
Versions (2010, 115 MB, 8:50 min)
By Oliver Laric.
Latest episode in Edward Picot’s splendid Dr Hairy sequence.

Sun Capture (1999, 9.6 MB, 1:23 min.)
Transferring the reflection of a natural occurrence (the movement of the sun)
from outdoors to indoors, Brooklyn-based artist Julianne Swartz creates
her site-specific installation “Sun Capture” with existing architecture, metal pole,
mirror, sun, and wind.

treee (2006, 2.28MB, 1:03 min)

treees 3 (2006, 5.86MB, 38 sec)

treees 8 (2006, 9.15MB, 58 sec)
“similar to a scanning electron microscope, two images of a moving tree
with enormous detail were stitched together, warped, merged, and
analyzed at every stage. the result is a planetary configuration; one can travel
for at least an hour or two through the detailing. at times threads or
tubes appear; at times there are planes, sharpened edges, odd holes and
gaps. a tetrahedral mapping was employed.
it is this acute exploration of acute angles of inner worlds that
fascinates me. the mp4 file is small and an enormous amount of detail
is lost, but you get the idea. there are videos as well of course.
here is the resurrection of encapsulated movement-into-landscape of a
five-story tree outside the virtual environments laboratory at west
virginia”

Please Don’t Look Like A Pear (2010, 10 MB, 3:22 min)
I love Donna Kuhn’s work.
I’ve rhapsodised about it here before, so I’ll just note, first,
that she continues to develop in the most thoughtful & interesting of ways
& second that this video is very funny, poetic
& scarier than most horror movies.
( Donna: ‘people don’t believe that these are completely unembellished
craigslist personals ads’)
To do all three – a coup!
More soon please Donna!

Applause (2010, 104 MB, 1:02 min)
Last week we showed some of Kerry Baldry’s curatorial work,
now here’s one of her own pieces.
Says Kerry:
“Applause is a piece of work made on 16mm film.
Using superimposition and coloured gels Applause has been edited in camera …”
& its a smart & winning piece which punches above its weight.
It looks great & there’s something about the way the visuals work
that really illuminates the sound – the..er..um..applause-ness –
of the applause & this in turn directs us back, carefully, to the visuals.
(& both make us ponder it as a social phenomenon)
The piece made me listen attentively, mindfully, & then look &
listen & think & then do all three again.

Martin Pickles – Dinosaur (2010, 130 MB, 1:01 min)

Nicki Rolls – 1961 Revisited (2010, 114 MB, 58 secs)
Two pieces from a touring screening of one minute films,
the fourth such from British filmmaker Kerry Baldry.
It’s a really well put together and gripping hour
(transparency dictates I confess I have a piece in it
but I won’t foist that on you here), with a strike rate well above
most of this kind of compilatation.
Here are two of my favourite pieces; both, in different
ways, little gems of cinematic poetry.
Although Martin Pickle’s piece is amusing there’s
something enchanting about the changing seasonal
landscape & light of West London and how it manifests on screen,
which raises the work from anecdote to something more complicated
and lasting.
The Nicki Rolls piece had me in the palm of its hand within about a second.
(I’m a total sucker for near stillness and for the movement of light)
Then I started to think about what exactly I was watching.
You might like to give it some thought too.
Again, the twist breaks the confines of the one minute form
to resonate long after.
I haven’t see the other three compilations but I hope we could maybe
feature a couple of pieces from each in the not too distant future.
Next week we’ll have a piece by Kerry herself.

Mountains – “Interlude” (2010, 105 MB, 2:11 min)
Wistful, quirky & -well, just quite lovely – bit of filmmaking from
Brantley Jones who squeezes real magic – what feels in part like a summoning up of a child’s
eye view of the world (in the best possible sense) – from minimal resources.
Don’t be fooled though – there’s both eye and technique at work here.
We’ve shown his work here before & on the evidence of this will certainly
do so again.

A Life Alone (2009, 81 MB, 5:08 min)
“Tom Rose, 85, wipes a tear from his eye while reminiscing about
his wife who passed away. The two were married for 60 years,
and Tom continues to struggle over her loss.”
By Maisie Crow.

Interview with Chen Chieh Jen (2008, 40 MB, 6:05 min)
Studio Banana TV interviews Taiwanese videoartist Chen Chieh Jen.
Chen