More from Diana Brighouse

Floating Green Leaves
5 Minute Measurement (2012, 279MB, 5:04 min)

original post

Diana Brighouse – Floating Green Leaves

Floating Green Leaves
Floating Green Leaves (2012, 212MB, 3:52 min)

Diana Brighouse is a doctor turned artist in a grand tradition.
She’s currently completing an MA at the University of Chichester in the UK.
Her work is intensely thoughtful and thought through and also often very beautiful.
I’m not always keen on artist commentaries on their own work but what she sent
me is a model of clarity so I’ll reproduce it in full here.

‘The underlying stimulus for my work is to challenge the reductive philosophy
that prevails in Western society today.
I believe that reductionism is manifest through a prioritising of scientific
or quantitative methodology. An unquestioning belief in the measurable is
found not only in science and technology, but also in education, medicine
and politics.
I believe that the supremacy of the measurable can be directly related not
only to the political and financial threats to the arts, but also to the
regressive attitudes towards women and the disabled.
Successive postgraduate university educations in medicine, spirituality,
psychotherapy and art have repeatedly challenged the certainties I have
been taught.
My use of digital video (a quantitative binary process) to produce images
that I believe to be non-reductive reflects the paradoxes created by my
chosen professions.
There are multiple possible interpretations of the videos depending on
the background of the viewer. This is deliberate and hopefully supports
my non-reductive thesis.
These videos are part of a series investigating reflections; a second
series that I am also currently working on investigates shadows.
My intention is that this series will be more politically orientated.
My videos are taken in my garden and edited with Sony Vegas Platinum 11.0HD.’

We’ll have another of these beautiful works next week.

Psycho Bob – Bob’s Big Date

bob_date.jpg
Bob’s Big Date (2008, 7 MB, 50 sec.)

“These are the adventures of a psychopath named Bob. Bob is not
a nice man; not even a little bit. This show is the video equivalent
of a Sunday comic strip.

Here Bob goes out on a date with Betty, perhaps the first woman
other than his mother to truly understand and appreciate him.”
From The AV Club.

Wheeler Winston Dixon – Serial Metaphysics

Serial Metaphysics
Serial Metaphysics #1 (1984-86, clip, 6.4MB, 1:08 min)

Serial Metaphysics
Serial Metaphysics #2 (1984-86, clip, 5.9MB, 1:08 min)

Wheeler Winston Dixon is now a professor of film studies
at the University of Nebraska, Lincoln. Before he did that he made
a lot of (on the evidence of these clips & others) really great short movies.
In particular these two clips from Serial Metaphysics, apparently almost
entirely constructed from TV ads, whet the appetite for a viewing
of the whole twenty minutes.
Dixon conjures fever dream magic from commercial banality.
Check in particular the end sequence of clip one:
David Lynch eat your heart out.

Nathaniel Stern & Scott Kildall – Tweets in Space

Tweets in Space
Tweets in Space (2012, 52MB, 2:27 min)

Scott Kildall and Nathaniel Stern of Wikipedia Art return with another
project both odd, lyrical and utopian.
“Tweets in Space” will beam Twitter discussions from participants worldwide
towards GJ667Cc: a planet 22 light years away that apparently might support
earth-like life.
Anyone can take part, simply by adding #tweetsinspace to their tweets during
two performance times in September, when Stern and Kildall will be doing live
projections at the International Symposium on Electronic Art in New Mexico,
and boldly tweeting where none have tweeted before.

They say:
“This differs from every past alien transmission in that it is not only
a public performance, but also performs a public: it is a real-time
conversation between hopeful peers sending their thoughts to everywhere
and nowhere.
Our soon-to-be alien friends will receive unmediated thoughts and responses
about politics, philosophy, pop culture, dinner, dancing cats and everything
in between.
By engaging the millions of voices in the Twitterverse and dispatching them
into the larger Universe, “Tweets in Space” activates a potent discussion
about communication and life that traverses beyond our borders or understanding.
It promises more than could ever be delivered.”

This is their fundraising video – please consider making a donation to make the
project happen and also publicise and share it on lists, facebook, twitter, etc.

Diesel U Music – Ben Hanbury

Ben Hanbury
diesalumusic (2006, 27MB, 3:19 min.)

Ben Hanbury entry for the Diesel U Music 2006 VJ competition.

Curt Cloninger: Again (I Wish I Was A Fool For You)

Again (I Wish I Was A Fool For You) #1
Again (I Wish I Was A Fool For You): 9:23-9:26 pm (2012, 70MB, 2:27 min)

Again (I Wish I Was A Fool For You) #3
Again (I Wish I Was A Fool For You): 10:08-10:10 pm (2012, 64MB, 2:33 min)

I love (and increasingly so) Curt Cloninger’s work.
The wonderful series of gif/flash/loop/glitch/kitchen sink audio visual poems on his site, his forays into
datamoshing and his series of live performative/endurance pieces
which, sprouting like green shoots from a rather austere central
European branch manage to be filled with light and nuance and a
-how shall I put it -… a joy which is earned, which is not trivial,
and to which we are invited and which arises out of a heightened sense
of ourselves and of others as embodied beings and of our necessary interconnections…

Here’s Curt’s account of a recent piece, a collaboration with his wife Julie,
for which we post two pieces of documentation. (I don’t know whether Curt sees
them as simply that. I think they are quite lovely in themselves – certainly the video
piece derived from Curt and Annie Abraham’s telematic collab Double Blind,
featured here previously certainly has artistic legs of its own and perhaps should
be taken as something of a precedent.)

Anyway, over to you Curt:

“A 3 Hour performance by Curt and Julie Cloninger. Julie is pre-recorded
on video singing for ten minutes along with Curt playing Rhodes piano.
Her video and audio are then projected and looped in the performance space
while Curt sings and plays guitar live. Both are blindfolded.
A duet across time. The repeated excerpt is from the Richard and
Linda Thompson song “For Shame of Doing Wrong.
Performed at the Black Mountain College campus during the 2012 reHappening festival“.

Man With a Movie Camera – Perry Bard

man_camera
Man With a Movie Camera (Trailer) (1929-2007, 6MB, 2:17 min.)

“Man With a Movie Camera is a participatory video shot by people around the world
who are invited to record video according to the original script of Vertov’s Man With
A Movie Camera and submit it to a website which will archive, sequence and deliver
it. When the work streams your contribution becomes part of a worldwide montage,
in Vertov’s terms the ‘decoding of life as it is’.
Project by Perry Bard.

Morrisa Maltz – Two New Movies

I Don't Know That Would You Like to Search the Web for it?
I Don’t Know That Would You Like to Search the Web for it? (2012, 96MB, 38 secs)

Image White/Red
Image White/Red (2012, 12MB, 35 sec loop)

Another DVblog favourite today, I’m glad to say.
Morrisa Maltz, returning to the world of art from her foray
into commerce
(but that so elegant and sharply done), presents
us with two new vids, mysterious and lovely both; one that
feel ecstatic and the other with, perhaps, a darker note, I think.
Anyway, partly because I think it’s enlightening and partly because, dammit,
I can, I reproduce below an edited verison of an exchange
Morrisa and I had about these.

MM:
…think I’m moving in a bit of a different direction…I’m working
on a few pieces that are much shorter and meant to loop- sorts of images
that function more as paintings and could possibly fit in sculptures
or present themselves framed on a wall… I’m not sure if those would
work for DVblog, but I’m attaching two pieces that function in that way,
one that is similar to old pieces a bit and one that is entirely meant
to loop and function as more of an “image” than a video……..
I’m really trying to get back in the groove after all the Mofone excitement
so no worries if you don’t like these pieces and don’t want to write
about them or want to write something not so great about them…

MJS:
I think they’re both great & I’d love to do a post about them.
For me change is a sign of life. Nothing depresses me more than the all
too frequent art school advice to find a “thing” and to keep doing it.
Imagine Picasso with this philosophy…
Anyway – although they are different you have very distinctive fingerprints 🙂

MM:
I think that change is extremely important for an artist , and it’s …
unfortunate that artists quite often get pegged into one way of making
things and continue to work in that vein- that seems to contradict
the whole idea of an artist for me…

Takeshi Murata – Melter 02

Melter2
Melter2 (2003, 8MB, 30 sec.)

Undermining the traditional notion of televisual viewing by creating a passive,
sculptural work of technicolour beauty.
Clip from Melter 02 by Takeshi Murata.