A Tough Dance (1902, 7.1MB, 47 sec.)
Bicycle Trick Riding (1899, 5.5MB, 37 sec.)
Three Acrobats (1899, 5.4MB, 36 sec.)
Three exhilarating chunks of early movie making from the
Library of Congress online collection of variety stage motion pictures.
I particularly love the deeply strange A ‘Tough’ Dance.
There’s also a great early animation collection on the LOC site.
Martin Archer Live at The Grapes, Sheffield (2006, 85.8MB, 9:52 min)
Great vid made by Jonny Drury of Martin Archer, a unique
& towering figure in British (here I was going to interpolate experimental but that
doesn’t really do justice to the intensely personal soundworld Archer has
forged over the years – a combination of fierce poetry, a huge
intellectual range & hunger & a love affair with sound & how it
can be ordered & dis-ordered & where one now feels he knows
exactly where he’s going, so experimental feels in a way
like an impertinence) music of the past 25 years,
performing at The Grapes pub in his home town of Sheffield, UK.
If you like this do check out his site, where you can buy a
staggering diversity of recordings from over the years.
Seasons (2006, 60.4MB, 15:25 min)
Work of heart-stopping delicacy & beauty from
Takashi Kawashima.
November (2006, 80.1MB, 9:41 min)
Last week we heard the shocking & terrible news
of the untimely death of Patrick Simons, half, with
Kate Southworth, of the artistic (and life) partnership,
Glorious Ninth.
He was a smart, imaginative, funny and warm person.
As a memorial we’re re-posting here a performance piece
they made a few years back with Ruth Catlow and
Marc Garrett of Furtherfield.
Appropriately you can read a tribute to Patrick from Ruth
and Marc here.
We’d like to express our deepest condolences to Kate, Bella and Aphra.
Here’s the copy from the original post in June 2007:
An enchanting piece of networked performance from
Kate Southworth & Patrick Simons a.k.a Glorious Ninth
with Ruth Catlow & Marc Garrett from the indispensable
Furtherfield.org
I’ve admired Kate & Patrick’s work for a long time,
partly for its sheer visceral beauty, but there’s
an integrity, too, to what they do, a doggedness &
a willingness, recently in particular, to take risks -to
follow their instincts.
I think it pays off richly here.
Here’s a technical, blow by blow description.
Read it then forget it & just go with the strange &
compelling rhythms of the piece:
NOVEMBER
is a performance that utilises peer-to-peer instant messaging
technology, and the participants were able to see and hear each other on their
computers throughout. Working with their own pre-chosen texts, each
participant alternated between reading aloud and listening, amending and
improvising their performances in response to each other. At times a
cacophony of competing voices, the performance was a spontaneous and
unrehearsed encounter, exposing moments of vulnerability, intimacy, connection
and rhythm.
Celebrating Halloween and the changing of the season, four
participants met online to exchange collected data whilst eating prepared
garlic.
NOVEMBER is a networked performative encounter, recorded simultaneously
from Cornwall and London, UK.
laser tag (2006, 17.6MB, 4 min.)
The Graffiti Research Lab is dedicated to outfitting graffiti writers,
artists and protestors with open source tools for urban communication.
The Cinema Effect (2011, 44 MB, 5:28 min)
An exhibition that reflects on the influence and impact of cinema in constructing
our visual culture, highlighting how cinematographic language has taken on various
artistic forms including video and installation art. The show features work by Julian Rosefeldt,
Isaac Julien, Runa Islam, Kerry Tribe, Paul Chan, Omer Fast, Mungo Thomson and Ian Charlesworth.
The show has been curated by Kerry Brougher, Anne Ellegood, Kelly Gordon, and Kristen Hileman.
from VernissageTV.
Shed is a long-term video and drawing project.
Christina McPhee talks about ‘Shed’ and her work in general.
from VernissageTV.
Phasing Dancing Stand Sculptures (2010, 30 MB, 3:09 min)
“Sculpture made from 2 over the counter “Dancing Stands” (the tacky kinetic product
display stands you can often see in down market stores) which have been modified to
spin at slightly different speeds. When these modified stands are placed next to each
other they go in and out of phase about every 4 minutes. I first showed a version of
these sculptures in my show “Creative Pursuits” at the University of Michigan Museum
of Art. This is a video of a version of these sculptures in action at my show The Sharper
Image at the Museum of Contemporary Art Miami (the music is Dj Icey, a nod to Miami)”
By Cory Arcangel.
Memorial Stone (2011, 92 MB, 38:31 min)
“As technology moves forward.. all my work is falling apart.. I’d like to move
forward as well, into a more outside adventurous practice, so this video is an
attempt to document the ruins and the remains of my internet work”
– by Heath Bunting
Electronic Village Galleries Talk 6th May 2011 (2011, 164MB, 32:14 min)
Gosh -where to start?
Awhile back we were approached to assemble a selection of
work from DVblog for screening at a gallery in the UK.
This reel then took on a bit of a life of its own, showing
at the museum of club culture in Hull, UK and at the Buffalo Literary Center, New York.
(of course ‘a life of its own’ is completely unfair – it got shown because real
human beings –Kerry Baldry and Martha Deed respectively – put work into making it happen.)
Then Kate Southworth, who is running a brilliant pilot project
involving showing digital work in village halls in Cornwall, in the extreme
south-west of the UK, asked if I’d be interested in curating something
and the reel immediately sprang to mind..
To cut a long story short it was shown at the second EVG event at
Zennor village hall on 7th May and I went down to talk (at some
length, I notice with a certain degree of horror)
about digital video on the net, DVblog in particular and about the
artists involved in this selection.
Here, for better or for worse, is my talk, filmed, heroically, given my
restless delivery style, by Delpha Hudson.
If you’d like to reconstruct the programme for yourself it’s below, with links to
the original DVblog posts.
And if you’d be interested in screening it, please get in touch!
(We also have a reel of silent work which has been screened with
musical accompaniment and is available for more such outings.)
