Making Web MVideo (2011, 51 MB, 5:55 min)
“There was a lot of talk this week about WebM video after Google announced
that they were going to drop H.264 support from Chrome. This is huge news
for video makers, especially since Firefox 4 (which supports WebM) is almost done.
I figured it was time to look into WebM encoding tools again.”..
from Michael Verdi.
Soziale Plastik (1969, 9 MB, 1:47 min)
Joseph Beuys accepts the challenge to expose himself to the anonymous spectator,
in speechless close-up on a video monitor: the artist as
‘Flock’ in Liverpool (2008, 152MB, 2:44 min)
How many times do you read artists’ descriptions of their own work
and think ‘naaaaa…’ totally failing to recognise their stated ambitions
in what appears to you to be, at best, somewhat pedestrian and at
worst, a total disconnect from what they write.
This is the complete opposite of that, utterly living up to the makers’
stated intentions, and an absolute spine tingler to watch even through
the distance of video documentation.
Check out the KMA site for a complete description of the piece,
an ‘interactive light installation’ based around Swan Lake,
but not until you’ve watched this beautiful bit of documentary.
Particularly touching is the genuine joy in participation it evokes.
Very hard to pull off and very moving to see.
Omer Fast – The Casting (2008, 38 MB, 3:29 min)
Omer Fast, discusses his 2008 Whitney Biennial work, The Casting (2007),
a four-channel video featuring a young American army sergeant who recounts
two stories
“Array is a field of columns set in the courtyard of the Chuya Nakahara
Memorial Museum in Southern Japan. The columns create a field of
light and sound which gently shifts in response to the viewers
European Vacation (2005, 25.6 MB, 2:18 min.)
Morning Routine (2005, 44.3 MB, 4:34 min.)
The Summer of Van Torre was hugely popular in 2005 in video blogging circles.
The wepisodes recount the life of Jon VanTorre, each week bringing him closer
to total cardiac arrest with Ether Baths, Spider-Man Nightmares, and Meat Sandwiches.
The series (which began in 2001) was presented online in 05 by Human Dog.
Here is an interview (2005, 67.5 MB, 13 min.) by Josh Leo with writers & directors
Jon VanTorre, Michael Schwartz and Chris Weagel.
Non-Linear Creation (2010, 58 MB, 3:16 min.)
Installation at ‘Fresh Paint 3‘ in Old Jaffa Port, Israel. the project is based on a live
camera input where the video camera is mounted above a the projection screen.
“The thought behind “Non-Linear Creation” is to think about video as some sort
of a “streaming deck of cards” which I shuffled again and again in real time using
Cycling74’s Max. I collected in a memory buffer the latest 60 cards/video frames,
shuffled them and played the outcome in 30 frames per second. The result is a video in
which the viewer is in constant, unnatural, flickering present, as it is reflected in the video.”
By Omer Golan.
Three Transitions (1973, 7 MB, 1:32 min.)
Peter Campus presents three introspective self-portraits that incorporate his dry humor.
Campus uses basic techniques of video technology and his own image to create
succinct, almost philosophical metaphors for the psychology of the self, articulating
transformations of internal and external selves, illusion and reality.
2001: A Space Odyssey (2007, 30 MB, 14:34 min.)
The fair use trio: zach layton, matty ostrowski, luke dubois.
From zach layton industries.
Trailer for ADN/ARN (2003, 8 MB, 4:04 min.)
“ADN/ARN was an interactive installation addressed to one person at the time,
filmed with 8 surveillance cameras, in which each visitor was invited to confide
and then contractually sell a personal secret. The initial system took place in
Lausanne at the Centre d’Arts sc
Secret 050 (2007, 2 MB, 1:03 min.)
And one more.
See original post for details.
Relation in Space (1976, 2 MB, 26 sec.)
Expansion in Space (1977, 5 MB, 1:18 min.)
In “Relation in Space” (1976) Marina Abramovic & Ulay ran around the room – two
bodies repeatedly move past each other. They collide at great speed like two planets,
mixing male and female energy into a third component called
Secret 048 (2007, 27 MB, 10:57 min.)
And another…
See original post for details.
Secret 044 (2007, 10 MB, 4:27 min.)
Another secret.
See original post for details.
Secret 040 (2006, 3 MB, 1:16 min.)
Secret from “Secrets For Sale”, a film which reveals the radical
ADN/ARN experience, an interactive installation addressed to one
person at the time, in which each visitor was invited to confide and
then contractually sell a personal secret.
Project by Elodie Pong.
10-10-second Monologue (2008, 7 MB, 1:41 min.)
“This is a 10×10 second excerpt/adaptation of a longer monologue
I did last fall. The theme is unrequited Love.
We have all been there… ”
By Lee Ann Harrington .
Sans Verre (2008, 7.3 MB, 1 min)
A documentation of a performance made with Lili Huston-Herterich.
By Brad Tinmouth and Kaitlin Till-Landry.
Dan Graham – Beyond (2009, 40 MB, 3:02 min)
Narrated by Anne and Joel Ehrenkranz and Curator Chrissie Iles, artist
Dan Graham discusses Heart Pavilion (1991), Public Space,
Two Audiences (1976), and Opposing Mirror and Video Monitors (1974).
All were on view in Dan Graham: Beyond at the Whitney Museum in 2009.
Produced by the Whitney Museum.
Lynda Benglis – Contraband (2008, 26 MB, 2:20 min)
Artist Lynda Benglis discusses the process of creating Contraband
by pigmenting rubber latex and pouring it on the floor of her studio.
First recognized for
A Letter From Beirut (2006, 36.9MB, 4:41 min.)
This video letter was made on July 21, 2006 at the studios of Beirut DC, a
film and cinema collective which runs the yearly Ayam Beirut Al Cinema’iya Film
Festival. This video letter was produced in collaboration with Samidoun, a grassroots
gathering of various organizations and individuals who were involved in relief
and media efforts from the first day of the Israeli attack on Lebanon. It was
also featured at the Biennial of Arab Cinema, organized by the Arab World
Institute in Paris.
Walead Beshty – Whitney Focus (2008, 25 MB, 2:18 min)
2008 Whitney Biennial artist Walead Beshty discusses his photographs
of the former Iraqi embassy to the former East Germany (two nations that no longer exist)
and the complex ideas behind them. He also explains why his glass sculptures
have acquired multiple cracks and fissures.
Produced by the Whitney Museum.
A Life Alone (2009, 81 MB, 5:08 min)
“Tom Rose, 85, wipes a tear from his eye while reminiscing about
his wife who passed away. The two were married for 60 years,
and Tom continues to struggle over her loss.”
By Maisie Crow.
William Eggleston interviewed by Michael Almereyda (2009, 61 MB, 5:31 min)
This candid interview with photographer William Eggleston was conducted by film
director Michael Almereyda on the occasion of the opening of Eggleston
