Sondheim & an Ad…

rilkes tongue
Rilkes Tongue (2006?, 73 MB, 1:44 min)

Alan:
“something to stare at

This is a few years old, but hasn’t been put up; the dancer is Maud
Liardon, either Foofwa or I held the camera and made the video and
effects reminiscent of G. Moreau come to life, the church is in the
Swiss Alps, Rilke was buried behind it, murals of tormented hell,
angelic world of Elegies, we were transported”

PLUS
tether

…Alan Sondheim is one of the artists whose work you can see if
you can get to Nottingham, UK this Thursday – Sunday, 11th-14th Nov, 12-5 pm, in the first offline
appearance by DVblog, where a 45 minute program of work first posted here
will be continuously screened at The Wasp Room, part of Tether Studios.

Details:
Tether Studios,
17a Huntingdon Street
Nottingham
NG1 3JH

tel: 07729124336

mail@tether.org.uk

Artists featured:
Kerry Baldry, Steven Ball, Robert Croma, Rupert Howe, JimPunk, Donna Kuhn, Morrisa Maltz, Millie Niss, Giles Perkins, Sam Renseiw, Alan Sondheim, Nathaniel Stern, Liz Sterry, Eddie Whelan

Also – if you’re reading this & are interested in screening this program -we have both PAL and NTSC
DVDs available. Just mail us!

Julianne Swartz – Installations

deep_storage
Deep Storage (2002, 10 MB, 2:03 min.)

julianne_swartz_transfer
Transfer (2001, 7 MB, 1:28 min.)

A couple of documentaries of site specific installations by
“boundlessness” artist – Julianne Swartz.

Lev Manovich – Little Movies #3

manovich #5
Classical Cinema II (1994-98, 1MB, 20 secs)

manovich #6
On the Transient Nature of an Electronic Image(1994-98, 3MB, 1:47 min)

Original post

Brian Bress – tshirt mummy

tshirt_mummy
tshirt mummy (2005, 16 MB, 3:25 min.)

by Brian Bress.

Lev Manovich – Little Movies #2

manovich #3
A Single Pixel (1994-98, 2MB, 43 secs)

manovich #4
Classical Cinema I (1994-98, 1MB, 34 secs)

Original post

Elodie Pong – Secrets For Sale (048)

048_229_elodie_pong
Secret 048 (2007, 27 MB, 10:57 min.)

And another…
See original post for details.

Lev Manovich – Little Movies #1

manovich #1
Binary Code (1994-98, 2MB, 52 secs)

manovich #2
On the Ephemeral Nature of Little Movies (1994-98, 3MB, 1:05 min)

I mentioned the Manovich Little Movies in the post I did the
other week on Eryk Salvaggio’s ‘Unfinished Mpeg Haiku’.
In the course of writing that I went to Manovich’s site to look at them
& was surprised to find that their page was in some disarray
and the movies themselves had been removed.
Nor could I find them either in the version archived on the Rhizome Artbase.

It seems a shame for them not to be available -they’re historical
(and in many ways amazingly presecient) documents at the least,
although I find them – especially the last one – gripping and touching too.

Then I remembered the wonderful Wayback Machine and I found them
there, all snug and safe and sound.

We’ll post them here in twos in the next week or so,
in the order in which they appeared in Manovich’s
original presentation of them.
Although the image linking to it has been removed from the site
Manovich’s very interesting statement remains.
(I guess if that goes too you’ll still be able to Wayback it)

Tony Oursler – EVOL 1984

evol
EVOL (1984, 25 MB, 2:36 min.)

Tony Oursler is known for his fractured-narrative handmade video tapes including
The Loner, 1980 and EVOL 1984. These works involve elaborate sound tracks,
painted sets, stop-action animation and optical special effects created by the artist.
The early videotapes have been exhibited extensively in alternative spaces and museums..
His early installation works are immersive dark-room environments with video, sound,
and language mixed with colorful constructed sculptural elements. In these projects,
Oursler experimented with methods of removing the moving image from the video monitor
using reflections in water, mirrors, glass and other devices..” – from wikipedia

Jon Rafman – Woods of Arcady

woods of arcady
Woods Of Arcady (2010, 44MB, 3:56 min)

The Song of the Happy Shepherd

William Butler Yeats (1865-1939)

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.

Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.

I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.

*******************************************

Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.

“Eternal Return” by Jennifer and Kevin McCoy

eternal_return
Eternal Return (2006, 4 MB, 1:54 min.)

“Eternal Return” installed at the exhibition Stop Motion at the Edith Russ Haus,
is a remake of a scene from the musical movie The Gay Divorcee.
The piece was reworked to allow a large video projection for the exhibition.”
by – Jennifer and Kevin McCoy.

Ethernet Orchestra – Distant Presences

sam_r
Ethernet Orchestra -Distant Presences (2010, 43MB, 6:42 min)

Delicate but nonetheless ravishing beauty from the improvisation-across-the-net,
(Brazil/Sydney/Germany on this occasion) outfit Ethernet Orchestra
That our hats come off in the face of their technical achievement should go almost
without mention -this cannot have been easy to do; but to make something so devoid of
gimmickry and so entrancing too…well, I’m lost for wo

Tabor Robak – 2 short loops

taborrobak_scream
Scream (2010, 4 MB, 5 sec. loop)

taborrobak_bidet
Bidet (2010, 4 MB, 2 sec. loop)

By Tabor Robak.

Sam Renseiw –Two Recent Movies

sam_r
More Landscaping Views (2010, 54MB, 3:47 min)

sam_r
Art and Traffic (2010, 14MB, 1:00 min, silent)

We haven’t had anything from the indispensable Sam Renseiw
for a little while so, just to make Monday more tolerable for us all,
here are two recent pieces, both small gems.
I particularly like the Lumière, ‘Art and Traffic’

Brian Gibson – quilt

quilt_loop
quilt (2009, 3 MB, 24 sec. loop)

By Brian Gibson

Konx-om-Pax –Twin Portal

shanno
Twin Portal (2010, 11MB, 2:00 min)

Biog:

Konx-om-Pax is 25 year old Glasgow based Director/Animator/Sound Designer
Tom Scholefield. In recent years worked with Warp Records, DFA Records,
No-Fun Productions, Universal Everything and Optimo Espacio.

Normally I find it an effort to care much for digitally constructed worlds
with a kind of sci-fi undercurrent; it all seems a bit easy (no matter, of course,
that it probably isn’t) and usually more than a bit banal.
However this guy does it with considerable style and I found myself
drawn in. It’s the level of detail, the care with which its put
together and the sheer verve and -yes- beauty of it.
The audio is great too & I like the bipartite stucture of the piece.

Eija-Liisa Ahtila – Consolation Service

consolation_service
Consolation Service (1999, 10 MB, 1:43 min.)

“Consolation Service” follows a young Finnish couple, Anni and J-P, as they
make public their decision to divorce. It is set in early spring in Helsinki, with
its frozen landscape on the cusp of thawing.
Consolation service (awarded at the Venice Biennial in 1999) Ahtila also
deconstructs the formation of the narrative and cinematic illusion: as though
in a straight documentary film (Cinéma vérité), both narrator and camera are
shown openly. The illusion of fiction is thus shattered, made visible. The use of
a hand-held shaking camera reminds the group Dogma 95 led by Lars Von Triers.

By Eija-Liisa Ahtila.

Guli Silberstein – Beach

guli_beach
Beach (2009, 64 MB, 4:57 min.)

“A happy family is shown on a beach in Tel Aviv, as 100 km away a girl runs
from the bombardment of a beach in Gaza. It’s a reality where tranquility may
turn into horror in an instant. The conflicting scenes on a TV on the blink raise
the impossibility of accepting an absolute picture of a reality.”
By Guli Silberstein.

More from Shannon Noble

shanno
Shanno (2010, 11MB, 36 secs)

Nice contrast to Newt – more worked.
The man has range.

Marina Zurkow: Slurb – single channel animation

slurb
Slurb (excerpt) (2009, 24 MB, 3:43 min.)

“Slurb” was originally commissioned for a 2009 Tampa, Fla., arts festival.
The 18 min. continuous loop with an ambient electronic pop-inspired soundtrack
paints a picture of a post-apocalyptic future world that’s been destroyed by some
sort of alluvial pollution-triggered catastrophe.
By Marina Zurkow.
Music by Lem Jay Ignacio. Additional animation: Jen Kelly

Martha Deed – War and Peace

War and Peace
War and Peace (2006, 35.4MB, 2:34 min.)

Some delicate & tough poetry of the everyday &
the often overlooked (& thence of all we are & of
our place in the natural world too) from Martha Deed in 2006.

Herbert Wentscher – All For the Best

alles_bestens
All For the Best

Morrisa Maltz – Previous Process

previous process
Previous Process (2010, 15MB, 1:25 min)

New work from Morrisa Maltz, both revisiting and developing
themes, images and ideas from previous work.
Maltz’s work is growing & unfolding at a slightly scary pace.
The piece too, a little bit scary; or, better, unheimlich.
Interesting to compare it even with the last piece of hers we posted here,
bare weeks ago.
I want to say Maltz has a natural feel for image, cut, sound
but I suspect it is actually worked for and worked for hard.
Good. No falling back, then, on glib facility but lots
more change, development and fascinating work to come.

Elodie Pong

044_222_elodie_pong
Secret 044 (2007, 10 MB, 4:27 min.)

Another secret.
See original post for details.

Shannon Noble – Newt

newt
Newt (2010?, 47MB, 1:48 min)

We haven’t had anything from Shannon Noble for a long time.
He’s quite elusive. His blog springs up, then disappears, then appears
again under a different name. Currently most of his stuff just seems to
be sitting, unlinked, in a folder on his site.
His work is always interesting (in the strong sense that one can
always learn from it) and hardly ever showy. Maybe his lack of need to show off
or jump up and down saying look at me, even when he’d be justified in so doing
is tied in with his apparent reluctance to promote his work.
Don’t get me wrong -I approve of the former -it makes the viewer do some work and there
are rewards to be had here for doing that work.
Here’s the first of two pieces, a bit like Robert Croma’s piece earlier this week,
not at all in mood or content but simply in being by someone who clearly knows
exactly what they are doing.
The use of sound is both deeply eccentric and wonderful.
More next week.

Suzon Fuks – RINGS from #1 to #6

rings1to6
RINGS from #1 to #6 (2009, 24 MB, 6:35 min.)

An ongoing series (now numbering six) of one-minute unedited shots which
can each stands alone. Improvised choreography multi-reprojected on body parts,
with James Cunningham, Helen Varley Jamieson, Scotia Monkivitch and Suzon Fuks.
Text by Fernand Shirren.

By Suzon Fuks.

Edward Picot – Combine Harvester

la descente
Combine Harvester (2010, 68MB, 2:23 min)

A eclogue of sorts from Edward Picot; somewhat noisy, somewhat dusty
but evocative of the real British countryside and a little bit thrilling too.

Elodie Pong

040_215_elodie_pong
Secret 040 (2006, 3 MB, 1:16 min.)

Secret from “Secrets For Sale”, a film which reveals the radical
ADN/ARN experience, an interactive installation addressed to one
person at the time, in which each visitor was invited to confide and
then contractually sell a personal secret.
Project by Elodie Pong.

Robert Croma – La Descente

la descente
La Descente (2010, 96MB, 8:21 min)

It’s always great to have a new piece from Robert Croma
recently this has been an all too rare event.
Great to report that his first in a year is as good as it is.
I know that the people-going-down-steps/up-or-down-escalators/though-doors movies
have come to constitute almost a micro-genre, but this is an exceptionally
meticulous and rich example.
In particular what makes it for me is the decision (wherever – camera, edit – in the workflow
it happened) to leave in the faces who gaze boldly back at the camera.

A lot of Croma’s work employs subtly deployed but thorough post-production
to heighten and poeticize further his material. Here it’s rather his visual acuity
and the years of experience accumulated both in still and moving image which leads
to this simple but devastating handling of his original footage.
Similarly his use of sound is unobtrusive but exceedingly well judged.

I hope it’s not a year to the next one.

Knitoscope Testimonies by Cat Mazza

alex360
alex360 (2010, 1 MB, 30 sec.)

efj360
efj360 (2010, 3 MB, 1:28 min.)

“Knitoscope Testimonies is the first web based video using “Knitoscope” software,
a program that translates digital video into a knitted animation. Knitoscope is a moving
image offshoot of microRevolt’s freeware knitPro. Knitoscope imports streaming video,
lowers the resolution, and then generates a stitch that correspondes with the pixels color.
The title “Knitoscope” is based on Edison’s early animation technology the kinetoscope,
which was a “coin operated peep show machine

Rick Silva – Krummholz Formation

krummholz formation
Krummholz Formation (2010, 112MB, 16:48 min)

It’s always a pleasure to post new work from Rick Silva here
and this piece is no exception.
His work has been heading somewhere strange, gripping
and utterly his own for some time now.
I find this loyalty to a very personal vision both admirable
and exemplary. I’m fascinated to see whether further development
along this path is possible or whether there will at some point be a sharp
change of direction.
(Once again with this piece I really want to see it
in a gallery -nobody is more adept or at home at work for the net than Silva
but I can’t help feeling that this work needs space and distance…)