Change is Constant (2006, 6.5 MB, 3:02 min)
This is a short film I edited to one of the tunes recorded by
Amoeba Technology. I shot most of the footage use in the video,
the footage is a mixture of 16mm, Super 8 and Mini DV.
from Mark Reilly, at alienresident.
A Tough Dance (1902, 7.1MB, 47 sec.)
Bicycle Trick Riding (1899, 5.5MB, 37 sec.)
Three Acrobats (1899, 5.4MB, 36 sec.)
Three exhilarating chunks of early movie making from the
Library of Congress online collection of variety stage motion pictures.
I particularly love the deeply strange A ‘Tough’ Dance.
There’s also a great early animation collection on the LOC site.
Un chien andalou (1929, 156MB, 15:40 min.)
This is just the source.
Can you imagine Cocteau, Deren, later Hitchcock & Cronenberg
without this?
Oh..more:- the whole of cinema would have a great gaping bloody gap
in it & what was left would be dull dull dull & Black Francis wouldn’t have been
able to write ‘Debaser’.
It simply prised open the language.
Afterwards, Bunuel went on to make some of the sharpest, most provocative
& disturbing films of the 20th century & Dali went on to
…well… be Dali.
Home Movies (2007, 11.9MB, 1:10 min)
Money at the Situation (2007, 6.5MB, 37 sec)
Assured & capable micro movie making from Bill Shackelford in 2007.
In the case of Home Movies, more: beautiful, poetic
& singular, using only the artefact laden footage around cuts in
his grandfather’s 8mm home movies from the 50s & 60s.
Bravo!
Very nicely executed short film from UK film-maker Toby Tatum,
who is clearly both gifted and imaginative.
It brings to mind an attempt to conjure in a distilled way the atmosphere of
pieces like Lucile Hadzihalilovic’s Innocence.
(and nothing wrong with this; I’m using Innocence as a point of comparison
rather than asserting influence)
I’m not sure it entirely succeeds – the act of distillation, of reduction to
suggestion, to atmosphere (ironically the very richness of the prize-winning music by Abi Fry
contributes to this) means it ends up feeling laid on a tad thickly.
Nonetheless it’s work that demands & deserves attention and I’ll be interested to see where
Tatum heads next.
Beautiful and delicate, yet somehow tough, bit of
performative portraiture from 1994 by Eleanor Suess.
I really like the fact her work doesn’t scream look-
at-me-how-clever-I-am but when one does look
carefully, there is art enough to engage,
reward and move.
Gavito & Plazaola (n/k, 13.5MB, 3:44 min.)
‘The secret of tango is in this moment of improvisation that
happens between step and step. It is to make the impossible thing
possible: to dance silence. This is essential to learn in tangodance,
the real dance, that of the silence, of following the melody.’
– Carlos Gavito
Watch the late Carlos Gavito & his partner Maria Plazaola
play havoc with the space time continuum in this extraordinary
piece in which time slows down, speeds up & actually comes to a
halt at least once.
Mesmerizing.
[ Found on this very strange tango site with lots more videos]
Le Lion Devenu Vieux (1932, 3.5MB, 1:04 sec.)
Ladislas Starewitch is often credited with inventing stop motion animation
as we know it, though so are several other people. It depends on what fits
into your definition of stop motion.
Certainly he was probably the first to actually make little figures and move
them frame by frame in an attempt to duplicate lifelike movement of actual
living things. it was because he was filming beetles and found that the hot
lights made them lethargic, so he made his own little beetles asrealistically
as possible and animated them instead.
This gave birth to further projects with very lifelike but sometimes partially
anthropomorphic (human-like) animals.
from – Darkstrider.
By Mica. (thanks Adam)
PIRATE (2006, 45 MB, 8:25 min)
By Annika Larsson.
Music by Tobias Bernstrup & Annika Larsson.
RUBBER (2011, 35 MB, 2:21 min)
Trailer for RUBBER, the story of Robert, an inanimate tire that has been
abandoned in the desert, and suddenly and inexplicably comes to life.
RUBBER is a ‘smart, funny and wholly original tribute to the cinematic
concept of “no reason” ‘.
Director: Quentin Dupieux
