
Ocean (except) (2008, 9.5MB, 1:30 min.)
by Michael Guidetti.

LSD Spell (2008, 560kb, 30 sec.)
“video banner created for Art Fag City’s masthead ”
by John Michael Boling.

Blackest Spot (2008, 18MB, 2:17 min.)
A new installation by Jody Zellen at LA’s Fringe gallery.
The Blackest Spot is an interactive installation that uses Elias Canetti’s
seminal text “Crowds and Power” as its point of departure. Viewers step
on floor mounted triggers to change images and sounds within the space.

Touch My Body (Oliver Laric version) (2008, 40.9MB, 4:18 min)

No Mariah (Caspar Stracke version) (2008, 52MB, 4:03 min)
OK, pay attention! This is complicated.
Ms Carey (or her corporate minders) release a video, which if she did have
a significant part to play in it shows such a staggering lack of self esteem
that a kind of dark despair begins to envelop me.
Artist Oliver Laric remixes it, removing all the backgrounds and replacing it with
green, for ease of a certain species of remixing.
There follows what is actually an interesting and nuanced exchange of views.
Then Caspar Stracke posts the second of our videos & MTAA make a
very funny joke.

Screen Kiss (clip) (2005, 3.1MB, 1:00 min.)
Jillian is trying to make Billy Bob Thornton jealous, inserting
herself into existing film clips and getting kisses from Daniel Day Lewis,
Vincent Gallo, Johnny Depp, and Billy Bob

Interview with Cory Arcangel (2004, 8MB, 3:35 min.)
A 2004 Interview with Cory Arcangel by Seth Thompson.

Interview with Lev Manovich (excerpt) (2006, 8.8 MB, 4:23 min.)
Lev Manovich is a Professor in Visual Arts Department, University
of California -San Diego and the author of The Language of New Media
which is hailed as

Young-Hae Chang Heavy Industries at the New Museum (2008, 62.5MB, 2:48 min)
If you don’t know them, you should; Young-Hae Chang Heavy Industries
have been responsible for some of the most spine tingling & evocative work
on the net in the last ten years,
This documentary, lifted from the indispensable Rhizome, gives a good bares bones historical
account of them in the context of a show earlier this year at the New Museum.
I didn’t see the show & whilst I’m pleased they’re getting this wider exposure I wonder
if there isn’t something quite particular about the way their work presents in a browser
(preferably, in my view, with headphones on, ie. as submerged in these delicious
& fractured quasi narratives as only the net experience will allow).
Then, it is visceral and immediate.
On the evidence here, there seems to have been something
a little more diffuse about this multiple screen installation.
I don’t know; it’s a surmise; I’d be happy to be told I’m wrong.
It raises interesting questions, though, about the transplanting of work
from browser to gallery.

LAb[au] – PixFlow #2 (2007, 132.3MB, 0:30)
PixFlow #2 is a generative artwork showing a vector field and moving particles/pixels shaping into flows as their density evolves. From the mutual influence in between vectors and particles results an unsuspected, highly evolving behavior.
a preview of the latest from LAb[au]