
Jenny Holzer: PROTECT PROTECT (2009, 23MB, 2:40 min.)
Jenny Holzer discusses the programming of her LED sculptures
during the installation of the exhibition PROTECT PROTECT at
the Museum of Contemporary Art, Chicago.
From Art:21

Jenny Holzer: PROTECT PROTECT (2009, 23MB, 2:40 min.)
Jenny Holzer discusses the programming of her LED sculptures
during the installation of the exhibition PROTECT PROTECT at
the Museum of Contemporary Art, Chicago.
From Art:21

The Works (2010, 15MB, 4:27 min)

Interview/Documentary (2010, 23MB, 6:38 min)
We showed some earlier footage of the work featured here last May
and waxed lyrical about it.
Now Nathaniel Stern and Jessica Meuninck-Ganger have a show at Gallery A.O.P
in Johannesburg, South Africa, opening tomorrow, and we’re delighted
to feature two videos, one of the works themselves and one of a documentary
about their making and the impulse behind them, including interviews with
Nathaniel and Jessica.
These videos are also on a DVD* which comes with the show catalogue.
Usually I fight shy of reproducing artists’ own publicity but I’m going to
break from the rule here because what they themselves say sums the pieces
up rather nicely.
Jessica Meuninck-Ganger and Nathaniel Stern approach both old and
new media as form.
In their “Distill Life” works, the artists permanently mount translucent
prints and drawings directly on top of video screens, creating moving
images on paper. They incorporate technologies and aesthetics from
traditional printmaking – including woodblock, silk screen, etching,
lithography, photogravure etc – with the technologies and aesthetics
of contemporary digital, video and networked art, to explore images
as multidimensional.
Meuninck-Ganger and Stern hack and tweak, shoot and print,
appropriate and remix, edit and draw. Their juxtaposition of anachronistic
and disparate methods, materials and content -print and video, paper
and electronics, real and virtual – enables novel approaches to
understanding each. The artists engage with subject matter ranging
from historical portraiture to current events, from hyperreal landscapes
to socially awkward moments.
The works are surprising, wistful, enchanting, and seriously playful.
“The works are surprising, wistful, enchanting, and seriously playful.”
– absolutely!
I don’t know whether we have any readers in Johannesburg – if yes I strongly
urge you to go along to what promises to be a real treat.
* and in the interests of transparency I should say that I wrote the accompanying
music for the video documentation…

Claim Excerpts (clip, 1971, 1MB, 29 secs)

Face Off (clip, 1972, 1MB, 28 secs)

Open Book (clip, 1974, 1MB, 31 secs)

Two Track (clip, 1971, 1MB, 31 secs)
Four tiny (in every respect) but nonetheless great clips
from the fearless, troubling & wonderful Vito Acconci in his writer &
video artist phase.
The clips are from the Video Data Bank site where you’ll
be pleased to know you can with seminal
(perhaps not the best choice of word) pieces by
Acconci and others for a mere $3600…
Or you could go and check out more of his work on UBUWEB..
Some stuff about the later Acconci coming shortly.
A live performance by Julien Maire.

Infosphere Aesthetics (2008, 13 MB, 3:12 min.)
Video documentation of “Infosphere Aesthetics” a solo show by
[dNASAb] at Cress Galleries, University of Tennessee, Chattanooga

core duo riddim (2006, 23.8MB, 3 min)
Music video from awhile back by abe linkoln for ‘core duo’
an experimental-y, electronica-y, dance-y kind of outfit.
Good stuff !

On The Grid (2007, 56 MB, 3:02 min.)
HD Digital Video Loop by Michael Bell-Smith.

Grrrridwave (2006, 60 MB, 4:26 min.)
Collaborative installation between EXYZT and Boris Edelstein
of team Modul8 as part of the METAVILLA project
at the Architectural Biennale in Venice 2006.

Stuttgarter Filmwinter – Trailer (2009, 6 MB, 58 secs)
Adding with distinction one feels to the, perhaps hitherto
somewhat sparsely populated, genre of German-Art-Country & Western
is this quite splendid trailer from Annette Hollywood for the annual
Stuttgarter Filmwinter festival.
The subtitles are in Schwabian, the local dialect, and we
reproduce both Engilsh and Schwabian lyrics below.
Photography is by Anna Go, all else by Ms Hollywood.
Fab.
for a shooting cowboygirl like me
in the cold desert of artscenery
filmwinter is like a warm campfire
and makes filmworld much higher
they bombard you with prices of honour
like this arty wolperdonger

Self Portrait, NYC (2006, 19 MB, 2 min.)
HD Digital Video Loop w/ Sound by Michael Bell-Smith.

Song of the Sandias Mtns (2009, 50MB, 58 sec.)
“Shot in the Sandias Mountains of New Mexico, this was
inspired by the myth of the West, the loss of an era of
decadent travel, joblessness and death.”
By Derek Larson.

Venus 2.0 (2009, 8 MB, 30 sec.)
[DAM]Berlin Gallery will exhibit new software works by artist
Mark Napier from 5th of December 2009 to 27th of January 2010.

Text Rain (1999, 12 MB, 2:34 min.)
‘Text Rain’ is an interactive installation in which participants
lift and play with falling letters in real time. The falling letters
form lines of a poem about bodies and language.
By Camille Utterback and Romy Achituv.

Blown Away Rose (2009, 48 MB, 2:06 min)
We’ve observed before how wonderfully productive
Donna Kuhn makes her relatively restricted lexicon
of images ( OK Greek Professors! -I know there’s a problem with that expression
but it does, and I don’t know what the image equivalent of lexicon is.)
Side by side with this she cautiously introduces new elements, which I look
forward to seeing her work over in her inimitable way during the course of her next few movies.
Latest is the landscape of New Mexico.
That makes me want to visit; the video as a whole makes me want to squeal with
delight.

Untitled 1, 2 and 3 (Bullet Series) (2007, 4 MB, 40 secs)
Rather splendid film by Steven Allbutt shown as part of a film showcase
in 2007 at the 42 New Briggate Gallery in Leeds, UK.
Apart from the piece’s intrinsic merits I had said to curator Yvonne Carmichael
we’d post her call for short films to be projected in the gallery window
Dec 2009 -Feb 2010 if she sent me a nice QuickTime we could also post here.
She did & so here it is – please consider submitting something!

216 prepared dc-motors / filler wire 1.0mm (2009, 10 MB, 36 sec.)
by Swiss artist Zimoun.

Colorado (2008, 93 MB, 8:41 min)

Massif (2009, 142 MB, 110:13 min)
Continuing a line of thought, of work, which seemed to begin with
his 2007 piece A Rough Mix Rick Silva creates two new pieces
in the wholly original style he has forged over the past few years.
(Contemplate those last words – it’s a rare claim to be able to make)
The two big themes seem to be landscape/environment & various
remixing practices ( of which Silva, of course, under various pseudonyms,
is a we-are-not-worthy master).
Thre’s a lot of greatly well-intentioned and almost equally dull “environmental” art
around, it being so zeitgeisty and all, but if this is how is could be
I want more.
Big downloads but, even if you’re on a slowish connection, well worth the wait.
(The movies here are obviously compressed & reduced in size -I would love to see them
full on in a gallery context!)

The Yes Men Fix The World (2009, 37 MB, 2:30 min)
Coming to theaters in October, The Yes Men – Fix The World.
They have an unusual hobby: posing as top executives
of corporations they hate. Armed with nothing but thrift-store suits,
the Yes Men lie their way into business conferences and parody their
corporate targets in ever more extreme ways – basically doing everything
that they can to wake up their audiences to the danger of letting greed run our world.

Woodworms I (2009, 8 MB, 26 sec.)

Wind & Styrofoam I (2009, 10 MB, 29 sec.)
A couple of installations by Swiss artist Zimoun.
Woodworms I is a sound installation based on live sounds
of woodworms. In Wind & Styrofoam I, 5 stations generate
unpredictable movements of Styrofoam balls.

In G.O.D. We Trust (2009, 52 MB, 5:04 min)
In G.O.D. We Trust remixes the political and economical hardships Barrack Obama
has to overcome within various religious contexts. In the series the 44th US president keeps
reincarnating into seven various prophets, spiritual leaders and deities in order to heal the
world, including Jesus Christ, Buddha, Elegua, Lady of Guadalupe, Krishna, Mohammad and
Abraham. The series uses the pillar belief, remix the important stories and substitute the key
elements of the religious texts with current political and economical climate. Rather than
idolizing Obama, In G.O.D. We Trust examines the hope and changes the popular 44th US
president promises to deliver and the obstacle along the way.
The title of the series appropriate the US national motto, but with a twist. In G.O.D. We Trust
the word GOD is an abbreviation of Global Obama Devotion. Contrary to the artist previous
works that criticize the manipulation of religions in politics, In GOD We Trust starts from the
religious teaching and reinterpret the moral values with current affair. The result is a spiritual
journey that even Atheist cannot deny it.”
By Kenneth Tin-Kin Hung. Audio by Mr Cloak and Dagger.

iPhone Drum Circle (2009, 40 MB, 5:10 min)
On Sunday September 20 at 2pm, MTAA, Mike Koller and friends set out
a brightly colored blanket surround by a circle of chairs at McCarren Park,
Williamsburg, Brooklyn. They had amplified iPhones on which they have
downloaded touchscreen drum and bongo applications and they “jammed.”
iPhone Drum Circle (aka IPDC)

involuntaries #4 (2009, 68.4MB 7:35 min)
Love all Sondheim’s stuff but particularly the dance work.
Here he is with Azure Carter & the jaw-dropping Foofwa d’Imobilité.
Extremely odd & extremely wonderful.
There’s lots more of these on Foofwa’s site ,
all well worth checking out.
( Plus a Foofwa conducted interview with the late Merce Cunningham)