
2001: A Space Odyssey (2007, 30 MB, 14:34 min.)
The fair use trio: zach layton, matty ostrowski, luke dubois.
From zach layton industries.

2001: A Space Odyssey (2007, 30 MB, 14:34 min.)
The fair use trio: zach layton, matty ostrowski, luke dubois.
From zach layton industries.

Blown Away(2003, 3MB, 52 secs)

Mental Profiling (2003, 7MB, 2:15min)

The New Saint of Louisiana (2003, 4MB, 41 secs)
Three more from Patrick Lichty.
Again- hard to believe these were made seven long digital years* ago.
Not a lot to add, except I approve his taste for Tuvan throat singing.
*Digital years a bit like dog years, of course.

Bell Deep (2005, 3 MB, 22 sec.)
Excerpt from Tony Oursler work from the group exhibition – “Fairy Tales Forever”
at the Aarhus Kunstmuseum museum in Denmark in 2005.
The exhibition was a tribute to Hans Christian Andersen
on the occasion of his 200th birthday.

The New Miranda (2003, 38MB, 2:17 min)

Blooper – Voodoo Chicks (200?, 1MB, 16 secs)

The Engines of Truth (2000?, 20MB, 5:08 min)
Our Patrick Lichty season resumes after quite the longest break ever,
partly because I misplaced the files he so generously gave us
in 2007.
Looking through these again it comes home very forcefully what
a significant role Lichty played in the development of a new language of art video,
one contemporaneous with the birth pangs and development of net art & later to
feed centrally into online art practice.
The pieces still impress as hugely imaginative and sometimes challenging
and apart from their physical size and compression don’t appear time worn
at all. In fact, in many ways they seem amazingly prescient, perhaps
even ahead of their time.
More soon.

Double Fantasy (2006, 3 MB, 1:27 min.)

Double Fantasy (2006, 4 MB, 2 min.)
“Installation view and detail images of Double Fantasy 3 (Career) which was shown at the Armory Show in New York, March 2006. Each side of the sculpture has a model of a childhood career fantasy for each of us. Cameras project large scale images of it onto the wall, accompanied by a soundtrack.”
by Jennifer and Kevin McCoy.

Deep Storage (2002, 10 MB, 2:03 min.)

Transfer (2001, 7 MB, 1:28 min.)
A couple of documentaries of site specific installations by
“boundlessness” artist – Julianne Swartz.

Binary Code (1994-98, 2MB, 52 secs)

On the Ephemeral Nature of Little Movies (1994-98, 3MB, 1:05 min)
I mentioned the Manovich Little Movies in the post I did the
other week on Eryk Salvaggio’s ‘Unfinished Mpeg Haiku’.
In the course of writing that I went to Manovich’s site to look at them
& was surprised to find that their page was in some disarray
and the movies themselves had been removed.
Nor could I find them either in the version archived on the Rhizome Artbase.
It seems a shame for them not to be available -they’re historical
(and in many ways amazingly presecient) documents at the least,
although I find them – especially the last one – gripping and touching too.
Then I remembered the wonderful Wayback Machine and I found them
there, all snug and safe and sound.
We’ll post them here in twos in the next week or so,
in the order in which they appeared in Manovich’s
original presentation of them.
Although the image linking to it has been removed from the site
Manovich’s very interesting statement remains.
(I guess if that goes too you’ll still be able to Wayback it)

Woods Of Arcady (2010, 44MB, 3:56 min)
The Song of the Happy Shepherd
William Butler Yeats (1865-1939)
The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.
I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.
*******************************************
Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.

Eternal Return (2006, 4 MB, 1:54 min.)
“Eternal Return” installed at the exhibition Stop Motion at the Edith Russ Haus,
is a remake of a scene from the musical movie The Gay Divorcee.
The piece was reworked to allow a large video projection for the exhibition.”
by – Jennifer and Kevin McCoy.

Ethernet Orchestra -Distant Presences (2010, 43MB, 6:42 min)
Delicate but nonetheless ravishing beauty from the improvisation-across-the-net,
(Brazil/Sydney/Germany on this occasion) outfit Ethernet Orchestra
That our hats come off in the face of their technical achievement should go almost
without mention -this cannot have been easy to do; but to make something so devoid of
gimmickry and so entrancing too…well, I’m lost for wo

Twin Portal (2010, 11MB, 2:00 min)
Biog:
Konx-om-Pax is 25 year old Glasgow based Director/Animator/Sound Designer
Tom Scholefield. In recent years worked with Warp Records, DFA Records,
No-Fun Productions, Universal Everything and Optimo Espacio.
Normally I find it an effort to care much for digitally constructed worlds
with a kind of sci-fi undercurrent; it all seems a bit easy (no matter, of course,
that it probably isn’t) and usually more than a bit banal.
However this guy does it with considerable style and I found myself
drawn in. It’s the level of detail, the care with which its put
together and the sheer verve and -yes- beauty of it.
The audio is great too & I like the bipartite stucture of the piece.

Slurb (excerpt) (2009, 24 MB, 3:43 min.)
“Slurb” was originally commissioned for a 2009 Tampa, Fla., arts festival.
The 18 min. continuous loop with an ambient electronic pop-inspired soundtrack
paints a picture of a post-apocalyptic future world that’s been destroyed by some
sort of alluvial pollution-triggered catastrophe.
By Marina Zurkow.
Music by Lem Jay Ignacio. Additional animation: Jen Kelly

efj360 (2010, 3 MB, 1:28 min.)
“Knitoscope Testimonies is the first web based video using “Knitoscope” software,
a program that translates digital video into a knitted animation. Knitoscope is a moving
image offshoot of microRevolt’s freeware knitPro. Knitoscope imports streaming video,
lowers the resolution, and then generates a stitch that correspondes with the pixels color.
The title “Knitoscope” is based on Edison’s early animation technology the kinetoscope,
which was a “coin operated peep show machine

Krummholz Formation (2010, 112MB, 16:48 min)
It’s always a pleasure to post new work from Rick Silva here
and this piece is no exception.
His work has been heading somewhere strange, gripping
and utterly his own for some time now.
I find this loyalty to a very personal vision both admirable
and exemplary. I’m fascinated to see whether further development
along this path is possible or whether there will at some point be a sharp
change of direction.
(Once again with this piece I really want to see it
in a gallery -nobody is more adept or at home at work for the net than Silva
but I can’t help feeling that this work needs space and distance…)

From Xerox to Xerox (2010, 20MB, 8 secs)
Copy of a copy using 133 different Xerox machines…
No idea whether it’s meant to be ravishing but it is.
Ravishing. Delicate, blink-and-you-miss-it & ravishing.
From Jasper Elings.

War Criminal (2003 -2010, 22MB, 3:18 min)
When I first saw this piece from Nigel Ayers I assumed, quite wrongly, he
was involved with some heavy duty image manipulation in the cause of a
kind of conceptualist ‘activism’ (and I sat scratching my head at just how difficult it
must have been to get that image onto so many moving figures).
DOH! The facts are much weirder and much, much better…
Great stuff! Hats off! Not worthy, not worthy!

Dream Sequence (2006, 5 MB, 2:31 min.)

Dream Sequence (2006, 7 MB, 3:20 min.)
“Installation view and detail images of Dream Sequence from the solo exhibition
‘Directed Dreaming’ at Postmasters, New York, March 2006.
Two parallel discs feature images from dreams that rotate slowly while the camera
remains fixed. Our sleeping selves are superimposed by way of a mirror, and the
resulting dream sequences are projected onto the wall.”
by – Jennifer and Kevin McCoy.

First Line (2002, 165kb, 7 secs)

Second Line (2002, 224kb, 10 secs)
If I remember rightly Eryk Salvaggio posted a link to this tiny piece
on the Rhizome list in 2002, at a time when the Rhizome Artbase was
still rejecting some embryonic video or video like works as ‘not net-idiomatic’.
The post was something of an epiphany for me and I suspect
when the history of online video comes to be written this work,
together with the Manovich Little Movies, will loom large
(As beginning to find a way towards precisely a ‘net-idiomatic’
video practice).
Also: I thought then (and I still think now) it is wonderful work.
Here’s what Salvaggio said about it at the time:
Mpeg Haikus
these are short films which work in their original digital formats
as 30 to 60 second mpeg files. The idea was to stay “egoless”
as in the nature of a haiku, and so there is no design – the films
and the files are presented by whatever defaults your browser
uses. The first, “Unfinished Mpeg Haiku,” is a short 30 seconds
of an airplane’s vapor trails across the sky, the second, a 30
second loop of a bird hopping on industrial machinery.
The third line is not represented, but is intended to be the
viewer’s response, ie. dismissal, understanding, happiness,
sadness- whatever meaning the viewer makes.

Rush Creek Wilderness Trail Movie (2006, 41.1MB, 5:43 min.)
This one, from 2006, is as splendid as the one we posted yesterday.
Like that, though, there’s a deep oddness here.
Sometimes the virtual hiker is discussed in a clinical, technical, manner,
then at others anthropomorphised shamelessly.
Then the narration: -is anyone really that deadpan?
Seems like the camping isn’t confined to tents on the trail.
But then it is also utterly beguiling & lovely – makes me, at least, yearn
to pack my boots & book a flight.

A Short History of Virtual Hiking (2005, 9.1MB, 3:47 min.)
Originally posted in 2006.
‘Not sure it

Dan Graham – Beyond (2009, 40 MB, 3:02 min)
Narrated by Anne and Joel Ehrenkranz and Curator Chrissie Iles, artist
Dan Graham discusses Heart Pavilion (1991), Public Space,
Two Audiences (1976), and Opposing Mirror and Video Monitors (1974).
All were on view in Dan Graham: Beyond at the Whitney Museum in 2009.
Produced by the Whitney Museum.

DeResFX.Kill(KarmaPhysics < Elvis); (2004, 6.8 MB, 1:54 min.)
“A modification of the bloody science fiction first person
shooter computer game Unreal 2003.”
By Brody Condon.