Art (2009, 15.3MB, 1:32 min)

Being two songs by David Kent Watson inspired by the Scott Kildall/Nathaniel Stern
Wikipedia Art project, which has engendered some huffing & puffing amongst the humourless & imaginatively challenged.
The songs are neat – skillfully made, performed and recorded, & beneath the surface whimsy
there’s some depth ( in particular “Heart” seems to found a whole new hybrid discipline of
epistemological meditation through popular song).

This is in keeping with the whole WA project which unlike so many art projects which claim
to investigate something ( & usually my heart sinks when I see the word) actually does
and very effectively too.
Not only that (and I would expect this from anything involving Stern, whose work in whatever medium
or genre, is always touched with poetry) there’s a wonderfully twisted lyricism* to the WA project, which is very difficult to sum up in the usually one line required for much second rate conceptualism -the Duchamp epigone crew- which is possibly why it seems to have mostly drawn responses ranging from surly to mystified and back to grumpy in discussion in places like Art Fag City and Rhizome.
Now, generously & mischievously, Kildall & Stern have thrown the whole thing open for remixing, which is where these songs appear**.
The remixes in turn form an ongoing contribution to the padiglione internet of the current Venice Biennale -here’s the open call for contributions so what are you waiting for?!

And of course, coming back full circle to David Kent Watson, clearly one to watch. Bravo.

* & I use the term precisely & advisedly, not simply as a term of general approbation.
What I mean is this: it’s the very not-rightness, surface clumsiness
of the WA project that makes it resonate so much. This is what those who want their
art laid out like the ABC or like wonder pills, miss. It’s the failure, or refusal, of glibness
,
the stimulus to real thought, that spawns the poetry of it.
Even the language the Wikipedia serf-bureaucrats use as they flounder blindly, hilariously and painfully
seems to have been dusted with a kind of magic satire brush.

** D.o.I – I have a couple of things in there also.