Lior Shvil – In Whatever Time

inwhatevertime
In Whatever Time (2010, 290MB, 15 min.)

“…Occupying a space somewhere between storytelling and spectacle, TV shows and
advertisements, the video and sculpture installations of such invented personas as
Cherry Bomb Fluffy White and Charley OnOff address the fragmented
representations of politics and gender, autobiography and history in contemporary
society. Embracing the roles of director, actor, narrator, editor, and set designer,
his experiments in epic theatrical production explore the comic territory of the jester
as he flirts with cultural stereotypes and satirizes political ideologies.”
Lior Shvil.

Reynald Drouhin – 2 movies

emor1
E.mor (1999, 13MB, 2 min.)

petitdhomme1
Petit d’Homme (2001, 42MB, 2 min.)

Reynald Drouhin:

E.Mor –
Improvisation dans le noir // Improvisation in the dark
Musique/Music: Meredith Monk, ‘Engine Steps’

Petit d’Homme –
Etude du comportement humain en milieu naturel, avec Lloÿs Drouhin // A study in human beahaviour in a natural setting, with Lloÿs Drouhin

Lior Shvil – The Kosher Butcher

The Kosher Butcher
The Kosher Butcher (2010, 84MB, 8:56 min.)

“.. Israeli provocateur Lior Shvil presented “The Kosher Butcher,” a darkly humorous commentary on Mideast politics in which he portrays a meatpacking Sweeney Todd.”

Lior Shvil – Rough Cut

roughcut
Rough Cut (2007, 54MB, 4 min.)

Born in 1971 in Tel Aviv, Lior Shvil currently lives in New York and recently attended Columbia University’s School of the Arts MFA program.

Shvil works primarily in video, installation and sculpture. His works are multi-layered, both poetic and critical; they tap into collective memory (cultural, mythical, historical), and are inspired by television, cinema and story telling.

Shvil received his B.A. from the Bezalel Academy of Art and Design, Jerusalem. He has had a solo shows at the Herzliya Museum of Art and the Heder Gallery in Israel. His work has been featured in group exhibitions at the Haifa Museum of Art in Israel, Milliken Gallery in Stockholm, The 7th International Istanbul Biennial, and NGBK Gallery in Berlin. Shvil won the Samuel Givon Prize for Young Artists, awarded by the Tel Aviv Museum of Art, as well as the Israel-America Fund for Culture, Israel. – See more at: givon art gallery.

Play Local


Play Local (2013, 69MB, 3:58 min)

Enchanting video by Tom White of a sound/music outreach project he ran in Peckham, South London on behalf, appropriately, of the South London Gallery.
There are so many piss-poor arts outreach projects. So nice to observe that this one was clearly brilliant.

Burroughs & Van Sant

thanksgivingprayer
Thanksgiving Prayer (1986, 7.6MB, 2:21 min.)

An astonishing rendition by William Burroughs of his
‘Thanksgiving Prayer’ in a short video directed by
Gus Van Sant.

Two from Lewis LaCook

modern_life
modern life (2005, 3.6MB, 3:13 min)

grass_spider
grass spider (2005, 6.1MB, 2:55 min)

2005 work from Lewis LaCook.
He seems to have dropped out of sight.
A shame, he made startling and splendid work in a number of media.

Update: I looked – he’s here and .
Good.

Sam Easterton – Animal Vegetable Video

ardvark
Ardvark (2001, 1.6MB, 15 sec.)

scorpion
Scorpion (2001, 1.1MB, 10 sec.)

tumble1
Tumbleweeds (2001, 1.2MB, 10 sec.)

wolf
Wolf (2001, 1.1MB, 10 sec.)

Since 1988, Sam Easterton has been using tiny
‘helmet mounted’ cameras to create an archive of videos filmed
from the perspective of plants and animals.

By Mica

Gabriel Klasmer – Efes One

efesone
Efes One (2001, 71MB, 6 min.)

Slapstick documentation of artist Gabriel Klasmer doing
his processed abstract paintings in 2001.

self.detach – decomposing identities

selfdetach_hires
self.detach (2008, 13MB, 2:24 min.)

self.detach is a dynamic Object, which adopts a critical position
towards the celebration of the ego on the internet by dissolving
self-portraying pictures into coloured particles.’

A project by Tim Horntrich and Jens Wunderling.

The One That Got Away – Marisa Olson

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The One That Got Away (2005, 19MB, 9:02 min.)


In the Fall of 2004,Marisa Olson gained worldwide attention
while training to audition for American Idol

Jeremy Bailey – Transhuman Dance Recital #1

transhuman.jpg
Transhuman Dance Recital #1 (2008, 56MB, 6:30 min.)

If Jeff Koons had fallen for the Microsoft Help Paperclip rather than
vacuum cleaners or La Cicciolina, presumably the result would have
looked a lot like: ”The Jeremy Bailey Show”.

Says Jeremy Bailey: “From now on I dedicate myself to finding better
ways for humans to dance”

Béla Halmos


Béla Halmos – Legyenes (2010, 19MB, 4:10 min)

I just love this and I can’t completely rationalise it. Everything about it –
the fantastic playing of Béla Halmos and companion, the earnest intensity
of the dancers, the crowd’s glorious vocal participation (especially that very
Eastern European tight-throated high pitched rhythmic women’s singing) just makes me
weak at the knees with delight.
It was recorded at the 29th National Dance House festival in Budapest in 2010.

New Media in the Marketplace – Listen to the Podcast

emerging_fields_in_Marketplace
New Media in the Marketplace (2011, 37 MB, 52 min)

“Over the years, we’ve found that a number of the artists we support in our Emerging Fields category have questions about how they can better market and exhibit their work. They have questions about pricing and editioning; changing formats; what it is that they are actually selling when they offer a work for sale; what their obligations to representatives and collectors are after a sale; and whether or not they should even participate in an art market that is, in their eyes, more sympathetic and better able to represent works in more conventional or established media.

On November 2, Creative Capital hosted a webinar for grantees to explore some of these issues and answer specific questions from artists working in new media. The panelists were Jason Salavon (2000 Visual Arts), Karolina Sobecka (2009 Emerging Fields), Stephen Vitiello (2006 Emerging Fields) and Marina Zurkow (2001 Visual Arts). Sean Elwood, Creative Capital’s Director of Programs & Initiatives, served as the facilitator.”

LISTEN TO THE PODCAST FROM THIS DISCUSSION

Podcast from The Lab.

Irina Birger Thinks Drawing is Important

ibtdii
Irina Birger Thinks Drawing is Important (2010, 93 MB, 3:20 min. excerpt)

“What is the essence of a photograph, or more precisely, of an ID photo, portrait or self- portrait ?
You could almost ask, what is the essence of art. Or, what is the essence of life? That time always passes.
As the Greek philosopher Heraclitus put it in the 5th century BC, Panta Rhei, ‘Everything changes,
nothing remains still’. In the short video film ‘Irina Birger Thinks Drawing is Important’, Irina Birger
provides her answer to such questions.
A waterfall of self-portraits taken from photo albums belonging to her, her family and circle of
acquaintances, creates an ingenious, dizzying autobiography of the artist through the years.

We see the stereotypical development of the artist influenced by the history of art, from classic to
contemporary, and by the places where she has lived in her nomadic existence, from communist
Russia, the former Yugoslavia at the beginning of the civil war there, Israel during the Second Intifada and Germany after its reunification, to her present but certainly not final destination: the Kingdom of The Netherlands.

There’s a pinch to these moving images, where the essences of film and photography converge and clash. In a similar manner Birger’s life collides with the wrenching history of conflict zones and the sometimes difficult existence as an artist. ‘Drawing is Important,’ she posits at the end, her answer in this photo-turns-film project to the question of how she holds her own in life” (Text by Vera Stiphout)

by Irina Birger.

Will Goss – Sonnet by William Shakespeare

sonnet
Sonnet by William Shakespeare (2011, 64 MB, 2:31 min)

“Here is a video I made a few months ago.
It’s a recitation of Shakespeare’s #135th sonnet.
In the background are Dexter Dalwood’s paintings,
which are collaged from other famous paintings.
The piece engages ideas of appropriation and identity.”
A beauty by Will Goss.

Santiago Sierra – NO, Global Tour

NOGlobalTour
NO, Global Tour trailer (2010, 21 MB, 3:11 min)

Team Gallery, Lisson Gallery , Galería Helga de Alvear & Prometeogallery di Ida Pisani,
in association with Artprojx Cinema, present the UK premiere of NO, Global Tour,
2010 by Santiago Sierra.
The 120 minute film consists of the manufacture and transportation of two monumental sculptures
in the form of the word “NO”, travelling through different territories on a flatbed truck.
The NO, GLOBAL TOUR has resulted in a feature film that documents the passage of this
large NO through various world cities.
A monumental sculpture – unchanged both in its form and immediate meaning – that gradually
assumes a complex semantic load during a journey full of eventualities, accidents, and unexpected events.

Gov. Scott Walker gets checked, Mic Checked!

scott walker mic checked
Gov. Scott Walker gets checked, Mic Checked! (2011, 81MB, 3:45 min)

If you don’t feel inspired & cheered up by this tremendous video please do the checking
your pulse thing…
Stand Up Chicago

Joan Brossa – Fi

brossa.jpg
Fi (2011, 51MB, 9:57 min)

Joan Brossa, the Catalan poet, artist, performer and polymath,
who died in 1998, deserves to be more widely
known in the rest of the world.
I’ve often thought his work, in particular the visual
poems, prefigured much of the art of the early days
of the net (but mostly better: terser, wittier, riskier –
I think Brossa would have loved the net).
This elegant & delightful performance ( ‘Fi’ is Catalan
for ‘End’, in this context The End) was recorded
in Barcelona eight months before his death.

It requires a little patience; the reward being that
it can be viewed many more than one time, so it
seems like an appropriate thing to leave you with
over the summer.
Remember we’re always delighted to look at new work,
so if you’re making moving image yourself,
or you happen across great stuff don’t hesitate
to send us links.

We’re back on Monday, September the 26th – in
the meantime we wish you all a happy and relaxing summer.

G.H. Hovagimyan – Boxing Rants

boxing_rants
Boxing Rants (2011, 28 MB, 3:11 min)

Documentation of an interactive video performance by
G.H. Hovagimyan that took place at Postmasters Gallery in NY,
from a series of performances titled ‘Being and Event’.

The WhetherMan

Whetherman1
03.07.06 (2006, 5.3MB, 1:54 min.)

Whetherman2
03.12.06 (2006, 3.7MB, 1:08 min.)

Whetherman3
03.17.06 (2006, 3.8MB, 1:13 min.)

Back in 2006, when video blogging just started, Andrew Schneider
was the funniest person on the internet.
From Astoria, Queens, it’s the whether|man.

Joshua Fishburn – Layers. Machinima

joshua_fishburn_layers
Layers (2007, 23 MB, 5:23 min)

“Layers is a mashup narrative machinima created with footage from Metal
Gear Solid 3: Snake Eater (PS2), Military footage from an Apache Helicopter
in Iraq (Public Domain/Department of Defense), and Shadow of the Colossus
(PS2). Recorded almost entirely through a sniper scope from the game, it
extends the conversation about the relationship between increasingly
sophisticated military technology and the drive towards visual realism in
videogames. What happens to the relationship between killer and victim
when they are separated by real and virtual distances? Adding the layer
of virtuality through the videogame complicates this relationship even further.”

by Joshua Fishburn.

Christina McPhee – Shed

christina_mcPhee_shed
Shed (2011, 24 MB, 4:33 min)

Shed is a long-term video and drawing project.
Christina McPhee talks about ‘Shed’ and her work in general.
from VernissageTV.

Jimmy Wales – Wikipedia:Technologies of Cooperation

jimmywales
Wikipedia:Technologies of Cooperation (2005, 70 MB, 1:30 hr.)

Lecture at Stanford University on Wikipedia by founder Jimmy Wales.

Heath Bunting – Memorial Stone

memorial_stone
Memorial Stone (2011, 92 MB, 38:31 min)

“As technology moves forward.. all my work is falling apart.. I’d like to move
forward as well, into a more outside adventurous practice, so this video is an
attempt to document the ruins and the remains of my internet work”
– by Heath Bunting

Studio Banana TV: Interview with video artist Annika Larsson

annikalarsson1
Interview with Annika Larsson (2011, 134 MB, 3:47 min)

An interview with the Swedish video artist Annika Larsson.
In this interview Larsson talks about her approach towards a
post-produced composition of reality, about the psychological
hidden dynamics hidden in the characters of her video pieces
and about the evolution of her work, amongst other things.

from Studio Banana TV.

Crystal Stilts/Kate Thomas – Departure

Departure
Departure (2009, 34 MB, 4:24 min)

I love this video for two, apparently almost entirely independent
(but maybe, in some strange, deep way, connected) reasons.
First – the music is great. I listen very little popular music these
days (which is why I’m 2 years late with this) as most of it, even
(especially!) the so called indie stuff gives the impression of
having been focus-grouped into bland submission before being let
limply loose not to offend anyone.
This, contrariwise, oozes life & not-giving-a-fuck from every note
(especially the splendidly slightly out of tune vocals; but it’s all a joy).
Secondly, director of the video, Kate Thomas, about whom I know
nothing and could find out no more, had the totally brilliant idea
of simply stringing together some footage of French students
and workers standing up for themselves against the riot cops in 68.
If this all doesn’t make you weep with barely suppressed joy please
check your pulse.

Land of the Free

Land of the Free
untitled (2005, 1.5MB, 1:50 min.)

Nice bit of guerilla art/action/video by Judith Supine and friend.
Took some bottle, I think.

Joseph Beuys – Transformer

joseph_beuys_transformer
Joseph Beuys – Transformer (1979, 10 MB, 3 min)

Excerpt from a 60-minute documentary featuring avant-garde
German artist Joseph Beuys during a 1979 exhibit at the
Guggenheim Museum in New York City.

Ran Slavin – Everything Is Urgent

EverythingIsUrgent
Everything Is Urgent (2008, 4 MB, 42 sec (Excerpt)

Ran Slavin
confronts the human figure in conjunction with the annoying barking of a dog. 4 figures, 2 young men and women, stand in front of an unknown audience, in front of a void and bark ferociously.
Driven away from systematic and social norms, the human barking figures attack us from within the digital domain, outward.
They present an uncompromising hybrid human, a cross between man and animal. Do they try to warn us, scare us like an omen or blame us? We see a human but hear an animal. Like a shout of desperation of a person who can no longer use his voice.

2008, 4:12 min. Single or 4 channel installation