Two from Marcin Rychlicki

C Point Video
C Point (2011, 32MB, 1:15 min)

cyberhero
Cyber Hero (2011, 43MB, 1:25 min)

My name is Marcin Rychlicki, , I’m 29 years old and
I live in Warsaw. For nearly three years I’ve been
creating videos for the Internet under the names
DJ Gacmaster and GacPax. An important element
of my movies is music. For some of them ,
for example, ‘Cyber Hero’, I composed it myself.
I’m trying to combine traditional music video with
the unconventionality of video art. From 2001
to 2006 I was a drummer in hardcore band C. Point.
I made this video for one of our songs: ‘Today’

*****************************************************

Both pieces great but C Point is a particular delight.
(My prejudice showing through of course, but I don’t
generally associate this musical genre with the kind
of gentle wit on display here.)
Not sure I completely understand Cyber Hero which is
apparently some sort of rejoinder to this (Huh?), but I
love the music.

Rick Silva – recap

Recap -trailer
Recap (trailer) (2006, 7.18MB, 1:12 min)

Says Rick Silva:
‘Recap is a remix of the cult classic graffiti movie
Wild Style (1982) where every piece of graffiti in
the original film has been digitally crossed out and tagged over
with the Recap tag.’

The full piece is available on DVD as an 82 minute video loop.

I find this piece intriguing. I’m pretty friendly to formalism –
it’s amazing what beauty & interest a good algorithm
(in the broadest sense) can deliver.
But here Rick Silva seems to have taken steps to eliminate
…perhaps too strong…rather…to render difficult…
the emergence (partly because the original looks so great,
haven’t seen it, so even the trailer is, for me, quite irritating,
because by definition it covers up
[and maybe this
is the point – I think the setting & hence the mode of viewing
probably make a huge difference – I could see this working
brilliantly in a gallery where one takes in some of it & moves
on, digesting, but I think I would rather have extensive dental
work than sit & watch it as movie
] what
I long to see
.) of casual beauty.

Good though!
I don’t mean to be negative!
Better than bland of course, anytime!

Iban M. Selles – De Noche

de_noche.jpg
De Noche (2010, 71MB, 3:09 min)

I like the boldness of this, constructed by Iban M. Selles entirely
(and deftly) from stills taken on the set of , as I understand it,
a different film on which Iban Selles was working.
The sound, collaged from a number of movie soundtracks, is tremendous.
The piece as a whole has a slightly provisional feel to it -a study rather
than something definitive -but dull it’s not and I look forward to seeing
more work by Selles.

Jordan McKenzie – Serra Frottage

serra_frottage
Serra Frottage (2009, 13 MB, 3:17 min)

Whenever I’m travelling through, or near to London’s Liverpool Street station
I try and make time to pass by the wonderful Richard Serra sculpture,
Fulcrum, at the Broadgate end.
I really love it, one of the most successful pieces of public art I’ve
ever seen.
I mentioned this to a friend and he sent me a link to this piece,
one of a series of ‘minimal interventions’ by Jordan McKenzie
who clearly also um – –loves– – Serra’s work.

Crystal Stilts/Kate Thomas – Departure

Departure
Departure (2009, 34 MB, 4:24 min)

I love this video for two, apparently almost entirely independent
(but maybe, in some strange, deep way, connected) reasons.
First – the music is great. I listen very little popular music these
days (which is why I’m 2 years late with this) as most of it, even
(especially!) the so called indie stuff gives the impression of
having been focus-grouped into bland submission before being let
limply loose not to offend anyone.
This, contrariwise, oozes life & not-giving-a-fuck from every note
(especially the splendidly slightly out of tune vocals; but it’s all a joy).
Secondly, director of the video, Kate Thomas, about whom I know
nothing and could find out no more, had the totally brilliant idea
of simply stringing together some footage of French students
and workers standing up for themselves against the riot cops in 68.
If this all doesn’t make you weep with barely suppressed joy please
check your pulse.

Ran Slavin – Organic Urbanic

organicurbanic
Organic Urbanic (2002, 14 MB, clip, 1:17 min)
“Organic Urbanic is a reality-fiction video based on an ambient
micro/macro cosmos of the urban-organic tapestry of the city.
The local and familiar transgresses into a dense textured
urban scape. The city is featured and filtered as a distorted
blue print image of itself.
The streets cars and buildings reveal an organic living machine-symbiotica.
Organic Urbanic amplifies what is already there. Among others, a complex
inner connectivity of city factors amplified and relocated.”

By Ran Slavin
Full duration: 9:00 min.

Ran Slavin – omni1.9

omni1.9
omni1.9 (2002-97, 18 MB, 1:28 min, excerpt)
“The idea behind this loop is to show the 360 degrees of choice. The mad culmination of wanting
to go to all directions at once. Inspired by the ceiling of the Geneva airport while in transit.
Shown also as a video installation of varying loop durations on a transparent two way screen.

Like a small vignette of digital nature, the small figures are continuously looping in a busy circular
motion with the urge to span in all directions at once.This stasis, a static dance, the body like a
scanner unable to decide, caught between indecision. A seemingly digital nature. The bodies
which are silhouettes of the artist, become small digital scanner probes.”

Video and audio: Ran Slavin
Original: 6:33min/variable/2002-97

Anne de Vries – Forecast

4cast
Forecast (2011, 58 MB, 5:04 min)

By Anne de Vries.
Text: Bertrand Russell.
Sound: James Whipple.
Tech assistance: Timur Si-Qin.

Duchamp’s Urinal

Duchamp's Fountain
Duchamp’s Fountain (2011, 93MB, 1:59 min, silent)

Fascinating bit of footage from Kev Flanagan arising out
of a piece of work by Rob Myers (together with Curt Cloninger one
of the two smartest people I know) –here’s the original post
from his blog to give some context.
The whole thing sparked an interesting discussion on the Furtherfield
(see Monday’s post) originated Netbehaviour list this week.

“Next To Heaven” Returns for a Second Season

dupont_preview
DuPont (2011, 25 MB, 2:42 min.)

smokey_preview
Smokey (2011, 25 MB, 2:45 min.)

A couple of previews from Rob Parrish

littlelines by Curt Cloninger

littlelines_curt1
littlelines (1965, 68 MB, 17:28 min)

A beautiful short experimental piece by Curt Cloninger,
messing around with ffmpeg and – “datamoshing.”.
More from Curt here.

Omer Golan – Religion

omer_golan_religion
Religion (2010, 8 MB, 1:28 min.)

“‘Religion’ is based on a language text corpus containing about 140,000 words.
With Cycling74’s Max/Msp/Jitter, I created a virtual canvas for my video that is
covered with random text from the corpus. Then used this canvas to mask a clip
of animation that I’ve prepared for that purpose, allowing only text to appear where
pixels in the original animation were moving. My goal was to give the entire clip
random text textures that are aesthetic, recognizable and unreadable.”
By Omer Golan. Sound collage: Itamar Kav Tal.

Oliver Laric – 2010 Clip Arts

mathematics
2010 Clip Arts (2010, 20MB, 3:21 min)

Stunningly executed, but, for me at least, somewhat vacuous
sequel to his 787 Clip Arts of 2006.
From oliverlaric.com

Curt Cloninger –TOM#2

touch me
Touch Me (2011, 562KB , 2:00 min)

see me
Hear Me (2011, 12MB, 1:11 min)

Second two parts of TOM (an instrumental rock opera remix in four parts)
by Curt Cloninger, of which we posted the first two last week.

Curt Cloninger –TOM

see me
See Me (2011, 57MB, 6:11 min)

feel me
Feel Me (2011, 11MB, 1:03 min)

Two parts of a rather good new work –
TOM (an instrumental rock opera remix in four parts)
by Curt Cloninger, of whom we are fans.
He remixes the 1975 film of the Who’s rock opera Tommy to striking effect.
I can’t imagine crossing the road to see the original, even for free, but
here Curt’s sense of beauty, drama and balance – which have served him
well in a number of works and projects involving remix/appropriation, notably
his fantastic playdamage project –
redeem banality to something genuinely affecting.
More next week.

Omer Golan – Non-Linear Creation

non_linear
Non-Linear Creation (2010, 58 MB, 3:16 min.)

Installation at ‘Fresh Paint 3‘ in Old Jaffa Port, Israel. the project is based on a live
camera input where the video camera is mounted above a the projection screen.
“The thought behind “Non-Linear Creation” is to think about video as some sort
of a “streaming deck of cards” which I shuffled again and again in real time using
Cycling74’s Max. I collected in a memory buffer the latest 60 cards/video frames,
shuffled them and played the outcome in 30 frames per second. The result is a video in
which the viewer is in constant, unnatural, flickering present, as it is reflected in the video.”
By Omer Golan.

Mapping Festival – Motomichi and Otto

motomichi1
Mapping Festival – Motomichi and Otto (2010, 100 MB, 5:25 min.)

Mapping Festival is organized by Modul8, the most popular VJ software in the
market and the venue “Usine / le Zo” is their primary space.
Here is a great collaboration at the event. Video mixing by Motomichi and
music performance by Otto von Schirach.

Zach Layton – microorganism studies

blueflowers320
microorganism studies (2007, 14 MB, 5:05 min.)

Work from an experimental television center residency by Zach Layton.

The Smith Family

#1
#1 (2007, 1MB, 56 secs)

#2
#1 (2007, 1MB, 57 secs)

In 2007 I ran a little competition on my site centred aound
a musical setting I had made of a tiny poem by my friends and
collaborators Robert Roth & Carletta Joy Walker for
their magazine “And Then”.

I invited remixes, either musical or visual, of the song and
these two pieces, both utterly barking & delicately poetic at one
and the same time, came winging their way from the Smith Family
in Germany.
Wonderful!

Brad Tinmouth – Happy 7

happy7
Happy 7 (2009, 5.8 MB, 32 sec.)

Happy video glitch by Brad Tinmouth.

Black or White, the Gravy Version

black or white
Black or White, the Gravy Version (2010, 58 MB, 2:38 min.)

An outing, or perhaps more a forced march, for Michael Jackson’s
Black or White refracted through the prism of English
whimsy that is Edward Picot (well, on occasion; fans will know
his range is much, much broader) with co-conspirator Hoola Hoop Kid.
Never understood the Jackson appeal myself but this I like a great deal.
Wish, though, they’d called it ‘Black or White, the Gravy Mix‘.

fair use trio live at roulette – 2001: A Space Odyssey

2001fairusefull
2001: A Space Odyssey (2007, 30 MB, 14:34 min.)

The fair use trio: zach layton, matty ostrowski, luke dubois.
From zach layton industries.

Patrick Lichty #4

Blown Away
Blown Away(2003, 3MB, 52 secs)

Mental Profiling
Mental Profiling (2003, 7MB, 2:15min)

 the new saint of louisiana
The New Saint of Louisiana (2003, 4MB, 41 secs)

Three more from Patrick Lichty.
Again- hard to believe these were made seven long digital years* ago.
Not a lot to add, except I approve his taste for Tuvan throat singing.

*Digital years a bit like dog years, of course.

More Jon Rafman

You, the World and I
You, the World and I (2010, 67MB, 6:10 min)

Another piece from Jon Rafman, and whilst it’s made with the same dexterity,
wit and inventiveness as all his work this one doesn’t quite hit me in the
same place as the others we’ve posted.
(Don’t get me wrong – this piece would garner unstinting praise were
it from most other people – it’s just that Rafman sets the bar high for himself).
It’s something to do with the closure-as-a-story.
It’s a bit too neat. The found material seems deployed as an aid to
story-telling rather than dripping with the glorious uncertainty and
ambiguity that chartacterised some other earlier work.
(An analogy: the difference between a Rauschenberg Combine
and a picture in shells at a seaside gift shop. Not that extreme here, of course)
None of which is meant to imply that it isn’t worth at least 12:20 min of your time…

Lev Manovich – Little Movies #3

manovich #5
Classical Cinema II (1994-98, 1MB, 20 secs)

manovich #6
On the Transient Nature of an Electronic Image(1994-98, 3MB, 1:47 min)

Original post

Lev Manovich – Little Movies #2

manovich #3
A Single Pixel (1994-98, 2MB, 43 secs)

manovich #4
Classical Cinema I (1994-98, 1MB, 34 secs)

Original post

Lev Manovich – Little Movies #1

manovich #1
Binary Code (1994-98, 2MB, 52 secs)

manovich #2
On the Ephemeral Nature of Little Movies (1994-98, 3MB, 1:05 min)

I mentioned the Manovich Little Movies in the post I did the
other week on Eryk Salvaggio’s ‘Unfinished Mpeg Haiku’.
In the course of writing that I went to Manovich’s site to look at them
& was surprised to find that their page was in some disarray
and the movies themselves had been removed.
Nor could I find them either in the version archived on the Rhizome Artbase.

It seems a shame for them not to be available -they’re historical
(and in many ways amazingly presecient) documents at the least,
although I find them – especially the last one – gripping and touching too.

Then I remembered the wonderful Wayback Machine and I found them
there, all snug and safe and sound.

We’ll post them here in twos in the next week or so,
in the order in which they appeared in Manovich’s
original presentation of them.
Although the image linking to it has been removed from the site
Manovich’s very interesting statement remains.
(I guess if that goes too you’ll still be able to Wayback it)

Jon Rafman – Woods of Arcady

woods of arcady
Woods Of Arcady (2010, 44MB, 3:56 min)

The Song of the Happy Shepherd

William Butler Yeats (1865-1939)

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.

Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.

I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.

*******************************************

Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.

Superman Returns & Brando too

 Brando
Jor El (1978-2006, 38MB, 3:29 min.)

Marlon Brando, the CG character, rather spookily reappears as
Jor-El in Superman Returns.
From Rhythm & Hues studios.

bad l.a. pool water – Antonio Mendoza

badlapoolwater
bad l.a. pool water (2010, 31MB, 4:14 min.)

Antonio Mendoza remix triptych.tv. Music by ‘no johnny’.

Max Moswitzer – Early Videos

rambo1987
RAMBO (1987, 5.6 MB, 2:32 min)

killmydesire
ZERO ONE KILL MY DESIRE (1988, 7 MB, 3:12 min)

Early videos by Max Moswitzer using found footage material,
video collage, remix and animation.
More Max Moswitzer here.

Max Moswitzer – early found footage and remixed videos

zwischenlagerung
ZWlSCHENLAGERUNG EINER NULLOESUNG (1988, 10.5 MB, 4:47 min)

computergame
COMPUTER GAME (1987, 9 MB, 3:53 min)

Early videos by Max Moswitzer using found footage material, remix
and live performance.
ZWlSCHENLAGERUNG EINER NULLOESUNG was using documentary
films from 1938-1945 and was a live action performance at the
University of Applied Arts in Vienna in 1988.
COMPUTER GAME was exhibited at ARS Electronica in 1987.

More Max Moswitzer here.

Three from Writtle

Impossible Conversations
Ashleigh Smith – Impossible Conversations (2010, 75 MB, 2:30 min)

Out of Sight, Out of Mind
Emma Haggis – Out of Sight, Out of Mind (2010, 118 MB, 2:18 min)

Response
Lucy Mills – Response (2010, 108 MB, 2:02 min, silent)

So, first, I should say, Writtle is where I taught this year, but it cuts both ways:
I wouldn’t post these pieces by graduating students here on DVblog unless I
thought they were all great, which I do.
They’re also diverse, in a fascinating way.
There’s Ashleigh Smith’s haunting – stays with you long afterwards – game/real life hybrid,
Lucy Mills beauty industry critique – half mash-up, half rather brave performance,
(It’s interesting the way that all three pieces incorporate, to
some degree, elements of self performance) and Emma Haggis’s superbly made
and utterly captivating stop motion environmental piece.

In each case one can see a personal language well into its development.
(All these pieces or variants/derivatives thereof formed part of larger
installations; I’m impressed by the naturalness & lack of self consciousness
with with these three move between modes of working/presentation)

I hope they’re all still making work in ten years – given this
starting point then that would be a treat in store.

Stan Douglas – Win, Place or Show

stan_douglas
Win, Place or Show (clip) (1998, 1.6 MB, 47 sec.)

Two men are having a discussion in a small apartment. The scene,
lasting only six minutes, is filmed from twenty camera positions.
A computer program then produces some 200,000 possible combinations
of images and sounds, so the viewer always sees a different version of the story.
Win, Place or Show questions our conditioned viewing behaviour.
video installation by Stan Douglas.
from ZKM Videosammlung.

Abe Linkoln/Triptych TV

triplightz
triplightz (2010, 2 MB, 5 sec silent palindrome loop)

3skullstr
3skullstr (2010, 18 MB, 7 sec silent palindrome loop )

skull3pth
skull3pth (2010, 2 MB, 7 sec silent palindrome loop)

Three new pieces from Abe Linkoln on the ever reliable,
ever astonishing Triptych TV

2 from Lumière et Son

time travel
Time Travel (2010, 10 MB, 1:10 min)

A Right of Passage
A Right of Passage (2010, 14 MB, 1:04 min)

We’ve not hidden our enthusiasm here for the work,
always interesting ,often stunning, of Sam Renseiw.
Sam’s been a particularly deft & prolific exponent of the
Lumière form re-invented/discovered/conceptualised
by Andreas Haugstrup Pedersen and Brittany Shoot (of this manor).

Here the whole thing goes a stage further with a great
collaboration between Renseiw and British filmmaker/sound artist
Philip Sanderson, archived on a site called Lumière et Son
which title, for me at least, occasions both a groan and a kind of grudging admiration.

The work is great – Renseiw’s originals, with new found-sound additions
from Sanderson; playful, witty and perhaps even a a little profound,
in a Zen kind of way.

I hadn’t really clocked it properly until I saw a couple of these pieces
at a screening in London the other day.

Here’s one from that programme (the original of which
we posted here a while ago) plus another that especially
tickled me.
Splendid stuff & here’s to many more!

Derek Larson – Blank State

tootsie
Tootie (2010, 7 MB, 51 sec.)

danny_tanner
Danny Tanner (2010, 11 MB, 1:14 min.)

boss
Boss (2010, 12 MB, 1:18 min.)

“Derek Larson is concerned with “working with his hands” in the sculptural space
inside video and in blurring the lines between social and media spaces.
He describes his intention to close his videos in a “culturally dependent,
feedback-loop” and, as a sculptor, is attracted to video’s infinite reproducibility.
His works appropriate the methodologies and deadpan humor of tactical media while
drawing a focus on its formal qualities and relationships in lieu of fixed and pointed content.”
LOUIS V. E.S.P.

The Insomniac City Cycles – Ran Slavin

the_insomniac_city_cycles
The Insomniac City Cycles Trailer (2004-2009, 60 MB, 1:56 min)
“A man wakes up with a bullet wound in an abandoned parking garage in Tel Aviv,
having lost his memory and a gun. As the man struggles to recall his recent past,
a woman wakes up in a Shanghai hotel from a similar dream.
A fragmented conversation with a stranger on the phone sets off a strange exploration
between the two.
Tel Aviv and Shanghai in a movie within a movie and a dream within a dream..
..In The Insomniac City Cycles Ran Slavin explores a world with internal logic built
on the axis of memory the real and the fantastic.
It is a travel through dream structures, events and un-foldings that inventively blend
mystery, neo-noir and science fiction genres with experimental film making techniques.”

Directed Written and Produced by Ran Slavin.

Marisa Olson – 2 videos

Dark Stars
Dark Stars (2006, 6.9MB, 1:30 min)

From Here
From Here (2006, 29MB, 4 min)

Two rather attractive & intriguing pieces by Marisa Olson
made at a 2006 residency at the Experimental Television Center.

Said Marisa:
“Both are made using a combination of analog & digital processes
and Dark Stars is almost completely analog.. but
then again, both appropriate found material from the internet.
From Here is the music video for Zach Layton’s remix of my song of the
same name. Dark Stars uses samples from one of those old VHS video
games”.

More from Marisa on DVblog here.

Deerhoof Music Video – Martha Colburn

deerhoof1
Wrong Time Capsule(2005, 6.6 MB, 3 Min.)

This is a music video from 2005 for the band Deerhoof, created by
the artist Martha Colburn. A self-taught filmmaker, she
animates her collages into very fancy, lo-fi, kaleidoscopic,
trash-rock adventures. If you don’t get it from this description,
she has many cilps from her films posted on her website.
Go out of your way to see her work.

By Mica.

Circulation by ZDEN

Circulation by ZDEN
Circulation (2003, 56.1MB, 3:24 min)

ZDEN is a Slovakian artist and a pioneer in real-time
video performing – VJing. His live visuals are produced by a
self-developed post-production tool called CIRCULATION,
a software-based real-time 3 source video mixing engine.
Visit his site.
More vids here.

suzon fuks :: rings #1 – #6

rings1to6
rings #1 – #6 (2007, 25MB, 6:35 min.)

“Ongoing series of one-minute unedited shots which can each stands alone.
Improvised choreography multi-reprojected on body parts, counterpointed
by texts by Fernand Shirren, Maurice Bejart’s music advisor and rhythm teacher
of many dancers and choreographers, and a significant inspiration in Fuks’ work.
made collaboratively with and performed by Helen Varley Jamieson,
James Cunningham, Scotia Monkivitch and Suzon Fuks.”

Directed by Suzon Fuks.

2 videos by Carl Burgess

tales_of_the_unexpected
Tales of the Unexpected (2008, 14MB, 1:06 min.)

debris
Debris (2008, 33MB, 3:20 min.)

By Carl Burgess.
‘Disappointment’ video here.

jimpunk remixes abe linkoln

deathdisco - jimpunk remix
DEATHDISCO aphrodisiskratch remix (2006, 16.8MB, 25 sec loop)

Neat remix from 2006 by jimpunk of abe linkoln’s DEATHDISCO.mov,
posted here yesterday.
The sample is aphrodisiskratch by DJ QBert.
More jimpunk on DVblog.

Abe Linkoln – DEATHDISCO

deathdisco
DEATHDISCO (2005, 22.7MB, 1:31 min.)

From Abe Linkoln in 2005.

Residential Erection – Kenneth Tin-Kin Hung

residentialerection
Residential Erection (2008, 48 MB, 4:35 min)


Two from Kate Dickinson

19th
19th ( 2010, 1MB, 1:00 min, silent)

are you ready
Are You Ready? ( 2008, 20MB, 52 secs)

Two contrasting short movies from Leeds, UK, artist Kate Dickinson.
The second should provoke a smile (did for me) but it’s
the first, in which not a great deal happens & in a deliberately
confined area of the screen to boot, that I particularly liked.
There’s a melancholy about its view of an overcast
Leeds landscape which is amplified by cropping a good deal of it out.
The resulting minimalism marshalls the viewer’s attention in a quite hypnotic way.

Derek Larson – Isness as Bourges

isness_bourges
Isness as Bourges (2009, 16MB, 9 sec.)

By Derek Larson

Velvet Jacko – Antonio Mendoza

velvetjacko
Velvet Jacko (2008, 14MB, 2:14 min.)

by Antonio Mendoza from triptych.tv.
more vids here.

Wreck & Salvage – Fun with Muybridge

muybridge
Fun with Muybridge (2009, 18 MB, 1:30 min)

Conversations with Eadweard J. Muybridge.

By Wreck & Salvage – a package of three video producers:
Erik Nelson, Adam Quirk & Aaron Valdez

Music by Kevin Bewersdorf.

Infosphere Aesthetics – disney NASA borg

CompositeUTC
Infosphere Aesthetics (2008, 13 MB, 3:12 min.)

Video documentation of “Infosphere Aesthetics” a solo show by
[dNASAb] at Cress Galleries, University of Tennessee, Chattanooga

suppendapo – Wreck & Salvage

suppendapo
suppendapo (2009, 33 MB, 2:51 min)

Are You Alive?
Wanna Stay That Way?

By Wreck & Salvage.

LOL

lolthemovie
LOL (2005, 4.3MB, 1:24 min.)

A clever trailer for the independent film – LOL.

By Mica Scalin.

SNABBEAS – GOTO80 and Ilan Katin

snabbeas
SNABBEAS (2009, 107 MB, 4:36 min.)

Music video for the GOTO80 track ‘Snabbeas’ by Ilan Katin
of Team Modul8.