
Bleip – No (2001, 14.32 MB, 2:59 min.)
Beautiful visuals and some on point editing from Pleix,
a group of digital artists in Paris, France.
The music on this one is provided by Bleip.

Bleip – No (2001, 14.32 MB, 2:59 min.)
Beautiful visuals and some on point editing from Pleix,
a group of digital artists in Paris, France.
The music on this one is provided by Bleip.

Small Room Tango (2007, 7.9MB, 3:43 min.)
Anyone who has attempted this kind of video-sampling-whilst-letting-the-
audio-determine-the-structure will now just how extremely bloody
difficult & fiddly it all is.
Hats off bigtime, then, to Gabriel Shalom, who not only makes it look
natural & easy but even squeezes poetry from it.

Dark Continents 1 (2007, 51 MB, 2:34 min.)
Video artist and animator Tyler Coburn‘s self conscious and rough use
of digital techniques presents a compelling parallel to Hollywood’s continual
and rapid movement toward the fantastically “real”.

Mean Reds (2007, 11.6MB, 1:48 min)
Artist & filmmaker Paul Rodriguez made this rather good
(I particularly like the collage plus the loopy/scratchy business
towards the very end where he collages/edits the sound too)
music video in 2007.
He said:
‘I was planning on shooting my friends for a
documentary. Magically the Mean Reds were also
playing, so I decided to shoot them as well.
Months went by with me sitting on this footage.
Then I found my self printing out frames,
and doing collage on individual frames.’

Lulu PIP (2009, 194 MB, 12:10 min.)
iligili has been doing hardcore pornography art and music videos
for over 25 years now. In the last decade he has been living in the Republic of Colombia
where he gets most of his inspiration for the upbeat, ‘in your face’ extravaganza.

Whole Lotta Love by Led Zeppelin (2003, 20 MB, 4:14 min.)

Unchained by Van Halen (2003, 18 MB, 3:21 min.)
Ascii Rock by Yoshi Sodeoka is a brilliant example of the genre of ASCII art, which creates still images and videos entirely out of alphabetic and numeric characters (ASCII stands for American Standard Code for Information Interchange, a common format for text files in computers and on the Internet that represents alphabetic and numeric characters as binary numbers)

Mike Kelley (2007, 7.3 MB, 15 sec.)
‘Mike Kelley’ are high definition video projections of individual trees
with branches moving in a twirling pattern. Projected to fill the height
of the gallery’s walls, the images interact with the architecture of the gallery,
creating tension between the imaginary landscape and the physical space.
Anyone who has been lucky enough to see dancer & artist Annie Pui Ling Lok
do the former will know what a fruitful combination of fierce, almost austere,
intellect & yet sensitivity to the particular, the fragile & the human, to expect.
There’s such a sure hand at work here – the confidence in collaging
disparate material brings Marker to mind & although we’ve tagged it
‘experimental’, in one sense the piece is anything but -it’s so not
a technical exercise, but a rounded, resonant work of art.

Eric Lerner – Mr. Deja Vu (2006, 27.2MB, 3:48)
From Eric Lerner‘s collection of Mr.CityMen.

Sonnet by William Shakespeare (2011, 64 MB, 2:31 min)
“Here is a video I made a few months ago.
It’s a recitation of Shakespeare’s #135th sonnet.
In the background are Dexter Dalwood’s paintings,
which are collaged from other famous paintings.
The piece engages ideas of appropriation and identity.”
A beauty by Will Goss.

My Miwoo [Tai Chi Weekend Control] (2007, 24.6MB, 50 secs)
Aī-Hz, real name Michael Renassia,
is a French visual performer living and working in Tokyo.
His site contains possibly my favourite biographical nugget ever:
‘He is using compositing software in a diverted way, and real-time mixing
instruments with the aim to create a noisy/pop universe…’
Now, who could possibly object to that?
This piece is rather lovely – the thing that totally makes it for me
is the epiphanic moment at the end when the music/animation stops &
the person appears ..there’s a haunting sense of time suspended..
So, for me, 10/10 for visuals.
I am pretty bored ,though, with the by-the-yard avant-dance music
that accompanies so much work of this kind..it’s not bad
or anything, just pedestrian…

KBSC505 vs WWFT (clip) (2006, 27MB, 8:14 min.)
WeWorkForThem short was created as an extra for KNBSC505’s
Noise Driven Ambient Audio And Visuals DVD. Exploring the emotions, physical & mental
pain and illusions of bacteria this video follows 8 minutes from infection to cure.

Basketball (2007, 13.5MB, 1:57 min.)
Director Grant Orchard joined Studio aka in 1997, and soon gained attention
for his idiosyncratic design and his ability to approach projects from many
different angles. He has created TV commercials for clients as diverse as Compaq,
Virgin and Orange. Grant has won two prestigious D&AD awards and achieved recognition
for his first independent short film WELCOME TO GLARINGLY.
He subsequently created 10 mini-films for QOOBtv under the banner LOVESPORT.
– from the shining Lumen Eclipse.

Appraisal Part #3 (2011, 159MB, 9:47 min)

Appraisal Part #4 (2011, 143MB, 9:40 min)
Latest two in Edward Picot’s wonderful Dr Hairy series.

Arms Race (2007, 1.85MB, 1:02 min)

Handbag Surveillance (2007, 4.18MB, 2:05 min)
Anyone lucky enough to have already encountered Jess Loseby’s artwork
online or in a gallery will have realised immediately what a thoughtful,
courageous & dextrous artist she is. She hasn’t been so active of late &
her excellent site is offline now due to her continuing ill health
(although it is possible to explore it somewhat using the wayback machine).
This is a real loss: there is a warmth & humanity to her work
– an ability to find beauty in the ordinary, the overlooked
( & in our still sexist society, these categories often overlapping
with the domestic, the feminine) – which one often looks for in vain elsewhere.
Her work doesn’t strut, it enchants, (& then maybe sticks a
big fuck-off hatpin into you).
Video making isn’t central to what she does, but when she does it
she does it with all the qualities noted above.
Enjoy & learn.
Music for Handbag Surveillance by Clive Loseby.
We at DVblog join with many of her friends in wishing Jess well
and look forward to her return to active art making.

I Want To See How You See (2003, 55.2MB, 4:48 min)
Hallucinatory, luscious, with a hint of darkness: approaching the
formulaic but, if so, certainly a winning formula for Rist & as
always undoubtedly beautifully & imaginatively wrought,
a video portrait of the writer & curator Cornelia Providoli,
found on the consistently excellent Lumen Eclipse site.

Inside.v04 (2001, 6.7MB, 1:51 min)

Newbody.v01e (2004, 14.5MB, 3:32 min)
Two short animations from the series ‘Meat’ by Jose Carlos Casado.
Ideas of potential new forms, clones, and artificially
produced offspring are touched upon in ‘Inside.v04’
‘Newbody.v01e’ is kind of Hieronymus Bosch does the Olympics,
the stuff of nightmares & transcendent beauty too . The score, by
Sophocles Papavasilopoulos, is also a small masterpiece:
complex, yet self-effacingly serving the totality.

ed rec vol. 2 (2007, 9.7MB, 1:05 min)
Little animation for Ed Banger Records Ed Rec Vol. 2.
Music is by Mr Oizo.

C Point (2011, 32MB, 1:15 min)

Cyber Hero (2011, 43MB, 1:25 min)
My name is Marcin Rychlicki, , I’m 29 years old and
I live in Warsaw. For nearly three years I’ve been
creating videos for the Internet under the names
DJ Gacmaster and GacPax. An important element
of my movies is music. For some of them ,
for example, ‘Cyber Hero’, I composed it myself.
I’m trying to combine traditional music video with
the unconventionality of video art. From 2001
to 2006 I was a drummer in hardcore band C. Point.
I made this video for one of our songs: ‘Today’
*****************************************************
Both pieces great but C Point is a particular delight.
(My prejudice showing through of course, but I don’t
generally associate this musical genre with the kind
of gentle wit on display here.)
Not sure I completely understand Cyber Hero which is
apparently some sort of rejoinder to this (Huh?), but I
love the music.

Before Honeymoon (2011, 29MB, 1:39 min)
Another piece from a Writtle student, this from Emily Murdoch.
I think this is tremendous not only technically (I especially love the use of light)
but aesthetically too. It clearly owes a debt to Lewis Klahr but one can
see a very distinctive individual voice emerging too.
I do hope Emily continues to make art (and in particular moving image).
I find her work rich and moving.
Shed is a long-term video and drawing project.
Christina McPhee talks about ‘Shed’ and her work in general.
from VernissageTV.

Rabbit (2006, 56MB, 8:20 min.)
Two kids find an idol in the belly of a rabbit.
Watch this wicked animated short movie by Run Wrake.
(thanks Michael Meiser)

Friendsource14 (2011, 21MB, 1:18 min)
This piece, by Estella Cumberford, is great on a whole number of fronts.
Firstly it’s really nicely made.
The images walk that difficult line between
telling us too much and too little, and the audio
(processed, apparently, in GarageBand) is well judged,
well executed and more than a little engaging.
You wouldn’t guess from the piece’s surface simplicity
(first impressions only of course, anyway. Examine it closely
and see how hand-made and un-algorithmic it is)
the layers of structuring and processing that went into
it but I can’t help feeling these do manifest in the sense of
its coherence, richness and general success as a work of art.
The text was sourced & assembled from status updates on F******* of
14 of the artist’s friends. This then read by her & processed as noted.
The images were then grown (organic metaphors seem somehow
particularly apposite) out of this text and rendered by a kind of
shadow screen technique.
It’s an exquisite piece of work.
Transparency dictates I tell you that I teach Estella
at Writtle. (I use the word teach loosely -as with most of
the students we have an absorbing and on-going dialogue.)
It’s work like this that makes that part of my life so rewarding.

Creative Pursuits (2010, 12 MB, 1:03 min)
Images from Cory Arcangel show – Creative Pursuits at
the University of Michigan Museum of Art.

After the Fall (2011, 44 MB, 1:01 min)

Antenna (2011, 65 MB, 57 secs)
Two very different and very beautiful movies from Alan Sondheim.

I like the boldness of this, constructed by Iban M. Selles entirely
(and deftly) from stills taken on the set of , as I understand it,
a different film on which Iban Selles was working.
The sound, collaged from a number of movie soundtracks, is tremendous.
The piece as a whole has a slightly provisional feel to it -a study rather
than something definitive -but dull it’s not and I look forward to seeing
more work by Selles.
Big Brown Eyes (1981, 4.2MB, 2 min.)
Animator Emily Hubley, known for the iconic animations
in the movie –Hedwig The Angry Inch made this video
for 1980’s pop band The DBs.
By Mica.

Disarmed (2002, 15.8 MB, 2:42 min.)

Mother of All Bombs (2003, 9.5 MB, 1:45 min.)
Nick Fox-Gieg is an animator and theatrical designer.
His short films have been shown at the Rotterdam and Ottawa film festivals,
at the Centre Pompidou in Paris, and on Canada’s CBC TV.

Vanishing Point (2010, 19 MB, 1:39 min)
Extravagant motion graphics video by Takuya Hosogane.