Drake Music Commission – Distant Interiors

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Distant Interiors (2011, 87MB, 2:16 min)

Drake Music is an organisation initiating and enabling a whole spectrum
of activity around disability and the arts (particularly music
but other artforms too).
This could be worthy, condescending and dull. It is none of these.
In recent years, under the inspired leadership of Carien Meijer,
DM has ensured it is situated primarily as a very forward looking
arts organisation which happens to work closely with disabled artists
to enable new and fresh work to emerge.
It has encouraged collaborations between disabled and non-disabled artists
and, in a sense, works towards its own future disappearance not only
by using technology to level the playing field but also by aspiring not
to pity or the sideshow but to serious, top level, work.

This is their first online commission, a remote collaboration between
video artist Melanie Clifford, composer Ailís Ní Ríain and artist Rebecca Key.

I like the fact that it is so confident in its austere and beautiful
language and aims, not to charm us, but to engage us.
The spiky and beautiful music is particularly exhilarating.

Steven Hoskins – 15 Years

15years
15 Years (2011, 60 MB, 3:08 min)

Reverse aging transformation of a 15 year self-portrait sequence
of Dan Hanna, forming the basis for the movie “StartStop” (2009).
Edited in HD. Used is 32 channel split screen asynchrony to create the illusion of flow.
By Steven Hoskins.

Heath Bunting – Memorial Stone

memorial_stone
Memorial Stone (2011, 92 MB, 38:31 min)

“As technology moves forward.. all my work is falling apart.. I’d like to move
forward as well, into a more outside adventurous practice, so this video is an
attempt to document the ruins and the remains of my internet work”
– by Heath Bunting

James Seo – Asynchrony – Split (Head)

asynchrony_split_head
Asynchrony – Split (Head) (2006, 11 MB, 2:14 min)

“My latest project is Asynchrony. It’s a set of four interactive sketches for the
simultaneous visualization of multiple points in time within video. When combined
with time-lapse or looped video clips, each sketch generates a crudely synthesized
image of different time points in video, all within the shared space of the visual frame.
They divide the video frame into static or animated rectangular regions,
each of which can have its own time flow.”
by James Jung-Hoon Seo.
from Split Screen.

Talking About DVblog

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Electronic Village Galleries Talk 6th May 2011 (2011, 164MB, 32:14 min)

Gosh -where to start?
Awhile back we were approached to assemble a selection of
work from DVblog for screening at a gallery in the UK.
This reel then took on a bit of a life of its own, showing
at the museum of club culture in Hull, UK and at the Buffalo Literary Center, New York.
(of course ‘a life of its own’ is completely unfair – it got shown because real
human beings –Kerry Baldry and Martha Deed respectively – put work into making it happen.)
Then Kate Southworth, who is running a brilliant pilot project
involving showing digital work in village halls in Cornwall, in the extreme
south-west of the UK, asked if I’d be interested in curating something
and the reel immediately sprang to mind..

To cut a long story short it was shown at the second EVG event at
Zennor village hall on 7th May and I went down to talk (at some
length,
I notice with a certain degree of horror)
about digital video on the net, DVblog in particular and about the
artists involved in this selection.
Here, for better or for worse, is my talk, filmed, heroically, given my
restless delivery style, by Delpha Hudson.
If you’d like to reconstruct the programme for yourself it’s below, with links to
the original DVblog posts.

And if you’d be interested in screening it, please get in touch!
(We also have a reel of silent work which has been screened with
musical accompaniment and is available for more such outings.)

JimPunk, 2010: T

Ruth Catlow – Landscape

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Landscape (2011, 114MB, 3:12 min)

Ravishing piece of work from my friend and colleague Ruth Catlow
who is also co-director of the indispensible Furtherfield.org

We’ve been talking a lot amongst ourselves and with our students about
continuities across art history and about hybrid techniques which
meld both the ancient and the newest.
Filmed in the New Forest, this piece (apart from its great beauty)
is an exemplar of this approach and pathbreaking in its way.
(More so than much which, dull-eyed, shouts and waves the latest thing
from the rooftops.)
The oldest kind of mark making, delicately but robustly realised,
captured on a tiny portable video camera in a semi-performative
way and then networked…
Beautiful and nourishing both.

Can I get an Amen? – Nate Harrison

Can I Get An Amen
Can I Get An Amen? (2004, 34.3MB, 18:08 min.)

from Nate Harrison.
This documentation of an installation by Nate Harrison,
includes an in depth lecture on the history of a single breakbeat.
It follows this small fragment of a song from its origin in a 60’s soul
recording through the invention of house and contemporary hip-hop.
It also speaks very eloquently on the important issues of copyright in
remix culture. This is fascinating to listen to.

By Mica

Jimi Bogdanov

Movie #4
Movie #4 (2006, 1.9MB, 44 sec)

Movie #14
Movie #14 (2006, 2.9MB, 1:12 min)

Interesting work from Canadian film maker Jimi Bogdanov.

Movie #4 , in particular, has a fragile & arresting beauty.

Roundabout

Roundabout
Roundabout (n/d, 5MB, 35 sec.)

Found in the inspiration section of VJ Forums.

Alan Sondheim – Two Movies

after the fall
After the Fall (2011, 44 MB, 1:01 min)

antenna
Antenna (2011, 65 MB, 57 secs)

Two very different and very beautiful movies from Alan Sondheim.