Estella Cumberford – Friendsource14

Friendsource14.jpg
Friendsource14 (2011, 21MB, 1:18 min)

This piece, by Estella Cumberford, is great on a whole number of fronts.
Firstly it’s really nicely made.
The images walk that difficult line between
telling us too much and too little, and the audio
(processed, apparently, in GarageBand) is well judged,
well executed and more than a little engaging.
You wouldn’t guess from the piece’s surface simplicity
(first impressions only of course, anyway. Examine it closely
and see how hand-made and un-algorithmic it is)
the layers of structuring and processing that went into
it but I can’t help feeling these do manifest in the sense of
its coherence, richness and general success as a work of art.
The text was sourced & assembled from status updates on F******* of
14 of the artist’s friends. This then read by her & processed as noted.
The images were then grown (organic metaphors seem somehow
particularly apposite) out of this text and rendered by a kind of
shadow screen technique.
It’s an exquisite piece of work.
Transparency dictates I tell you that I teach Estella
at Writtle. (I use the word teach loosely -as with most of
the students we have an absorbing and on-going dialogue.)
It’s work like this that makes that part of my life so rewarding.

James Seo – Asynchrony – Split (Head)

asynchrony_split_head
Asynchrony – Split (Head) (2006, 11 MB, 2:14 min)

“My latest project is Asynchrony. It’s a set of four interactive sketches for the
simultaneous visualization of multiple points in time within video. When combined
with time-lapse or looped video clips, each sketch generates a crudely synthesized
image of different time points in video, all within the shared space of the visual frame.
They divide the video frame into static or animated rectangular regions,
each of which can have its own time flow.”
by James Jung-Hoon Seo.
from Split Screen.

Ruth Catlow – Landscape

love_is_a_wave.jpg
Landscape (2011, 114MB, 3:12 min)

Ravishing piece of work from my friend and colleague Ruth Catlow
who is also co-director of the indispensible Furtherfield.org

We’ve been talking a lot amongst ourselves and with our students about
continuities across art history and about hybrid techniques which
meld both the ancient and the newest.
Filmed in the New Forest, this piece (apart from its great beauty)
is an exemplar of this approach and pathbreaking in its way.
(More so than much which, dull-eyed, shouts and waves the latest thing
from the rooftops.)
The oldest kind of mark making, delicately but robustly realised,
captured on a tiny portable video camera in a semi-performative
way and then networked…
Beautiful and nourishing both.

Jimi Bogdanov

Movie #4
Movie #4 (2006, 1.9MB, 44 sec)

Movie #14
Movie #14 (2006, 2.9MB, 1:12 min)

Interesting work from Canadian film maker Jimi Bogdanov.

Movie #4 , in particular, has a fragile & arresting beauty.

Roundabout

Roundabout
Roundabout (n/d, 5MB, 35 sec.)

Found in the inspiration section of VJ Forums.

Alan Sondheim – Two Movies

after the fall
After the Fall (2011, 44 MB, 1:01 min)

antenna
Antenna (2011, 65 MB, 57 secs)

Two very different and very beautiful movies from Alan Sondheim.

Rick Silva – recap

Recap -trailer
Recap (trailer) (2006, 7.18MB, 1:12 min)

Says Rick Silva:
Recap is a remix of the cult classic graffiti movie
Wild Style (1982) where every piece of graffiti in
the original film has been digitally crossed out and tagged over
with the Recap tag.’

The full piece is available on DVD as an 82 minute video loop.

I find this piece intriguing. I’m pretty friendly to formalism –
it’s amazing what beauty & interest a good algorithm
(in the broadest sense) can deliver.
But here Rick Silva seems to have taken steps to eliminate
…perhaps too strong…rather…to render difficult
the emergence (partly because the original looks so great,
haven’t seen it, so even the trailer is, for me, quite irritating,
because by definition it covers up
[and maybe this
is the point – I think the setting & hence the mode of viewing
probably make a huge difference – I could see this working
brilliantly in a gallery where one takes in some of it & moves
on, digesting, but I think I would rather have extensive dental
work than sit & watch it as movie
] what
I long to see
.) of casual beauty.

Good though!
I don’t mean to be negative!
Better than bland of course, anytime!

The Head of Raymond K – Bottom Union

theheadofraymond
The Head of Raymond K (2006, 25.3 MB, 2:50 min.)

“Did any of this happen? Should I quit drinking coffee?
Do I exist? Am I only a construct in the mind of some insane norwegian?
Should I quit my job? Change my head?
These are only a few of the existential questions you might ask yourself
when you venture into the head of Raymond K.

Part 2 of 5 from Bottom Union

Josh Weinstein – “Cross Examination”

Cross Examination
Cross Examination (2005, 11.4MB, 5:40 min)

Made in 2005, this is a really extraordinary piece for lots of reasons:

(1) It’s so carefully made ( & must have taken no little work)
(2) The chutzpah quotient is almost 100%
(3) There is more here than meets the eye
(4) The use of music (in its second appearance very reminiscent
of the school of Rifle/Hartley but spot on nonetheless)
(5) The warmth, genuine warmth; the real insight into people

As you see here Josh Weinstein, Brooklyn based film maker
does a lot of work for corporate clients. Hmmm.
Really, all you can think is, on the basis of this, they get way,
way more & better than they could possibly deserve.

Iban M. Selles – De Noche

de_noche.jpg
De Noche (2010, 71MB, 3:09 min)

I like the boldness of this, constructed by Iban M. Selles entirely
(and deftly) from stills taken on the set of , as I understand it,
a different film on which Iban Selles was working.
The sound, collaged from a number of movie soundtracks, is tremendous.
The piece as a whole has a slightly provisional feel to it -a study rather
than something definitive -but dull it’s not and I look forward to seeing
more work by Selles.