By Karen Chan. Super 8. Superb. Hotel room. Shot in Berlin.
Sam Renseiw – Fragmented Occurences

Fragmented Occurences (2010, 67MB, 4:33 min.)
It’s a little while since we featured anything from the splendid Sam
Renseiw, so here’s a recent piece.
In contrast to many of his films, which have an incredibly strong
sense of a particular place, this was apparently composed
from odds and ends of footage from various locations during the last
few months.
I think it works beautifully; it’s instructive to see Sam intervening,
perhaps a little more than usual, at the editing level.
(His camera work is always very distinctive – there’s often a sense
-true or not- that many pieces are largely composed in the shooting.)
Whatever the case, this is, as always, a wonderful and utterly distinctive voice.
PS This is our 1000th post of the new series. Many thanks to all who have sent words of encouragement & appreciation. It makes the time spent working on DVblog feel doubly worthwhile.
Chris Collins – lightsaber affirmation tunnel
VALIE EXPORT – Fragmente der Bilder einer Ber
“Annie Abrahams (from the Living Room in Montpellier, France) In order to isolate them from their surroundings and make them There was no set duration. Interesting and affecting convergence of the performative work We feature here only a tiny extract from the 4 hour plus performance By jimpunk, master of the remix & the ma$h-ups. From – triptych.tv. Two contrasting short movies from Leeds, UK, artist Kate Dickinson. Jenny Holzer discusses the programming of her LED sculptures From Art:21 More from the splendid Vito Acconci, this time from We showed some earlier footage of the work featured here last May Now Nathaniel Stern and Jessica Meuninck-Ganger have a show at Gallery A.O.P Usually I fight shy of reproducing artists’ own publicity but I’m going to “The works are surprising, wistful, enchanting, and seriously playful.” I don’t know whether we have any readers in Johannesburg – if yes I strongly * and in the interests of transparency I should say that I wrote the accompanying by Antonio Mendoza from triptych.tv. Writer & artist Edward Picot doubles as an administrator Just in case there are any knuckleheads out there “The creators of this piece would like to point out that they all work in Couldn’t figure out if this commercial is a spoof or for real. Four tiny (in every respect) but nonetheless great clips Conversations with Eadweard J. Muybridge. By Wreck & Salvage – a package of three video producers: Music by Kevin Bewersdorf. Worth every second of the download for this extraordinary *Transparency – where I currently teach. From Ashley Watson, a truly poignant piece about H/t to my friend Deb I really hated this piece, a music video for Former Ghosts, Two longer pieces from Steven Ball some of whose A live performance by Julien Maire. But not short titles eh Ask? Update: He is Norwegian & is an 18 year old Video documentation of “Infosphere Aesthetics” a solo show by Music video from awhile back by abe linkoln for ‘core duo’ Jeremiah Day is interested in resistance movements, as well as the flux of Strange fragments of worked over reality which More recent work from him soon.
Posted in arts, documentary arts, exhibition, experimental, installation, light, video
Joy Comes in the Morning

Joy Comes in the Morning (2005, 24MB, 4:14 min.)
“In 2005 I concepted, pitched and produced a music video for the band Xploding Plastix.
I directed and animated the video using L.A. artist Joe Ledbetter’s hand-painted elements
to create a puppet-show aesthetic.”
from Scott Friedman.
Annie Abrahams & Curt Cloninger -<em> Double Blind</em>

Double Blind (clip) ( 2010, 70MB, 5:38 min)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.Philippe Monfouga – Fen
Posted in animation, arts, landscape, observational, place, silent, video
Jim Punk – T®1p±Ⓨ(|┐╱▒◤△▽///╱ ╱

T®1p±Ⓨ(|┐╱▒◤△▽///╱ ╱ (2010, 12MB, 2:37 min.)
Residential Erection – Kenneth Tin-Kin Hung
Two from Kate Dickinson

19th ( 2010, 1MB, 1:00 min, silent)
Are You Ready? ( 2008, 20MB, 52 secs)
The second should provoke a smile (did for me) but it’s
the first, in which not a great deal happens & in a deliberately
confined area of the screen to boot, that I particularly liked.
There’s a melancholy about its view of an overcast
Leeds landscape which is amplified by cropping a good deal of it out.
The resulting minimalism marshalls the viewer’s attention in a quite hypnotic way.
Jenny Holzer: PROTECT PROTECT

Jenny Holzer: PROTECT PROTECT (2009, 23MB, 2:40 min.)
during the installation of the exhibition PROTECT PROTECT at
the Museum of Contemporary Art, Chicago.
Vito Acconci #2

Advice (clip, 2006, 2MB, 58 secs)
Acconci Studio Presentation (2006, 36MB, 29:02 min)
his later architecture and design period.
One vid is a little lollipop -advice to the young-
extracted from a longer interview and profile on
designboom.com.
The second is a much more substantial
and utterly fascinating presentation given at the launch of
LAB magazine in 2006.
What an astonishing human being!
Derek Larson – Isness as Bourges
Nathaniel Stern & Jessica Meuninck-Ganger – Passing Between/Distill Life

The Works (2010, 15MB, 4:27 min)
Interview/Documentary (2010, 23MB, 6:38 min)
and waxed lyrical about it.
in Johannesburg, South Africa, opening tomorrow, and we’re delighted
to feature two videos, one of the works themselves and one of a documentary
about their making and the impulse behind them, including interviews with
Nathaniel and Jessica.
These videos are also on a DVD* which comes with the show catalogue.
break from the rule here because what they themselves say sums the pieces
up rather nicely.
Jessica Meuninck-Ganger and Nathaniel Stern approach both old and
new media as form.
In their “Distill Life” works, the artists permanently mount translucent
prints and drawings directly on top of video screens, creating moving
images on paper. They incorporate technologies and aesthetics from
traditional printmaking – including woodblock, silk screen, etching,
lithography, photogravure etc – with the technologies and aesthetics
of contemporary digital, video and networked art, to explore images
as multidimensional.
Meuninck-Ganger and Stern hack and tweak, shoot and print,
appropriate and remix, edit and draw. Their juxtaposition of anachronistic
and disparate methods, materials and content -print and video, paper
and electronics, real and virtual – enables novel approaches to
understanding each. The artists engage with subject matter ranging
from historical portraiture to current events, from hyperreal landscapes
to socially awkward moments.
The works are surprising, wistful, enchanting, and seriously playful.
– absolutely!
urge you to go along to what promises to be a real treat.
music for the video documentation…
Velvet Jacko – Antonio Mendoza

Velvet Jacko (2008, 14MB, 2:14 min.)
more vids here.
Picot et al – Dr Hairy & the London Hospital

London Hospital ( 2010, 49MB, 9:59)
in the UK health service & lets his hair down with this
deeply odd but amusing bit of lo-fi puppetry made in
collaboration with Julian Le Saux & Dr David Hindmarsh.
(and of course this is unlikely as you have the good taste
to read DVblog) who imagine this is an attack of any sort on
socialised medicine, the authors have kindly provided the
following statement:
the National Health Service and are completely devoted to it.”
Verizon – Never Stop Working for You
Vito Acconci #1

Claim Excerpts (clip, 1971, 1MB, 29 secs)
Face Off (clip, 1972, 1MB, 28 secs)
Open Book (clip, 1974, 1MB, 31 secs)
Two Track (clip, 1971, 1MB, 31 secs)
from the fearless, troubling & wonderful Vito Acconci in his writer &
video artist phase.
The clips are from the Video Data Bank site where you’ll
be pleased to know you can with seminal
(perhaps not the best choice of word) pieces by
Acconci and others for a mere $3600…
Or you could go and check out more of his work on UBUWEB..
Some stuff about the later Acconci coming shortly.
Wreck & Salvage – Fun with Muybridge

Fun with Muybridge (2009, 18 MB, 1:30 min)
Erik Nelson, Adam Quirk & Aaron Valdez
Liz Sterry – Borders

Borders (2010, 201 MB, 3:59 min, silent)
piece from young UK artist Liz Sterry, a digital arts student at the design school
in Writtle, Essex, UK*.
It’s an astonishingly assured bit of conceptual gorgeousness.
I’m particularly taken with..what’s the word.. the ..um..rightness of judgement
with which it was shot and assembled – on the surface thrown together
but everything combining so easily & elegantly to create something of
logic, power and great beauty.
What makes for a grievable life?

What makes for a grievable life? – Ashley Watson (2009, 19.2MB, 5:39)
how we choose to value certain lives and not others.
Paul Rodriguez – Flowers

Flowers (2010, 52 MB, 3:16 min)
the first time I saw it, although I’d previously enjoyed work
by Paul Rodriguez and posted some here.
My first impressions were confirmed by a trawl through
the publicity material surrounding it:
“A naked dude gets peed on in this disturbing clip from the electro-goth
project led by Freddy Ruppert. Director: Paul Rodriguez….”
which seemed a tad..er..calculating
I was so bemused by how much I took against the piece
that I watched it several times over to try and analyse my reactions
and the more I looked at it the more the sheer deftness,
care and feel for the medium with which it is made began to
prevail over my dislike of the content.
Rodriguez confirms himself a filmmaker of real talent, with a great eye
and superb attention to detail.
I’m not sure someone possessed of his gifts needs to work so hard to
make us look his way but I remain very interested to see where he goes next.
Michael Bell-Smith – “Walk Again” music video
More Steven Ball

ex Local Authority (2005, 156 MB, 6:59 min)
Over the Borough Island (2009, 63 MB, 1:51 min)
Direct Language pieces we posted here last week.
Both pieces are great but I have particular soft spot for
ex Local Authority which, although I’m sure it
has all sorts of potent intellectual justifications for being is also,
quite simply, austerely & melancholically gorgeous.
Julien Maire – Digit
Ask Vatne Brean –Two Short Movies

Freely Improvised Music With Digital Effects On Analog Wind Instrument In Depth Against Painted Directed Italian Reality Game Show On a Flat Screen (2009, 20 MB, 3:27 min)
Small creatures everywhere looking for adventures (2009, 14 MB, 2:24 min)
Work of skill, verve, charm & oddness from Ask Vatne Brean
about whom I know nothing , except I think he is Norwegian.
music student.
Impressive & somewhat scary – I look forward to seeing how his
work develops.
Infosphere Aesthetics – disney NASA borg

Infosphere Aesthetics (2008, 13 MB, 3:12 min.)
[dNASAb] at Cress Galleries, University of Tennessee, Chattanooga
core duo riddim – abe linkoln

core duo riddim (2006, 23.8MB, 3 min)
an experimental-y, electronica-y, dance-y kind of outfit.
Good stuff !
Tarlabasi Crawl – Jeremiah Day

Tarlabasi Crawl (2009, 18 MB, 8:23 min.)
knowledge, stories and identity through the migration of people and histories.
Steven Ball – Direct Language

Direct Language 2.4 (2006, 6.5 MB, 2:55 min)
Direct Language 4.5 (2007, 7.5 MB, 1:20 min)
Direct Language 3.0 (2006, 1.5 MB, 52 sec, silent)
lodge in the unconscious like splinters.
From Steven Ball’s excellent Direct Language
project – well worth spending some time there.






