Oliver Laric – 2010 Clip Arts

mathematics
2010 Clip Arts (2010, 20MB, 3:21 min)

Stunningly executed, but, for me at least, somewhat vacuous
sequel to his 787 Clip Arts of 2006.
From oliverlaric.com

Array – United Visual Artists

uva_array
Array (2008, 13MB, 2 min.)

“Array is a field of columns set in the courtyard of the Chuya Nakahara
Memorial Museum in Southern Japan. The columns create a field of
light and sound which gently shifts in response to the viewers

Alan Sondheim – Over The Edge

mathematics
Over The Edge (2010, 49MB, 1:37 min)

Alan Dojoji Pushes Fau Ferdinand in the Water because
She’s not Paying Him any ATTENTION!


so the story will be about I’m trying DESPERATELY TO GET YOUR ATTENTION,
but you’re ignoring me because you’re away or sleeping or not watching the
terrific goings-on in OpenSim so I sneak up on you (because you’re not
looking) and push you into the water which is very difficult because
pushing avatars requires the greatest skill, making sure that the pusher
is right behind the pushee, otherwise the pushee escapes, so you’re pushed
into the water and just as you’re falling you wake up and type “UOY” which
can only mean it’s a backwards world, and then we’re both in the water and
I’m dancing furiously and AGAIN YOU’RE PAYING NO ATTENTION!

Alan Sondheim

Diez – Architectural Mapping Preview – Metz Station

architectual_mapping
Architecturale Mapping Preview Station Metz (2010, 53 MB, 4:14 min.)

Cette preview a

The Summer of Van Torre – Human Dog

vantorre7
European Vacation (2005, 25.6 MB, 2:18 min.)

vantorre9
Morning Routine (2005, 44.3 MB, 4:34 min.)

The Summer of Van Torre was hugely popular in 2005 in video blogging circles.
The wepisodes recount the life of Jon VanTorre, each week bringing him closer
to total cardiac arrest with Ether Baths, Spider-Man Nightmares, and Meat Sandwiches.
The series (which began in 2001) was presented online in 05 by Human Dog.

Here is an interview (2005, 67.5 MB, 13 min.) by Josh Leo with writers & directors
Jon VanTorre, Michael Schwartz and Chris Weagel.

Curt Cloninger –TOM#2

touch me
Touch Me (2011, 562KB , 2:00 min)

see me
Hear Me (2011, 12MB, 1:11 min)

Second two parts of TOM (an instrumental rock opera remix in four parts)
by Curt Cloninger, of which we posted the first two last week.

Tony Oursler – Studio: 7 Months of My Aesthetic Education (Plus Some)

met_speedup_07
7 Months of My Aesthetic Education (2005, 14 MB, 1:45 min.)

Speed up documentation from Tony Oursler‘s installation, “Studio: Seven Months of My
Aesthetic Education (Plus Some)” at the Metropolitan Museum of Art in 2005.
It combined video, sound, music and poetry to create environments that truly reflect the dissolving
boundaries of twenty-first-century culture. The work is inspired by Courbet

Thomas Bayrle – (b)alt

balt
(b)alt (1997, 2 MB, 22 sec.)

Thomas Bayrle has been pursuing the concept of developing ‘superstructures’
from encapsulated image patterns since the 1960s. He uses it for drawings,
photocopy-montages or film animations, at first needing to work painstakingly
by hand. It is now possible to process images like this more or less automatically
by computer. Thomas Bayrle meets his grandson in the computer-animated video
‘(b)alt’ and uses interconnecting, superimposed image patters to address the
sequence of human generations sensually as well as metaphorica”
From Media Art Net.

Chris Caines – Mathematics

mathematics
Mathematics (2010, 163MB, 10:40 min)

There’s a wonderful deadpan quality to this piece from Chris Caines,
which captures dream logic perfectly (and satisfyingly –
I was worried about bathos and I needn’t have.)
It looks and sounds rather sumptuous too.
I do wonder if it couldn’t have moved just a tad quicker…

Annie Abrahams

mathematics
Mutant #2 (2010, 64MB, 4:04 min)

Annie Abrahams is a singular and compelling voice, her singularity
ironically copper-bottomed by her willingness to embrace the network
& collaboration thereon fearlessly, inquisitively and to always
striking effect. This piece is described as a video arising out of
the second session of a
“Telematic Performance / Experiment investigating communication and
relational dynamics in a dispersed group.”

and it’s bewitching.
The pages documenting it bear the motto
“Communication is never clean, smooth and transparent”
True – and to turn that truth into crystalline & affecting art is a little miracle.