hurricane3 (2008, 1.7MB, 47 sec.)
From Dutch artist Constant Dullaart.
Category Archives: conceptual
A Map Comes to Life
Andersen M Studio – A Map Comes to Life (2006, 11.4MB, 2:20)
Incredible stop-motion animation from London’s
Andersen M Studio. Much of their video work is
in the same style, but why switch it up when
they’re so talented in this specialized way?
Inspiring and fun.
Three from Aaron Valdez
An Object At Rest, Must Stay At Rest – Michael Guidetti
An Object At Rest, Must Stay At Rest (2007, 3MB, 30 sec. loop)
Video projection (loop) & ink on paper
by artist Michael Guidetti.
Morrisa Maltz – Character 3/3 – Iris
Character 3/3 – Iris (2012, 67MB, 1:20 min)
Last one of three and all a pleasure to post and to view.
Here’s to lots more work from Morrisa.
self.detach – decomposing identities
self.detach (2008, 13MB, 2:24 min.)
‘self.detach is a dynamic Object, which adopts a critical position
towards the celebration of the ego on the internet by dissolving
self-portraying pictures into coloured particles.’
A project by Tim Horntrich and Jens Wunderling.
Andy Warhol Eats A Hamburger
Jørgen Leth – 66 Scenes from America (1981, 9.9MB, 4:16)
Pretty self-explanatory: Andy eats a burger.
Scene from controversial Danish filmmaker
Jørgen Leth’s 1981 composite film, 66 Scenes from America.
Morrisa Maltz – Character 2/3 – Inverted Rose
Character 2/3 – Inverted Rose (2012, 43MB, 55 secs)
2nd in the series of 3, the first of which we posted last week.
I think these are lovely and haunting and I’m impressed by Morrisa
Maltz’s diligence and imagination.
(I love what she does with sound, too)
Is it just me or do these slightly conjure Isadora Duncan for anyone else?
Last one on Friday.
Richard Haley – Extending a Rain Puddle’s Reach By 16 Inches
Puddle Extension (2007, 5MB, 6:42 min.)
Masonite, masking tape, and plastic sheeting device
designed to extend a rain puddle’s reach by 16 inches.
By Richard Haley.
In the realm of ‘A Series of Practical Performances In The Wilderness’
by Cary Peppermint and Christine Nadir. (1) (2)
Morrisa Maltz – Character 1/3 (Infinite Loop)
Character 1/3 [Infinite Loop] (2012, 130MB, 1:07 min)
I love Morrisa Maltz’s work. I particularly relish the way
she doesn’t rest on her laurels but pushes herself ever on to new
and (over-used word in the arts but, I think, apposite here)
fearless ways of thinking about and making things.
This is the first of three pieces best described, literally,
as moving pictures.
Tremendous!
Adam Mufti – Garden Cities of the Future
Adam Mufti – Garden Cities of the Future (2008, 53MB, 7:19)
Remarkable, hypnotic work from the incredibly talented Adam Mufti.
Part meditation on modern life, part perhaps futuristic foreboding,
this piece sort of leaves me speechless, though I fear a lack of
editorializing might portray lukewarm feelings.
It’s really just that I’d rather a viewer experience this on his/her own.
I thought I’d watched a 3 minute piece – only when posting this did
I discover the actual runtime is more than double what it seems.
In this case, that’s exceptional.
The video also features the voice of London actress Juliet Rylance.
The whole thing, the composition, the editing, all of it: truly stunning,
took my breath away. Find a quiet spot and enjoy.
Lucy Mills – Sunday Afternoon Narcissism
Sunday Afternoon Narcissism (2012, 190MB, 2:46 min)
Hypnotic and disorientating chunk of enchantment from London artist
Lucy Mills.
Only one cavil and that’s the title – the self-deprecation involved might
serve to camouflage the actual richness of this piece, at least from the
casual viewer*.
Let’s be optimistic and assume careful viewing, which work of
this quality certainly merits.
* Although, on reflection, the ‘Sunday Afternoon’ also suggests a certain
dreamy languor quite in keeping with just how gently ravishing it all is.
Alan Sondheim – Disappearing Body
Disappearing Body (2012, 44MB, 1:02min loop)
Time marches on but some things don’t change and one of these is
our unbounded admiration here for the work of Alan Sondheim.
This is a perhaps a lollipop in comparison to some of his work but
it is, as always, rich and beautiful and lodges both in the conscious
mind and in our dreams.
Says Sondheim:
Mark Esper’s Two-Tone Enlightenment work forms the basis
of this short video. The screen presents shadows as positive,
not negative; infrared light forms the projection source
which is read and interpreted by revolving LEDs.
The body disappears. In the video, I imitated the effect
using video echo in an attempt to erase the body almost
entirely. Mark’s piece is brilliant, and the video is a
byproduct; I take advantage of the illumination to create
a somewhat clumsy series of movements.
Thus the mechanical is made virtual, and the virtual made
mechanical; such reversals form the core of theory povera.
The One That Got Away – Marisa Olson
The One That Got Away (2005, 19MB, 9:02 min.)
In the Fall of 2004,Marisa Olson gained worldwide attention
while training to audition for American Idol
Jeremy Bailey – Transhuman Dance Recital #1
Transhuman Dance Recital #1 (2008, 56MB, 6:30 min.)
“If Jeff Koons had fallen for the Microsoft Help Paperclip rather than
vacuum cleaners or La Cicciolina, presumably the result would have
looked a lot like: ”The Jeremy Bailey Show”.
Says Jeremy Bailey: “From now on I dedicate myself to finding better
ways for humans to dance”
Barney Doodlebug at i-Kast 2012
iKast 2012 (2012, 70MB, 3:23min)
iKast voodoodoodles (2012, 89MB, 2:35min)
voodoo 1 (2012, 362MB, 9:58min)
Here’s some more gripping work from Michael Barnes-Wynters a.k.a Barney Doodlebug
who previously opened my eyes to a thriving live arts scene in Manchester, UK.
Featured here are two videos of a new piece by Michael which figured in i-Kast,
“a live intervention transmission for www.artplayer.tv with artists roney fraser-munroe,
naomi kashiwagi and michael barnes-wynters” in May of this year.
The first video is an excellent short documentary overview of the event
with interviews with key figures.
Michael is going to be running an event for 15-25 year olds as part of the season
in the new Tate Modern space “The Tanks” on Thursday 23 August.
Video Haiku: Four Frame Dance Project
Video Haiku – Four Frame Dance Project: Megan Mayer (2008, 22.4MB, 3:38)
Second in a series of four frame dance videos from
Video Haiku in 2008.
Lovely, inspiring, and fun.
Next week, some more recent work by Kevin Obsatz, the person behind this.
Stan VanDerBeek – 2 Poem Films
Astral Man an Illuminated Poem (1959, 22MB, 2:27 min.)
poem field No2 (1966, 60MB, 5:42 min.)
A true innovator. Creator of countless films displaying complete artistic control.
What vision Stan VanDerBeek, what vision.
Netbehaviour Mailing List Fractal Excerpt
Netbehaviour Mailing List Fractal [Excerpt] (2012, 5MB, 59 secs)
From Claude Heiland-Allen:
Seven years of archives for this mailing list filtered down
to the most often occurring 1000 words of 4 letters or more,
in an infinite fractal zoom – each word is made up of the
words that most likely follow it.
We love the Netbehaviour list & this, splendid & bonkers both, does just
what it says on the tin with that excellent institution – we’ve posted
the minute long version here but if that whets your appetite for more
there’s an hour long version at archive.org.
Christian Marc Schmidt – 2 Movies
Driving (2006, 6MB, 4:39 min.)
Loop (2006, 11.8MB, 7:49 min.)
Two 2006 movies from Christian Marc Schmidt’s adaptive landscapes
sequence of work.
Check out the link above for Schmidt’s background notes on the pieces.
I’ll just observe that they are not alone in recent work featured here
in belonging to a category of work that could be called gorgeous formalism.
via Aram Bartholl – Magnotta SpeedShow
Magnotta SpeedShow (2012, 20.4, 3:07 min)
Magnotta SpeedShow – A vanity surf performance.
“One week after Magnotta got caught we present a vanity surf performance at the exact same Internetcafe in Berlin where Magnotta was arrested while vanity surfing! Be invited to join and vanity surf yourself!”
“Killing is bad, mailing bodyparts is worse, vanity surfing (while getting caught) is cool!”
“Internet cafes are not just vaguely unglamorous places for ethnic minorities and communications challenged, they do have a genuinely bad reputation.” [Olia Lialina – ‘Still There’] Where else a social network killer can be caught? Of course in the Internet cafe!”
[shot and edited(!) on a smart phone ]
Internetcafe Helin, Karl-Marx-Straße 156, Berlin
Tuesday 12th of June, 2012, 8-10 pm
by Constant Dullaart, CuratingYoutube, Olia Lialina & Aram Bartholl
PSST! Pass it on…
DRIFT SLICYCLE POPPED! (2007, 11MB, 1:59)
LOQUACIOUS EYESICLE WILD-BITES (2007, 14.9MB, 2:34)
PSST gets designers, animators, and directors together for
collaborative film projects every year. Their main concern
is process, which they explain comes from a fusion of the
Dadaist game Exquisite Corpse and the sometimes childhood
game, Telephone.
Whatever their theory, their annual collections are stellar.
Margarida Paiva
Margarida Paiva – Untitled Stories (2007, 15.6MB, 2:49)
Excerpt from Margarida Paiva’s 11 minute Untitled Stories,
a video from 2007 about everyday stories, told through a broken
female monologue about memories.
Expertly layered and totally gorgeous.
June Pak
June Pak – double (2002, 892 KB, 0:30)
June Pak’s work is innovative and breathtaking.
In double, one character disrupts the other’s stability
by changing the television channel but is nevertheless
oblivious to this effect. Pak says, “This exchange
between the two suggests the disjunction within
oneself caused by technology and boredom.”
Vera Brunner-Sung
Vera Brunner-Sung – untitled (2006, 2.5MB, 1:10)
Vera Brunner-Sung – Longshore (2004, 9.9MB, 4:34)
Two short films from Vera Brunner-Sung, made respectively
on 16mm and super 8, both exploring boundaries of privacy
and community, the understanding of memory and place.
Amy Carpenter – Why Not?
Amy Carpenter – Why Not? (2006, 8.4MB, 2:56)
In thinking back on the people that inspired me when
video online first began to really take hold of everyone,
I remembered Amy Carpenter’s Welcome to Amyville.
This little piece from a few years ago always stuck with me.
It felt so innovative at the time and still really outshines
many similar works to have come after it.
Pierre Huyghe
Pierre Huyghe #1 (NK, 2.69MB, 1:43 min)
Pierre Huyghe #2 (NK, 1.59MB, 3:03 min)
Pierre Huyghe #3 (NK, 2.33MB, 1:29 min)
Pierre Huyghe #4 (NK, 2.29MB, 1:30 min)
Four short videos by the often vexing, occasionally brilliant, Pierre Huyghe
from the website of the PBS Art in the 21st Century series.
3 from Brian Beletic
Basement Jaxx – Red Alert (1999, 10.5MB, 3:42)
Fatboy Slim – Don’t Let The Man Get You Down (2003, 9MB, 3:08)
Lady Sovereign – Love Me or Hate Me (2006, 12.2MB, 2:43)
Three videos from Brian Beletic.
His work spans the last decade,
these posted in chronological order.
Basement Jaxx’s video is conceptual: what if
music was illegal? Love the idea and execution.
The track itself takes me back to my younger,
raving days.
Fatboy Slim and Lady Sovereign also should be
proud of their Beletic vids. Both garner at least
a few chuckles and some definite appreciation for
the editing.
Some Versions of Pastoral
Extended Camera (2005, 5.5MB, 2:19 min.)
Night Performance #3 (2005, 12.1MB, 7:54 min.)
In May 2005 Garrett Lynch & co-conspirators blagged some
money from Arts Council England to spend a weekend at a
country house playing with video.
The result is documented on this great site.
At their best these vids do absolutely match up to the
funding application rhetoric. They combine performance,
technology & layer upon layer of knowingness to produce results
which had me, at least, open mouthed with admiration.
Wonderful!
More from Duncan Speakman
The Delicate Museum – What Everyone Else Was Talking About (2006, 13MB, 1:21)
The Delicate Museum – A Suggestive Manifesto (2006, 9.7MB, 1:32)
Two more breaths of fresh air from 2006 and The Delicate Museum,
also known as Duncan, formerly of 29fragiledays.
Said before, I’ll say it again: such beauty in the small things.