Two from Monkmus & Kid Koala

basinstblues
Basin Street Blues (2003, 11.3 MB)

fenderbender
Fender Bender (2000, 3.9 MB)

Couple of collaborations between artist & film-maker
Monkmus and turntablist Kid Koala found on the
generously-stocked-with-goodies video page of the
Ninja Tune site, these tracks are pure aural & visual delight.

Xologola – Michael Robinson


Xologola (2007, 49.3MB, 1:18 min)

DeK, from no fat clips!!!, recommends this piece by Michael Robinson
with sound by Bish.
It’s undeniably skilfully made & pretty though I can’t help wishing
more happened.
There’s a moment, about 1:06, where we seem to be gearing up
for some visible variation in tempo & geometry but the moment
passes & the piece ends.
Nonetheless one can’t help but admire the process:
… made up of scans and pictures of branches,
broken and scratched glass, and digitally painted textures…

Just


Radiohead – Just (1995, 11MB, 4:05)

Arguably one of the , and
certainly one of the formative videos of my youth.
It never gets old or feels cliched, no matter what is
made today of new weight and relevance.
Video directed James Thraves.

Konono No 1


Konono No 1 Promotional Video (2005, 14MB, 4:20 min)

I was a bit wary of the rather glib “Congotronics” marketing
surrounding the absolutely fantastic music coming from Konono No 1
and other bands (including the Kasai All Stars) from Kinshasa,
Democratic Republic of the Congo*** – there’s so often a touch
(or more) of paternalism in these things as western rock luminaries
find some beautiful flower of music and well intentionedly but stupidly
trample and traduce it as they make it “palatable” for western consumers.

However I was completely won over by this article, which makes clear
producer Vincent Kenis’s deep knowledge of and devotion to the music
and its performers.
Furthermore it’s the kind of scholarly yet readable account of something
that one so often yearns to find on the net & so rarely does.
Watch the vid then read the article.
I bet you end up buying some of the music.

*** the much trumpeted comparison with avant-rock &c is marketing horseshit of the highest order of course – why the hell should two things that have developed in virtually completely separate social, political, economic & cultural circumstances be comparable in any meaningful sense simply because they share common surface features? Worse still, the comparison could be taken to imply that this music was somehow evolving towards the condition of western avant-rock..euurgh!

Silver Lining


Autumn Wilde – Rilo Kiley, Silver Lining (2007, 19.8MB, 3:45)

A very lovely Rilo Kiley video from Autumn Wilde.

Curt Cloninger -<em> Pop Mantra</em>

Pop Mantra
Pop Mantra Video Documentation #4 (2008, 51.7MB, 5:17 min)

Pop Mantra
Pop Mantra Video Documentation #7 (2008, 50.5MB, 5:41 min)

I like & admire Curt Cloninger for his steadfastness of belief in both his religion
& his artistic work.
He’s also one of the best writers about new media around at the moment.
In both theory & practice he’s curious, inventive, knowledgable, quirky and passionate.

Unlike many in this sphere he’s also not afraid to think aloud in public, to take risks.
Even, (quelle horreur!), to risk appearing uncool.
Recently he’s been making work away from the web, some of it performative
& very interestingly so.

Here (& I stress what you see here is the documentation, not the piece
itself -a fine, but important, distinction) he repeatedly sings & plays a
single phrase from a popular song, in this instance Radiohead’s Karma Police, for several hours.
For me there are number of interesting resonances – minimalism, shamanism,
the kinds of ‘test’ that occur in many religious belief systems, a losing, dissolving
of the self (In additon to the eponymous “mantra” ,there’s an echo too, I think, of Sufism);
but also there is the straightforward investigation*** of the mechanics of playing,
of performing (& there’s a fractal quality to the rather symmetric & crystalline
structure of popular song that makes this kind of extracting both possible & immediately
approachable -it’s a world familiar enough to welcome us in.)

The two extracts are from different ends of this marathon
( & selecting & typing that word just conjured another association –
the of the twenties & thirties).

I find this work fascinating.
Fascinating & affecting too.

*** It’s almost always a laughable misuse of the word to say ‘investigation’
in an art-speak context. Here it seems correct & natural.

Carey/Laric/Stracke

Laric/Carey
Touch My Body (Oliver Laric version) (2008, 40.9MB, 4:18 min)

Laric/Carey
No Mariah (Caspar Stracke version) (2008, 52MB, 4:03 min)

OK, pay attention! This is complicated.
Ms Carey (or her corporate minders) release a video, which if she did have
a significant part to play in it shows such a staggering lack of self esteem
that a kind of dark despair begins to envelop me.
Artist Oliver Laric remixes it, removing all the backgrounds and replacing it with
green, for ease of a certain species of remixing.
There follows what is actually an interesting and nuanced exchange of views.
Then Caspar Stracke posts the second of our videos & MTAA make a
very funny joke.

White Winter Hymnal


White Winter Hymnal – Fleet Foxes (2008, 5.7MB, 2:28)

Beautifully poignant music video from Fleet Foxes,
directed by super talented Sean Pecknold.

Suburban Kids with Biblical Names – “Rent a wreck”

rent_a_wreck
Rent a wreck (2005, 21 MB, 3:13 min.)

Suburban Kids with Biblical Names is a swedish band formed
in December 2003 by Johan Hedberg and Peter Gunnarsson.
They make and record their music in the hallway or the storehouse
at the home of Peter’s parents. Johan makes simple drafts of the songs
and then Peter polish them and turn them into shiny pop songs.

<em>'Ce soir je vous propose'</em> -<br> transcendence from <em>Dan Canyon</em>

3 of 7
3 of 7(2002, 74.7MB, 4:00 min)

4 of 7
4 of 7(2002, 105MB, 4:00 min)

Two (from a series of seven) heartbreakingly beautiful, lump-in-the-throat-evocative
lyric poems about being young, disguised as music video/documentaries.

Dan Canyon is a natural filmmaker. He so is.
What more to say, except nice to see Blackheef pronounced correctly?

See all seven.

Take a Chance on Me


ABBA – Take a Chance on Me (1978, 9.9MB, 3:55)

I have an unnatural obsession with ABBA, and thankfully,
Doron already posted one of their classic and amazing
music videos.
Let’s break this one down a little, though it’s clearly enjoyable
without my commentary.
First off, the ABBA couples broke up, but at least they didn’t
go the way of my favorite stateside 70’s quartet, Fleetwood
Mac. No reason to partner-swap, folks.
Anni-Frid (Frida – the brunette) tends to be my favorite.
In this video, we find her repeatedly half-winking and
jumping in place.
Also, I would like to own her blue sweater and those boots.
When she puts on those yellow headphones and starts
dancing for Benny, I can totally understand why he ends up
chasing after her in the last few moments of the video. Her
moves, at times, make this whole video.
The cross-fades between lovers faces are priceless.
Isn’t it also pretty amazing when Agnetha throws her head
back and that giant red spotlight takes her place on the word
“magic”? It is magic.
With the screen cut into quadrants and that unbeatable soft
focus, I could not be more serious when I say this is music
video history worth preserving.

Grizzly Bear – Knife

GrizzlyBear.jpg
Knife (2007, 67 MB, 5:50 min.)

“Death Valley is hot. We wouldn

Baum

Baum
Baum (2008, 29.5MB, 3:07 min)

Simple in conception and execution & quite lovely.
Photography: Julie Roehr
Music & Video: Nikola Jeremic
From http://www.njeremic.ecobytes.net/njeremic//index.html

(Don’t you wish, though, people wouldn’t leave those huge bars of black
space above & below like that -so many do- but crop to the area where
stuff is happening?)

The Breeders

Huffer
Huffer (2002, 69.2MB, 2:15 min)

Video for the 2002 single from The Breeders
The new album is great too; feels like it was made by
smart wayward, passionate, human beings
rather than a focus group.

Donna Kuhn – Limbo

Limbo
Limbo (2008, 26.3MB, 3:08 min)

We’ve shown Donna Kuhn’s work couple of times before.
Look at the trajectory.
It’s always been impressive but there’s a new note here:
a confidence & ambition that is really striking.
It’s a cliche but cliches are nonetheless sometimes true
-here’s someone who has found a very personal
voice & learned how sing with it in a sophisticated
& affecting way.
More here.

Broken Bones – House of Freaks

House of Freaks
Broken Bones (2006, 18.8MB, 3:11 min.)

After the murder of Bryan Harvey, half of the band House of Freaks,
I had wanted to make a music video for one of their songs as a small tribute,
but I was just too heartbroken to approach it.
I found the occasion on my last train ride home to Virginia.
I filmed this on the way down and edited it on my way back to New York.
While this talented duo had two legitimate pop hits in the 1980s
and an international fan base, their influence is far greater than
their current notoriety would suggest. I think so.

By Mica.

Backstreet Boys by The Dormitory Boys – I want it that way

backstreetboys
I want it that way (2005, 20.3MB, 3:39 min.)

A super hit back in 2005 that started the Karaoke trend
on Utube. (3M hits)
from- The Dormitory Boys.

Terminally Ambivalent Over You – Alex Budovsky

terminally
Terminally Ambivalent Over You (2002, 26.1MB, 3:19 min.)

Based on Stephen Coate‘s song from the album ‘When Psyche meets Cupid’,
this animation tells the story of a prisoner who works in a prison’s
gramophone factory and while assembling gramophones thinks of his girlfriend.
Neat stuff from Alex Budovsky, aka Aleksey Budovskiy.

Sam Renseiw

Moves and Shadows
Moves and Shadows (2008, 17.5MB, 3:17 min)

3:17 min of visual enchantment from the genius Dane
in this utterly ravishing dance vid.

Beck – Girl


Motion Theory – Beck – Girl (2007, 38.9MB, 3:28)

From Venice, California visual design/filmmaking studio
Motion Theory, this laid back Beck video was directed
by Mathew Cullen and Grady Hall.

Bottomunion – The Endangered P-Money Bird

bottomunion1
The Endangered P-Money Bird (2005, 14.5MB, 2:23 min.)

Erik Nelson’s videos are always funny and poetic. He posts new work regularly
on his vlog – Bottomunion.
music by – dudley from – Autres Directions.

By Mica.

pixelbirds – cube pusher


cube pusher

Cube Pusher (2007, 31MB, 2:49 min)

Deft & very attractive interweaving of video & live performance from pixelbirds.
They make it look effortless; of course it’s anything but.
There’s an interesting form emerging here, with this physical intervention/relation
of live performers to a projection.
This notion has some way to unfold yet, I think, but
this is an excellent staging post.

Lewis LaCook -<em>Joey</em>

Joey
Joey (2008, 18.9MB, 1:08 min)

A new video from Lewis LaCook comes too infrequently.
He’s one of a kind in his and here too.
There’s a throwing of everything, including the
kitchen sink, going in his movies & it shouldn’t work
but it so does.
We’ll repost another of his pieces tomorrow; a little feast for you.
Just for the record here’s Lewis’s description of the piece:

Joey, or DJ Joey, as he is affectionately called, is a
young man in Lorain, Ohio, who spends most of his day
dancing on the corner of 28th Street and Elyria Avenue
to his boombox, waving and smiling at passing
traffic.

This video was constructed of footage found on
YouTube, all dealing with Lorain, Ohio. This is the
first video I

Ready for the Floor


Hot Chip – Ready for the Floor (2008, 26.6MB, 3:42)

Yeah yeah, more hipster music videos. But they’re so good!
Hot Chip’s second single from their newest album,
featuring their front man in various Joker references,
including the line, “You’re my number one guy,”
originally used repeatedly in 1989’s Batman.
See? You know you love it.
From Nima Nourizadeh.

The Divide – 911 Music Video

The Divide
The Divide (2006, 19.15MB, 5:15 min.)

Music & Video by VOICE & FluxRostrum aka Gianni Lazuli.

Sensual Seduction


Snoop Dogg – Sensual Seduction (2007, 35.3MB, 4:08)

So Snoop Dogg is a misogynist and exploits
his own Black culture regularly.
I get it, and I preach it: the guy is nasty.
But if this isn’t an amazing music video,
I don’t know what is.
This song is called Sexual Eruption, but for
obvious reasons, the edited “clean” version
is the one being passed around.
It’s been out for several months, and I’ve been
debating whether or not to post it.
But since our mission is to post what thrills and
excites us, here it is.
I hope it does something similar for you.

Tribulations


Tribulations (2005, 17.6MB, 3:59)

As the resident DVblog 20-something pseudo-hipster,
I’m almost contractually obligated to post video like this.
LCD Soundsystem makes insanely danceable tracks,
sometimes clocking in well over twelve minutes,
always ironically self-referential and poking fun
at their main demographic (who may/not be getting the joke).
So here is the 2005 hit single’s clever music video.
Girls with barrettes and men in women’s pants everywhere rejoice.

Nigel Ayers – Soul Zodiac

transformations
Soul Zodiac (2007, 6.4MB, 2:12 min)

Interesting documentation of a piece recently shown at
Newlyn Art Gallery by Cornish based artist Nigel Ayers.
The zodiacal stuff leaves me a bit cold but the sound is utterly wonderful,
and the simple yet elegant & effective presentation is great too.

Resexed Pistols – Antonio Mendoza

Resexed Pistols
Resexed Pistols (2006, 6.4MB, 2:06 min)

“another remix of the sex pistols piece you posted a while ago..
i had been working on it awhile ago then i went on vacation… and when
i saw the valdez piece, i felt someone had been searching my harddrive.
then i saw the piece (which is great) and realized that they’re quite
different, even though they tread in the same arena… i don’t know why so many
of us have been attracted to redoing the same clip (remember jimpunk did
another remix), but here is my mine.”

from Antonio Mendoza – Mr. Tamale.

Aaron Valdez – Anarchy Delayed

Anarchy (Slight Delay)
Anarchy (Slight Delay) (2006, 17.8MB, 3:23 min.)

In which Aaron Valdez takes the Sex Pistols vid from
these very pages and..er..does stuff to it.
Explains Aaron:
‘This is the second entry in a study (or me messing around) with audio
and video delay. I did a Bob Dylan one way back. Nothing new but
interesting nonetheless. I made three tracks of video each offset by
6 frames then I cut out three frames alternating between those three
tracks. It