Will Goss – from Magenta’s Caress

beanstalk
Beanstalk [from Magenta’s Caress #3] (2010, 125 MB, 3:50 min)

This is great. It forcibly calls to mind the early work of the sainted Hal Hartley
and whilst it’s arguable that some of what’s on offer here is like a sort
of condensed supercharged bucket of HH’s stylistic tics I find none of that
irritating in the way I might have expected, rather it’s a definite plus, by some odd
counter-intuitive magic. It’s the very over-the-topness of it all that lends
it its huge charm.
More from Will Goss soon.

5 Lumières


Me and Pop

Me and Pop (2004, 3.88MB, 1:00min)

Maker’s site


Sleeping

Sleeping (2007, 2.34MB, 57 secs)

Maker’s site

gallo

Gallo (2007, 5.17MB, 55 secs)

Maker’s site

slugs

Dance of Death (2007, 5.53MB, 1:00 min)

Maker’s site

A Week

A Week’s Worth (2007, 4.93MB, 1:00 min)

Maker’s site

The rules for Lumière videos are as follows:

* 60 seconds max.
* Fixed camera
* No audio
* No zoom
* No edit
* No effects

In the spirit of the Lumière brothers and comparable in some ways to Dogme 95,
the Lumière video project emerged from a documentary perspective,
as Auguste and Louis Lumière blazed the trail in this genre.
In the tradition of the the cinematographe, the first movie camera,
which was arguably used and possibly built by the brothers, all
21st C Lumiere videos should be made only using features available in
camera (ie, no external editing, including bumpers and titles, should
be included).
Lumière videos hope to expand upon the ways that online video allows for
the advancement of personal narratives by capturing the everyday, and sometimes
unexpected, within a specific framework of constraints, less conflicted by sometimes
unnecessary editing.

See all Lumière videos.

Two futurespots


futurespots – Splinters (2006, 10.1MB, 1:44)


futurespots – Flash (2006, 3.7MB, 1:10)


From the futurespots archives, two older works
from what is now a defunct videoblog.
These days, Christopher Black’s experimental
and interactive media can be found on his personal site.

More from Anthony Rousseau

climax
Climax (2006, 6.2MB, 1:11 min)

We’ve featured Anthony Rousseau’s excellent work here before
this is one of many great pieces you can see on his blog.
I’ve focussed in on this one because I think it’s particularly interesting
in its capacity to be genuinely disturbing in a number of ways over a short spell of time.
Made from appropriated Prelinger footage, Rousseau says it is
Une construction filmique dont la ligne directrice est la
traduction d’angoisses et de peurs infantiles
.

‘A filmic construction of which the directorial line is the translation of childhood fears and anguish’

Now, before I read that, I was thinking what Rousseau had done cleverly
& to powerful effect was to deploy many of the tropes of the horror genre
so we fear for, not with, the child.
But then I suppose many of those devices are indeed rooted in
our peurs infantiles & in fact we do both.
Smart. Smart, rich, good.

Curt Cloninger – Pop Mantra #4 (Rain Down On Me)

rain down - 10:00 am
Rain Down On Me: 10:00 am (2012, 22MB, 1:27 min)

rain down - 3:43pm
Rain Down On Me: 3:43pm (2012, 20MB, 1:01 min)

rain down - 6:00pm
Rain Down On Me: 6:00pm (2012, 110MB, 6:32 min)

Black Mountain College Museum + Arts Center, 14 September 2012, 10am – 6pm:
Curt Cloninger repeatedly performs a short excerpt from the
Radiohead song “Paranoid Android” for eight hours blindfolded.
The performance is the fourth in an ongoing series.
Video documentation by Alice Sebrell

Full documentation

Tony Arnold – New Work

Robert Loggia Trailer
Talkin’ Singularity Blues (2012, 186MB, 8:13 min)

Talkin
Robert Loggia [trailer] (2012, 43MB, 1:39 min)

We’ve shown work -very individual and promising work –
from Tony Arnold before and we’re delighted to do so again.
There’s an energy and freshness to his work and a kind
of volcanic flow of creativity which is invigorating.
The first of these pieces is accompanied by music from
Arnold himself, which I like very much. The second is a trailer
for a full length piece which you can view in its entirety here.

‘Miniatures’ by Steven Hoskins

miniatures
Miniatures (2006, 11MB, 2:35 min.)

‘Early experimental work in multi-frame/multi-track asynchrony.’

More works from video artist Steven Hoskins on Video Art Net.

Jon Rafman – Ad-Vice for a Prophet


Ad-Vice for a Prophet (2005, 78.6MB, 6:59 min)

I wrote the text below in, I think, 2008.
[In case you didn’t notice we’re intermittently re-posting stuff previously
posted on weekends in line with our 5 day a week current policy
– it also takes a bit of the pressure off which, two old guys,
we feel, we feel].
Since then Rafman has gone on to achieve a measure of well deserved
celebrity, showing at the Saatchi Gallery in London amongst other
prestigious venues, especially with his
9 eyes of google street view
I notice the piece we feature here no longer appears on his CV or website.
A shame – it has many merits – not least of which is an embryonic
version of the sensibility which underpins his more current work
although I entirely understand why artists occasionally attempt
to take a broom to old work.

Great piece by Jon Rafman.
I love the refusal to commit to a tone, the playfulness & humor, the wistfulness &
sometimes the vaguest air of menace too.
There’s a curious feel. An air of detachment, as if nothing can be said
directly but that everything is mediated & distanced by the act of editing
and presenting, serving up, (as with the ads).
The whole thing feels haunted by movie history.
I’m curious to know whether this is all found footage, whether some of it is
original or what.

Anyway, tremendous. Lots of other interesting
work on his site.

An Object At Rest, Must Stay At Rest – Michael Guidetti

bed1
An Object At Rest, Must Stay At Rest (2007, 3MB, 30 sec. loop)

Video projection (loop) & ink on paper
by artist Michael Guidetti.

Morrisa Maltz – Character 3/3 – Iris

character_1_1
Character 3/3 – Iris (2012, 67MB, 1:20 min)

Last one of three and all a pleasure to post and to view.
Here’s to lots more work from Morrisa.

self.detach – decomposing identities

selfdetach_hires
self.detach (2008, 13MB, 2:24 min.)

self.detach is a dynamic Object, which adopts a critical position
towards the celebration of the ego on the internet by dissolving
self-portraying pictures into coloured particles.’

A project by Tim Horntrich and Jens Wunderling.

Morrisa Maltz – Character 2/3 – Inverted Rose

character_2_3
Character 2/3 – Inverted Rose (2012, 43MB, 55 secs)

2nd in the series of 3, the first of which we posted last week.
I think these are lovely and haunting and I’m impressed by Morrisa
Maltz’s diligence and imagination.
(I love what she does with sound, too)
Is it just me or do these slightly conjure Isadora Duncan for anyone else?
Last one on Friday.

Morrisa Maltz – Character 1/3 (Infinite Loop)

character_1_1
Character 1/3 [Infinite Loop] (2012, 130MB, 1:07 min)

I love Morrisa Maltz’s work. I particularly relish the way
she doesn’t rest on her laurels but pushes herself ever on to new
and (over-used word in the arts but, I think, apposite here)
fearless ways of thinking about and making things.
This is the first of three pieces best described, literally,
as moving pictures.
Tremendous!

Imitations of Life – Mike Hoolboom

imitationoflife
Imitations of Life (excerpt) (2003, 35MB, 4 min.)

Imitations of Life is a ten-part video that strains childhood through a history
of reproduction, culling pictures from the Lumières to
the present day in order to find the future in our past.
by experimental filmmaker Mike Hoolboom.

Lucy Mills – Sunday Afternoon Narcissism

sunday afternoon narcissism
Sunday Afternoon Narcissism (2012, 190MB, 2:46 min)

Hypnotic and disorientating chunk of enchantment from London artist
Lucy Mills.
Only one cavil and that’s the title – the self-deprecation involved might
serve to camouflage the actual richness of this piece, at least from the
casual viewer*.

Let’s be optimistic and assume careful viewing, which work of
this quality certainly merits.

* Although, on reflection, the ‘Sunday Afternoon’ also suggests a certain
dreamy languor quite in keeping with just how gently ravishing it all is.

Alan Sondheim – Disappearing Body

whirl1
Disappearing Body (2012, 44MB, 1:02min loop)

Time marches on but some things don’t change and one of these is
our unbounded admiration here for the work of Alan Sondheim.
This is a perhaps a lollipop in comparison to some of his work but
it is, as always, rich and beautiful and lodges both in the conscious
mind and in our dreams.

Says Sondheim:

Mark Esper’s Two-Tone Enlightenment work forms the basis
of this short video. The screen presents shadows as positive,
not negative; infrared light forms the projection source
which is read and interpreted by revolving LEDs.

The body disappears. In the video, I imitated the effect
using video echo in an attempt to erase the body almost
entirely. Mark’s piece is brilliant, and the video is a
byproduct; I take advantage of the illumination to create
a somewhat clumsy series of movements.

Thus the mechanical is made virtual, and the virtual made
mechanical; such reversals form the core of theory povera.

Mad King Thomas/Kevin Obsatz – Eat up, Little Pearl – trailer

eat up little pearl - trailer
Eat up, Little Pearl – trailer (2012, 42MB, 3:26min)

Absolutely wonderful promotional/performance video from US performance/dance
outfit Mad King Thomas (whom I know little about but would love to see),
the vid directed, apparently, by Kevin Obsatz who was behind the
video haikus we posted in July.
Video…&..er…troupe…all great, great.

One Minutes – Volume #6

emily richardson over the horizon extract
Emily Richardson -‘Over the Horizon’ (extract) (2012, 75MB, 1:10min)

We’ll start this season with an suggestion for something you
can physically attend and absolutely should, too, if you’re
anywhere near London this Thursday evening (Sept 27th).

As part of the London Underground Film Sessions
The Horse Hospital are premiering Volume 6 of Kerry Baldry‘s
exemplary ‘One Minutes’ compilations of …er… one-minute-in-length
artist moving image work.
Transparency dictates I reveal I have a piece in it, but any claims
for mine aside, I can confidently predict a wonderfully varied, well
curated, roller coaster of work.

This piece is an extract from a longer work by Emily Richardson
(and, of course, splendid though it is, showing a single piece
immediately traduces one of the principal attractions of the project
which is the heady variety and contrast of it all. Here and here
is some stuff from previous volumes)

Hope to see you there!

Simon Mclennan

the visitors
The Visitors (2012, 42MB, 3:51min)

Exquisite work from Simon Mclennan, whom we’ve celebrated here before
and will again.
Rehabilitates that near-cliché “poetic” as applied to moving image…

2 from Donna Kuhn

mailmanmoronsuperman
mailman, moron, superman (2008, 76.3MB, 3:27 min)

spinning
Spinning (2008, 47.2 MB, 2:00 min)

Two pieces from Donna Kuhn in 2008.
I wrote then:

We’ve shown a number of pieces by Donna Kuhn here previously.
I wondered to myself a couple of times, I must admit, whether the fact of
having developed such an intensely freighted and personal syntax and vocabulary might
not at some point become a block to further development, whether there was a limit to
the elaboration (and not of course simply the formal elaboration but of how much
in the way of new approaches to her subject matter this process could be made to yield) of this
admittedly extraordinarily beautiful and singular set of moves.
Well no sign of it yet – instead there is this remarkable process of intensification,
of continual, ever finer and more nuanced scrutiny, distillation and development.
It’s like watching an never ending succession of rabbits being pulled out of
hats and it’s quite, quite beautiful and moving.
All of it something of a masterclass, but the use of sound especially colors me
green with envy – wonderful!

Barney Doodlebug at i-Kast 2012

i-kast 2012
iKast 2012 (2012, 70MB, 3:23min)

i-kast voodoodoodles
iKast voodoodoodles (2012, 89MB, 2:35min)

voodoo1
voodoo 1 (2012, 362MB, 9:58min)

Here’s some more gripping work from Michael Barnes-Wynters a.k.a Barney Doodlebug
who previously opened my eyes to a thriving live arts scene in Manchester, UK.
Featured here are two videos of a new piece by Michael which figured in i-Kast,
“a live intervention transmission for www.artplayer.tv with artists roney fraser-munroe,
naomi kashiwagi and michael barnes-wynters” in May of this year.
The first video is an excellent short documentary overview of the event
with interviews with key figures.

Michael is going to be running an event for 15-25 year olds as part of the season
in the new Tate Modern space “The Tanks” on Thursday 23 August.

Stan VanDerBeek – 2 Poem Films

astralmanpoem
Astral Man an Illuminated Poem (1959, 22MB, 2:27 min.)

poemfieldNo2
poem field No2 (1966, 60MB, 5:42 min.)

A true innovator. Creator of countless films displaying complete artistic control.
What vision Stan VanDerBeek, what vision.

Netbehaviour Mailing List Fractal Excerpt

gun_has_no_trigger
Netbehaviour Mailing List Fractal [Excerpt] (2012, 5MB, 59 secs)

From Claude Heiland-Allen:
Seven years of archives for this mailing list filtered down
to the most often occurring 1000 words of 4 letters or more,
in an infinite fractal zoom – each word is made up of the
words that most likely follow it.

We love the Netbehaviour list & this, splendid & bonkers both, does just
what it says on the tin with that excellent institution – we’ve posted
the minute long version here but if that whets your appetite for more
there’s an hour long version at archive.org.

Christian Marc Schmidt – 2 Movies

Driving
Driving (2006, 6MB, 4:39 min.)

Loop
Loop (2006, 11.8MB, 7:49 min.)

Two 2006 movies from Christian Marc Schmidt’s adaptive landscapes
sequence of work.
Check out the link above for Schmidt’s background notes on the pieces.
I’ll just observe that they are not alone in recent work featured here
in belonging to a category of work that could be called gorgeous formalism.

via Aram Bartholl – Magnotta SpeedShow

magnotta
Magnotta SpeedShow (2012, 20.4, 3:07 min)

Magnotta SpeedShow – A vanity surf performance.

“One week after Magnotta got caught we present a vanity surf performance at the exact same Internetcafe in Berlin where Magnotta was arrested while vanity surfing! Be invited to join and vanity surf yourself!”

“Killing is bad, mailing bodyparts is worse, vanity surfing (while getting caught) is cool!”

“Internet cafes are not just vaguely unglamorous places for ethnic minorities and communications challenged, they do have a genuinely bad reputation.” [Olia Lialina – ‘Still There’] Where else a social network killer can be caught? Of course in the Internet cafe!”

[shot and edited(!) on a smart phone ]

Internetcafe Helin, Karl-Marx-Straße 156, Berlin
Tuesday 12th of June, 2012, 8-10 pm

by Constant Dullaart, CuratingYoutube, Olia Lialina & Aram Bartholl

2 from Adamo Macri

still life
Still Life (2006, 16.9MB, 3:36 min)

spout
Spout (2006, 8.26MB, 2:14 min)

Two short movies from Canadian artist Adamo Macri in 2007.

More from Kevin Flanagan

Grass Barbed
Grass Barbed (2008, 13.8MB, 41 secs, silent)

Grass in Wind
Grass In Wind (2008, 20.4, 48 secs, silent)

Utter loveliness from Irish artist Kevin Flanagan in 2008.
Utter loveliness never something to be disdained in my view, but here it’s also allied to a
steadfastness of purpose & well, just simple old fashioned
courage of conviction.

PSST! Pass it on…


DRIFT SLICYCLE POPPED! (2007, 11MB, 1:59)


LOQUACIOUS EYESICLE WILD-BITES (2007, 14.9MB, 2:34)

PSST gets designers, animators, and directors together for
collaborative film projects every year. Their main concern
is process, which they explain comes from a fusion of the
Dadaist game Exquisite Corpse and the sometimes childhood
game, Telephone.
Whatever their theory, their annual collections are stellar.

Margarida Paiva


Margarida Paiva – Untitled Stories (2007, 15.6MB, 2:49)

Excerpt from Margarida Paiva’s 11 minute Untitled Stories,
a video from 2007 about everyday stories, told through a broken
female monologue about memories.
Expertly layered and totally gorgeous.

June Pak


June Pak – double (2002, 892 KB, 0:30)

June Pak’s work is innovative and breathtaking.
In double, one character disrupts the other’s stability
by changing the television channel but is nevertheless
oblivious to this effect. Pak says, “This exchange
between the two suggests the disjunction within
oneself caused by technology and boredom.”