
Juicy Brunette (2006, 2.9MB, 3:24 min)
Addi Somekh is obviously a talented musician but his
chosen instrument is the common household balloon.
You can hear more balloon music on his site Balloonbass.com.
By Mica Scalin.

Juicy Brunette (2006, 2.9MB, 3:24 min)
Addi Somekh is obviously a talented musician but his
chosen instrument is the common household balloon.
You can hear more balloon music on his site Balloonbass.com.
By Mica Scalin.

Rainer Maria – Catastrophe Keeps Us Together (2007, 23.5MB, 3:35)
A fun music video for the fantastic band Rainer Maria, directed by Claire Carr�.

Wuthering Heights (2007, 9.19 MB, 3:04 min)
Kate Bush’s debut hit Wuthering Heights gets a makeover
by The Ukulele Orchestra of Great Britian
and crooner, Tony Penultimate.
By Mica Scalin.

Shoveling (2007, 14.1MB, 1:00 min)

Snow Light, Snow Bright (2007, 15.2 MB, 52 secs)
Delicate; restrained, almost austere.
Which qualities the key, or better the bridge, to the richness,
the depth, of two perfectly judged Lumières
Trailer for ,
a documentary about Reverend Billy and the Church of Stop Shopping,
produced by Morgan Spurlock.
I’m not convinced that Spurlock is the man to spread a good message,
but I sure would go to any church where Rev. Billy showed up.
DRIVE THE DEMONS OUT OF THOSE CASH REGISTERS!!

One Language, Indivisible (2003, 20.9MB, 2:52 min)

Corporate Ritual (2003, 5.4MB, 1:43 min)

America’s Most Famous Mexican (2003, 9MB, 1:41 min)
‘Two!’ I hear you cry ‘Two! – WHEN WAS ONE!?’
Well it was er..um..in April & I meant to post more
sooner only I was just plain dilatory.
Partly because the body of work Patrick has handed over
to us is simply somewhat overwhelming in volume & scope
& I’m actually a bit overawed.
So now I’ve grabbed the bull by the horns & am going to
post these three, which showcase Lichty the radical.
They’re funny, pointed and (always a good sign with political art
IMHO) really, really weird…
[Actually, coming back to revise this post, it occurred to me
I don’t think Swiftian is entirely hyperbolic]
There’ll be more before too long…

Sentimental Construction (2007, 25.4MB, 6:31 min)
Nathaniel Stern took a bit of a hammering in various quarters for this piece,
made on a residency in Croatia.
I think there’s an probably an element of you-had-to-be-there about this
although, that said, I think the video is rather magical &
does as good a job of summoning the kind of ephemeral spell this stuff can weave
as any I’ve seen.
Lastly it has to be said the reason Nathaniel is great is because
(1) he has a frightening amount of energy, more indeed, really, than his fair share –
he starts 5 ‘isms’ before breakfast
(2) he is bold, unafraid to risk looking ridiculous & therefore quite often as an artist
he goes to much more interesting places than most…
In general I’ll take a Nathaniel “failure” over quite a lot of folks’ “success”.
“SOS” was the third single from Swedish pop group ABBA‘s self-titled
1975 album. – from Bedazzled.tv.

autoretrato; puesta de sol//self-portrait; sunset (2007, 5.16MB, 36 sec)
Hallado en una serie de vlogs (la navegación es un poco confusa,
y mi español rudimentario, así que espero haberlo pillado bien),
de la española residente en Chile Pepa García, este
vídeo es sencillamente perfecto: la mezcla justa entre
espontaneidad y cálculo; y hecho con arte,
conjurando una compleja atmósfera donde una especie
de deliciosa melancolía es la nota más predominante.
Simplemente genial.
Found on a series of vlogs (the navigation is a little confusing,
my Spanish is rudimentary, so I hope I’ve got the factual stuff right)
by Chile resident Spanish video maker Pepa Garcia, this piece is just perfect –
just the right mix of spontaneity and calculation, artfully made
and hence conjuring a rather complex atmosphere where a species
of delicious melancholy is the most predominant note.
Simply great.

Augmented Body and Virtual Body (2005, 36MB, 14:13 min.)
“The big idea is to put a human being into a system where many machines act as
an extension of the body. I am a composer and I want to control a robot orchestra,
video images and videotext using a “BodySuit”.
All this within the conceptual framework of Music Theatre and a musical composition.”
Suguru Goto: Concept and Composition.

O:.O:.O:.(2007, 47.3MB, 59 sec loop)
Quite extraordinary dance video from Jaygo Bloom.
What I love about it is the wonderfully insouciant way
it both references and evokes early modernism
(Calder is cited as a source/inspiration by Bloom) but is also
(and could not be other than) utterly contemporary.
Great! So great it makes me totally jealous!
Camera: Patrick Jamieson and Anna Druka
Music: Hammerschmidt

The Planets (2005, 1MB, 1:07 min.)
Toine Klaassen draws attention to the poetry of the unsightly, the small,
and neglected. He collects discarded objects from his surroundings
with no predetermined plan, and subsequently uses these in his work.
Often the work is created in the presence of the public
in a performance setting, in which he makes no attempt
to avoid the absurd.
Or as Klaassen himself states:
“If you catch a butterfly in your hands the powder on its
wings will brush off leaving just a tattered rag.”

Vertical Thoughts 4 (2002, 7.7MB, 3:22 min.)
All we composers really have to work with is time and sound
– and sometimes I’m not even sure about sound.
Morton Feldman.
The pianist is Philip Thomas.
Found in Misha David’s excellent collection of
new music performance videos.
While you’re there check out the rest of his site -he has some
great photographic work archived there too.

JooYoun Paek – Self-Sustainable Chair (2007, 4.2MB, 1:37)
Joo Youn Paek demonstrates how to use her
self-sustaining chair on a walk down the street.
This and several related excellent related projects
originate in the NYU ITP program.

Real DMB TU – Life Dress (2007, 5.2MB, 0:33)
From Anna Maria Cornelia (also known by pseudonym
Ann De Gersem), a Life Dress which allows a person
to create instant personal boundaries in public.
As a woman often bothered by unwanted attention
in public – not to mention a lover of profound design
– I am so pleased by this concept, even if the end
result might be even more unsolicited scrutiny.
The dress is featured here in a commercial for
South Korea’s mobile broadcast service, TU Media.

she-shoe (2007, 39.1MB, 5:20 min.)
Extraordinary & energetic collab between pianist/singer/dancer
Debora Petrina and film maker Luigi De Frenza.
SHE HAS HER HAND IN A SHOE!!!
GOT IT???
OK.

Peace not War(2007, 33.8MB, 1:06 min.)
Will this action/piece by the Glass Bead Collective hasten the
end of any war? Dunno – nice to think so, but I’m sceptical.
What it certainly does, though, is to add considerably to the
store of human wonder.
When we stop our lords & masters spending money on invasions,
& we’ve fed & housed everyone, then we should definitely
spend some of what’s left on high-powered projectors.

Readings from ‘Health Proxy’ (2007, 32.7MB, 8:19 min.)
So..declaration of interest..Robert Roth is a friend of mine & I get mentioned in the book.
Nonetheless, if he was my worst enemy, I’d still say watch this, then .
Health Proxy is pretty much sui generis..the only comparisons I can think of being those fragmentary, diaristic things in the Japanese tradition:The Pillow Book or Essays in Idleness.
Of course Kenko & Sei Shonagon never wrote about baseball or AIDS,
nor were they animated by the massively warm oppositional & radical spirit we find here.
The video is a nice job too – not only is it elegantly made, but Langager and Smolarski
pass the documentary acid test of honouring their subject matter whilst still creating
something with a palpable sense of their authorship.

‘I’m Gonna Booglarize You Baby’ (197?, 42 MB, 4:57 min.)
I’m as astonished & excited today when I listen to the music of Captain Beefheart
as I was in 1970, when someone loaned me a copy of ‘Strictly Personal’ &
shivers ran up & down my 13 year old spine.
He was, & is, one of a kind & today music’s loss is visual art’s gain.

World Hug Day (Gao Brothers) (2007, 10.7MB, 4:48)
The latest in a series of mass hugging performances
(assuming an embrace is ever performative) from the
Gao Brothers. Berlin, Germany; September 11, 2007.

Can’t Tell Me Nothing (2007, 23.9MB, 5:00 min)
How good is this?
Alternative vid for Kanye West’s ‘Can’t Tell me Nothing’ with
comedian Zack Galifianakis & the wonderful Will Oldham. Exhilarating!
Found here.

Antinormalizer (2007, 83.9MB, 9:58 min)
This has quite a complex history, which is explained
better in the video than I could do here.
My nose twitched when I saw it posted on the
Rhizome list by Brett Stalbaum.
Anything associated with him is worth checking out
as witness the various excellent things he’s made with
a hiking theme ( & hiking theme so fails to do justice to the peculiarity
& wonder of them).
Anyway this one is a big team thing, students and staff from
two courses at Unviersity of California San Diego &
it’s entertaining & thought provoking & it feels like
a 2007, modern tech twist on 1968’s
‘Sous les pavés, la plage!’.
The Shins – Gone For Good/Turn On Me (2007, 50.5MB, 9:36)

The Liars – Freak Out (2007, 17.5MB, 2:59)
From Vincent Moon’s ongoing collection of Take Away Shows,
two examples of impromptu concerts in public spaces or back rooms,
both hipster American bands but unique and fantastic with their own
pop-folk and frenetic, avant garde styles.

Mark E Smith Reads the Football Results (2005, 12.7MB, 7:14 min.)
God-like genius & professional curmudgeon Mark E Smith
of The Fall reads the football (OK – soccer to
about two thirds of you) results on the BBC in 2005.
The full glory of this possibly only totally comprehensible to
Brits of a certain age but stay with it – the last third is
a hoot.

‘Perseverance (fragment)’ (2006, 35 MB, 3:05 min.)
The Rhizome mailing list became a more predictable & somehow
less exciting place when wit, polymath & provocateur Max Herman
hung up his mouse for a while. He’s back there now & he’s here too,
with some ice hockey action for your delectation, being a section
from a longer work entitled Perseverance.
Says Max, “If I can choose keywords, can they be ‘hockey, millennium,
glasperlenspiel, perseverance, history?’ ”
Of course they can, Max, of course.
(PS Watch the movie, it’s quite lovely)

fakeshop_art (2007, 42MB, 1:45 min.)
Installation/performance at 798 Art Festival, Beijing, China
by Jeff Gompertz aka ‘fakeshop’, aka ‘polystar’. May 12, 2007

cannonball (1996, 32.6MB, 3:35 min.)
Hi all,
This was recorded at the Blockbuster Video grand opening in Daphne,
Alabama, US, on December 6, 1996. They had a video karaoke machine
with a bluescreen, and you could choose your song and they would tape
you and give you a copy of the videotape. I think I might have also
had the option to select “Sci-fi” background or something like that.
The whole process took about five minutes and this was the result.
Some close friends refer to this as the highlight of my artistic
career, and sometimes I am inclined to agree with them.
Enjoy,
Curt.

Boom There She Was (1988, 19.6MB, 4:12 min)

Hypnotize (1985, 7.91MB, 3:26 min)
More stuff, both wonderful & ineffably strange, from the great Scritti Politti.
I defy you not to be utterly exhilirated ( at the same time as hating yourself a little bit)
by premise & execution both of BTSW…and…
what is going on with the see-saw stuff at the end of the
Hypnotize vid!?
Video makers of the world, the race is on to rehabilitate & assimilate this move
into our vocabulary..

down and out (2006, 15.3MB, 2:35 min.)
A silent comedy from undergroundfilm.
by Joseph Chomiak.

A Walk Into the Sea (2006, 21.3MB, 3:55 min.)
Re-enactment by Zach Layton of Ben Vautier’s 1963
performance a walk into the sea.
Great!

I don’t fix a word (2006, 4.5 MB, 2:16 min)

Mini-Me (2005, 12.1MB, 2:25 min)
These two videos by Donna Kuhn were made in circumstances of terrible
personal loss: the death of her son & then later that of a close friend.
Astonishing then, their delicacy & richness & the sheer dexterity of
handling & making, particularly in I don’t fix a word which
is a jewel, a small masterpiece.

The Butter Skin Outtakes (2006, 12MB, 1:16 min.)

Haloweb (2006, 14.2MB, 2:04 min.)
Work from Carl Burton, trading as holographicwainscoting.
I love this stuff. It’s strange but not simply strange, you know,
not just something you grin or raise an eyebrow at and then move on.
There’s substance & there’s an austere lyricism (if that ‘s not too much of an oxymoron)
to the substance too.
We’re going to do three posts on this work & you’ll see an interesting evolution
from the first two to the final one.

OK Go in Lego (2007, 53.3MB, 3:11 min.)
Rather wonderful re-construction in LEGO by Amy Fowler
of the OK Go video for A Million Ways .
Kind of rendering the minimal..er..minimaler.
By Mica Scalin.

Bodyparts (2006, 5.6MB, 1:00 min)

Visualcut#1 (2006, 6.8MB, 1:15 min)
There seems to be a very lively experimental online video scene
in France. There’s lots of widely varying work but much of it seems to
be characterised by an enormous ‘confidence in the image’
& a concomitant richly visual & unbuttoned approach to dealing
with said image, free of conceptualist trammeling.
Anthony Rousseau’s work exemplifies these ( in my book at least) virtues.

Infinite Smile (2005, 10.1MB, 2:43 min. loop)
Self-portrait of MTAA smiling and blinking.
(M.River & T.Whid Art Assoc.)

Exciting Prizes (2006, 36.8MB, 4:38 min)
The challenges continue, as special guest challenger, Dr. Donut,
takes the stage.
Now our contestants must satisfy Dr. Donut’s insatiable donut
lust by jumping into the air to eat donuts from a clothes line!
With your hosts: the Great Fredini and Julie Atlas Muz.
Performed before a hungry theater audience at the Belt theater,
NYC, January 21, 2005.
From – this or that.

Living Proof (2006, 10.9MB, 3:12 min.)
Further bizarreries from Harmony Korine, he of Kids, Gummo
& Julian Donkey Boy fame.
First up, a vid for Cat Power’s Living Proof from her current album ‘The Greatest’.
Then one for the great Sonic Youth.
He has good taste in music, it cannot be gainsaid.
Ooh!… & look who’s home but not quite alone…

waiting on bob (2005, 5.7MB, 1:56 min.)

move this rock (2005, 12.5MB, 3:56 min.)

stick like snakes (2005, 5.5MB, 1:54 min.)
Chapters 1,2,3 from the DVD ‘A Series of Practical Performances In The Wilderness’
by Cary Peppermint and Christine Nadir.
This is very smart work indeed – it references, or better evokes, ideas & precedents
& techniques from all over world culture high & low & I’m sure this is conscious.
The thing is, a bit like the effect of C5’s short history of virtual hiking,
featured here last year, the rather knowing formalism of it all & the dry
keep-your-distance wit ironically somehow create a space for a deeply traditional
romanticism about nature & the landscape to sneak back in.
Not a criticism. Me, I love it.

timetwister (2005, 6.6MB, 1:57 min.)

skaterpede (2005, 15.2MB, 4:23 min.)
This guy, Don Whitaker, is simply the poet of the skate park.
He is just a natural & wonderful movie maker: even if you have
no interest whatsoever in the subject matter I defy you not
to be won-over, to be enchanted, by this work
Curators/gallerists out there -what a show these
vids would make!

Introduction to First Aid (2005, 24MB, 13 min.)
If you have ever had to train for Red Cross certification,
you will know why this is funny and not just awful.
When I came upon this, I thought to myself,
‘Wow, I am actually, deeply creeped out by this!’ then I thought,
‘This is the kind of sick stuff the internet is all about
and yet is so rare these days!’
So, it is with great pleasure that I can share with you
thirteen disturbing minutes of First Aid presented by LA based
educational cult/performance art group Art of Bleeding Foundation.
By Mica Scalin.

Wonder Women (2002, 3.6MB, 1:30 min.)
This wonderful clip of a live performance by The Glamazons,
a New York based dance group created by video artist and
burlesque performer Alison Ward, will make your day.
By Mica Scalin.

Diffraction (2006, 22.3 MB, 5:23 min.)
Scratching & video: two good things in one package.
DJ GKUT & Brendan Dawes of Manchester, UK, based
outfit magneticNorth run mN’s video-control-by-vinyl tools
through their paces at FACT in Liverpool.
More than neat.

foot of desire (2006, 8.16MB, 1:15 min)
Last movie in our Ken Turner season.
S’been great – love to show more in the future Ken!

Brand Upon The Brain (Trailer) (2007, 3.47MB, 1:34 min)

Brand Upon The Brain (Foley) (2007, 4.92MB, 3:20 min)
Brand Upon The Brain, a new feature film by Guy Maddin, tours the US this summer accompanied with a live orchestrations by Ensemble Sospeso.
Maddin’s fantastically extravagant Super 8 films are always enchanting and the additional elements of live music, sound effects and narration by quirky celebs is sure to delight cinephiles of all ages. I was lucky enough to catch it in NYC last week with Crispin Glover as a very charming narrator, but the three Foley artists nearly stole the show. You can see them hard at work in their lab coats in the rehearsal video. Looks like it will have further distribution later this year with recorded soundtrack and narration by Isabella Rossellini.

The Smith Family/Train Coming/surreal.mov (2007, 1.12MB, 56 sec)

Edward Picot/traincoming.mov (2007, 31.9MB, 2:38 min)

The Smith Family/Train Coming/surreal2.mov (2007, 1.11MB, 57 sec)
I’m going to sign this one, because it’s marginally self-promoting
though not, I think, in a terrifically self-serving way.
I’m currently running a competition on my personal site to either perform, remix
do karaoke versions of, or do basically anything with, a short
(33 sec) song.
To date I haven’t exactly been inundated with entries, but
curiously three out of the current five are little movies &
great they are too.
Don’t think The Smith Family have a website (correct me if I’m
wrong folks) but Edward Picot can be found here & here.
Also – please feel free to have a go yourselves! -details from the competition link above.
–Michael

Random Acts & Inner Politics (2006, 25.4MB, 1:57 min)
Nicely intense piece from Ryan Seslow.
Intense & urgent, which urgency gives it an interesting
forward momentum, a disregard for the nice finish & a
real punch.
There’s a visual confidence, almost a swagger, which I like
very much, too.
I’m not convinced all of Ryan’s work succeeds equally,
and I find some of the surrounding rhetoric a little
mystifying but it’s clear there’s something both
interesting & driven happening here.
Work to watch.

Treehouse Kit (excerpt) (2005, 2.3MB, 1 min.)
Excerpt from a single channel video installation and sculpture by Guy Ben-Ner.
“Treehouse Kit” consists of a large wooden tree created from recombined, generic furniture.
The sculpture is presented along with an instructional style video in which Ben-Ner
(in swim trunks and a huge beard, a cross between Robinson Crusoe and an archetypical Israeli settler) converts the pre-fab tree back into a rudimentary home.
Originally commissioned for the Israeli Pavilion at the 51st Venice Biennale 2005.

Talking Heads (2003, 12.8MB, 1:09 min)

Ain’t Nobody Got It (2006, 18.1MB, 1:35 min)
Two movies from Irish artist & curator Kev Flanagan.
I like them both, but there is something so utterly fuck-off mad
about the Aguilera cover, with its fine disregard to boot for any known
production value, which totally does it for me.
The performers in that are Cian McConn & Stephanie Hough
who as Margaret and Jim have their own neat line in performance…

A Rough Mix (excerpt) (2007, 140MB, 8 min.)
Excerpt from a single channel and a looping installation DVD by Rick Silva.
Oh this is smart & rich & lovely work!
You think perhaps the remix idea has colonised all of our thoughts
& our work to the level of clich�.
(So maybe all that remains is to classicize it – to do it better & better,
which is certainly something Silva, in various guises, has recently done..)
One day, someone describes
might, if of a cynical turn of mind, think – ‘Ho-Hum!’
Then you actually look at it & there’s something alchemic going on.
From a fairly base metaphor, Rick Silva conjures a work of elegance,
substance & great beauty – a beauty not only visual but moral.
Look at it! – it’s a paean to the planet but many other things too:
the scratching becomes dance, it’s a dance film!
The music is so carefully cut (but in such an apparently offhand way,
the way one imagines the mythical 19th century gentleman
would cut): it’s a music video!
It’s a travelogue (but its editing would not have made sense
before the net).
Each basic level constantly & fruitfully gives rise to other emergent
meanings which in turn reseed new ways of thinking about the piece
– the mark of a serious & substantial work of art.
PS Interesting to compare this with Cary Peppermint’s recent
Series of Practical Performances in the Wilderness
– another work that is in a sense engaged around loosely ecological
themes, very much the zeitgeist, (but reasonably so!)
& whose artistic qualities are not confined, limited, by that engagement…
PPS Now I think about it – there’s all the wonderful stuff by Stallbaum & Poole too.
That fits in somewhere too…
PPPS Personally I like this much more than Silva’s recap – for me, in that, there was a sense in which the formal structure based on a kind of repetition over a long period eventually closes
us off ( although one can of course see how that work might have been
a very necessary staging post to this)
– here there’s a fantastic sense of opening-out
Exhilarating!

Hey Joe [M.River] (2007, 17.9MB, 3:35 min)

Hey Joe [T.Whid] (2007, 17.5MB, 3:31 min)
Previously:
…bastard…Duchamp…Marx…splendid & singular….
Karaoke Death Match 100…brutal…alcohol…blood…sing-along…
fury…pee breaks…Carpenters…heavy…teleprompter …clearly…
50 days…sneak… ahem…er… moving…
T.Whid…shambling…M River…weird…dynamics…
falling over…human…wonderful…
Just over half way through: – vote early, vote often!

from star w (2005, 3.1MB, 1:40 min.)

watched wire (2006, 6.1MB, 2:15 min)
Compelling sound stuff from two different sources.
First a piece from projectsinge.net,
a kind of feedback carillon & the movement that
it engenders/engenders it totally absorbing –
comedic, touching, strange.
Secondly, work by Alan Sondheim, who needs
no introduction here. More delicate & austere
than the Larsener piece, it provides a sharp &
fascinating contrast in the, one would have hitherto
thought, relatively easily exhausted, genre of
“work-made-by-having-microphones-or
-other-devices-attached-to-one’s-body.”

Messa di Voce (2003, 12.3MB, 2:40 min)
Messa di Voce (Ital., “placing the voice”) is an audiovisual performance
in which the speech, shouts and songs produced by two abstract vocalists are
radically augmented in real-time by custom interactive visualization software.
by Golan Levin & Zach Lieberman.

Compressionism (2006, 17.2MB, 5:37 min)
About time we had a new ism 🙂
DVblog regulars will have seen Nathaniel Stern’s video work here before
in particular the Odys series, characterised both by a luminous intelligence
& a willingness to take artistic risks.
In this short documentary about this (genuinely interesting & fruitful) ism of his own devising Stern
avoids lots of pitfalls: it’s clear, it’s thoughtful & smart, never smug & it makes
one want to see more of the work.

Variations V (1965, 7.5MB, 2:22 min)
‘John Cage made ‘Variations V’ in 1965 for the Merce Cunningham Dance Company.
He and David Tudor settled on two systems for the sound to be affected by movement:
directional photocells aimed at the stage lights, so that the dancers triggered sounds as
they cut the light beams with their movements, and a series of antennae.
When a dancer came within four feet of an antenna a sound would result.
Cage, Tudor, and Gordon Mumma operate equipment to modify and determine
the final sounds.’ – from mediaartnet.