Breathing in B Flat

breathing1
Breathing in B Flat (2007, 41MB, 5:31 min.)

Breathing in B Flat – a documentation of a live performance by Curt Cloninger.

Pussy Weevil – Marina Zurkow and Julian Bleeker

weevil
Pussy Weevil (2003, 4.5MB, 1 min.)

Pussy Weevil is a screen-based 2D animated
character, that responds to the viewer

Smile Project by Jason Van Anden

smileproject
Smile Project (2003 ongoing, 12MB, 7:14 min.)

Neil and Iona are sculptures that dynamically interrelate
with each other and their audience, expressing themselves with
body language, facial expressions and strangely compelling sounds.

Jason Van Anden and The Smile Project.

History of video blogging – Vloggercon 2005

vloggercon
europe-vloggercon (2005, 6.7MB, 1:35 min.)

by Anders from – randomshow.com.

also, history and Video blogging.

Reynald Drouhin – Stamina

dslebain1
Dans le bain (1998, 32MB, 5:14 min.)

lactet21
L

cheat
Cheat (2005, 450k, 30 sec.)

Skull Project – Paul Wirhun

skulls
Skulls (2004, 6.5MB, 3min.)

A video from my blog “My Year in Art”
documenting my interactions with artists and their work.
Paul Wirhun speaks about his work The Skull Project.

By Mica Scalin.

John Mayer – In Repair – One Song, One Day

in_repair
In Repair – One Song, One Day (2005, 119MB, 18:42 min.)

John Mayer interview and studio footage, wherein he explains the writing
process in the studio of the song In Repair from the album Continuum.
With Steve Jordan and Charlie Hunter.

Moley’s Adventures – Chapter 3


Chapter 3 (2009, 39.5MB, 8:51 min)

Original post

Moley’s Adventures – Chapter 2


Chapter 2 (2009, 39.7MB, 8:45 min)

Original post

Edward Picot & Rachel – Moley’s adventures – Chapter 1


Chapter 1 (2009, 27.3MB, 4:49 min)

Edward Picot has made an intelligent and generous contribution to
the creation of a serious critical tradition around web based literature,
(although his interests are wide and by no means limited to the written word).
A lot of people, me included, have cause to be grateful to him for his
acute, measured but sympathetic assessments of their work.
Apart from his invaluable critical writing he’s also a writer and maker
of work himself.
One of the engines driving his recent creative work has been his
relationship with his young daughter Rachel.
His fantasy story The Puzzle Box,written for Rachel, was one of last year’s
delights.
Here he turns his hand to video in a more active collaboration with Rachel.
This is work that has its roots in a particularly English form of lo-fi
moving image storytelling (I know the late Oliver Postgate is a figure Edward greatly admires.)
Does it work? – in truth, not 100% – I think we feel we are trespassing slightly
on a very personal world. ‘Slightly’, though, is the operative word – there’s
something here, no doubt, & old fashioned as it may be in some
respects there’s something about the kind of adult child collaboration rendered
possible by the digital which is unlike anything previously -a kind of levelling
of the playing field…
Anyway, we’ll post all three episodes over the next weeks and allow you to
make your own minds up.

Voice by Cinzia Cremona

voice
Voice (2003, 18MB, 4:38 min.)

A performance to camera taken to its extreme with the power of digital editing,
Voice ignites a conflict between an object of desire and its uncomfortable voice.
Refusing to be passive, this female collapses the psychoanalytic good breast and
bad breast into a paradoxical creature that defies expectations. It is a witness to the
complexities of subjectivity and relationships – and of being in the world.

by Cinzia Cremona.

Regardless by Cinzia Cremona

regardless
Regardless (2007, 14MB, 3:37 min.)

A woman calls you from inside a monitor and asks you to touch her.
Yes, you. This call is for you. A presence in a box requests contact in
a game of vulnerability, seduction and power. It is a call for contact now,
but it is also a call to reflect on relationships, strength and weakness,
ethics. How do you respond to vulnerability? What do you offer?
What do you ask for? What do you take?

by Cinzia Cremona.

flickr ad

mysunset
My Sunset (2007, 9MB, 1:10 min.)

“Get a pro-account”
by Sascha Pohflepp and Jakob Schillinger.

Cinzia Cremona – Solo Show

solo_show
Solo Show (2006, 25MB, 6:22 min.)

Solo Show takes the viewer on a short trip in a complicit game of art making.
The image overlaps the body of the viewer with that of the artist. As the frame
moves from place to place, formats and titles are recalled in an attempt to
uncover the dynamics of making meaning by calling things art.

by Cinzia Cremona.

David Lynch’s Daily Weather Report


David Lynch’s Daily Weather Report, November 25, 2008 (2008, 1.1MB, 0:25)


David Lynch’s Daily Weather Report, December 16, 2008 (2008, 1.1MB, 0:19)

“People are kind of interested in weather. It

Reach – Prangstrg

Lecture Musical
Reach – A Lecture Musical (2005, 15.3MB, 3 min.)

This video gives me chills, it is simply hilarious.
Performing a musical number to such a captive
and unsuspecting audience is wicked.
Takes a lot of guts to pull a stunt like this.
Prangstgr

By Mica Scalin.

Red Shoe Delivery Service

Red Shoe Delivery Service
Red Shoe Delivery Service (2006, 18.6.5MB, 3:10 min)

Red Shoe Delivery Service is a group of artists who take
up residence in various cities & go around in a vehicle
offering people rides & um.. while people are in the vehicle
they get to look at art & uh

Squeeze Vlog

squeeze1
Squeeze 1, from Mica (2005, 820KB, 36 sec.)

squeeze2
Squeeze 2 (2005, 1MB, 36 sec.), from Charlene Rule.

squeeze3
Squeeze 3 (2005, 680KB, 36 sec.), from Leslye James.

These videos are from the Squeeze project,
the original videoblog remix game.
Squeeze began in December, 2004 and developed
organically through several individual vlogs.

By Mica.

‘Easy Listening’ – Marisa Olson

easy_listening
Easy Listening (2005, 4.2MB, 1:56 min.)

At once a performance and performance-documentation, this video
grew out of the admission that much of Marisa Olson

“Assembled Cinema” – G.H. Hovagimyan

assembled_cinema
Assembled Cinema (2006, 28.9MB, 5:19 min.)

“You walk into a room and a film/video is projected on a wall.
The scenes played are not in any particular order yet they make sense.
What occurs is that a computer is picking sequences in a random order
and playing them. Your mind and your imagination fill in the story.”

From – G.H. Hovagimyan.

A Series of Practical Performances In The Wilderness (3)

moose_and_atv
moose and atv (2005, 2MB, 46 sec.)

springwater_finale
springwater finale (2005, 6.5MB, 2:27 min.)

Final two pieces, chapters 7 & 8, from

Under Scan by Rafael Lozano-Hemmer

uscanlincoln
Under Scan (2005, 31MB, 9:51 min.)

“Under Scan” is a public art installation based on self-representation.
Thousands of “video-portraits” taken in Derby, Leicester, Lincoln, Northampton
and Nottingham are projected onto the ground; at first, the portraits are not
visible because the space is flooded by white light coming from a high-powered
projector. As people walk around the area, their shadows are cast on the ground,
revealing the video-portraits in short sequences.
By Rafael Lozano-Hemmer.

Bram Crevits and Pall Thayer on Obama


Pall Thayer – Inaugurationanimation (2009, 300MB, 49:56)

As far as I know, none of us at DVblog have become
infected with Obamania. Doesn’t mean we don’t
appreciate the fine art of the remix or dig hope.

First, from Bram Crevits of Cinamatics,
Obama’s Berlin speech, composed entirely of video shot
on cell phones. Remember when the gaze was
given to us by the TV news? Now we give it back.

Second, from Pall Thayer, a silent
animation piece of the entire inauguration.
Free to download and remix as you like. We like.

Both of these pieces surprise and amaze me by the
amount of work they must have taken to compile.
Painstaking, no? Unless these gentlemen know
something I do not, these are labor-intensive pieces
in their own respective ways. Lovely and timely.

moiMovies – Marisa Olson

moimovie
moiMovies, compilation #1 (2005, 5MB, 2:19 min.)

Consisting of short video juxtapositions of old images of
the artist andrecordings of her voice, Mo

Passage to Ill – Nathaniel Stern

pasref
Passage to Ill (1999, 5.5MB, 2:34 min)

“Passage to Ill was one of the first pieces I wrote as “hektor“,
playing the cynical romantic and trying to get in bed with “Ill”
(a punny nickname for a real person).
After seeing me perform it at the Nuyorican poet

4:33 – Rocketboom Daily with Amanda Congdon

Amanda
rb_06_apr_26 (2006, 26.5MB, 4:33 min.)

Sublimity & wit from Amanda Congdon.
from rocketboom, April 26, 2006.

Lazy Sunday

lazy_sunday
Lazy Sunday (2005, 15.7MB, 2:22 min.)

“watch this video because it

Jonathan Schipper – Opposition

opposition1
Opposition (2005, 4.5MB, 1 min.)

Interactive kinetic sculpture from Jonathan Schipper performed at Pierogi gallery in 2005.
“Two participants are taken from the audience and buckled into the saddles on either
end of the machine. The participants are then lifted into the air. Both participants are provided
hand controllers that allow them to control the movement of the saddles, which are on
pneumatically powered gimbals, and the central rotation of the machine. Some movements
are shared and some affect only one or the other of the two participants. The function of each
input button on the controllers is changed by a computer on a regular basis so that the
participants can not gain full control of the machine. A rock and roll band is playing electric
instruments near by. The amplification for the band is turned on by the machine while the
machine is in the air. The band members (Outside Man) wear helmets that isolate the band,
who can not hear anything other than their own sounds. After a few minutes the participants
are brought back to the ground and released from the machine. The band is turned off and
the machine is ready for the next cycle.”

KontraKontrolle – by Roel Wouters and Luna Maurer

kontra1
KontraKontrolle (2003, 8MB, 3:13 min.)

Performance during the Visual Power Show, Paradiso Amsterdam, October 2003
by Poly-Xelor (collaboration between Roel Wouters and Luna Maurer).
“KontraKontrolle is a performance concept where we literally stepped into the
computer-screen. By placing ourselves as icons (via bluescreen technique) on
top of the presenters screen we could interact live with the presenter’s actions.”