Tony Oursler – Dispositifs at Jeu De Paume

jdp
Dispositifs at Jeu De Paume (2005, 15 MB, 1:39 min.)

Documentation from Tony Oursler‘s retrospective exhibition ‘Dispositifs’
at the Jeu de Paume in Paris in 2005.

Tony Oursler – "Spaced" at Margo Leavin Gallery

margo_leavin_06
Spaced (2006, 28 MB, 3:31 min.)

Documentation from Tony Oursler‘s exhibition at the Margo Leavin Gallery.
The works mixrs video and cialis professional physical objects, poetic texts and actual music
gleaned from the recordings of deep space by NASA.

The Little Artists – Lick Yourselves

lick yourself
Lick Yourselves (2005, 64MB, 6:27 min, silent)

The Little Artists are a UK collaborative duo, most famous/notorious
for their re-renderings of iconic artworks in the childrens’ construction toy
LEGO.
This brief description doesn’t do them justice – their work is rich & complex
& they make hay, playfully but profoundly too, with all sorts of contemporary
obsessions – remix &appropriation, branding, celebrity & not least the idea of
artistry/creativity itself.

This video stems from their 2005 show based on the work of Mark Quinn, the casting-
his-head-out-of-his-own-frozen-blood guy, and the show featured them dressing
up as ice cream salespeople and flogging fruit flavour ice lolly replicas of
the Quinn piece.
The vid is a minimal, leisurely and ever so slightly disturbing account of
one of these slowly melting.

I must declare an interest – I wrote an essay for their new book, which, if
your appetite is whetted, you can get here.

Tony Oursler – “Bell Deep” from “Fairy Tales Forever”

belldeep
Bell Deep (2005, 3 MB, 22 sec.)

Excerpt from Tony Oursler work from the group exhibition – “Fairy Tales Forever”
at the Aarhus Kunstmuseum museum in Denmark in 2005.
The exhibition was a tribute to Hans Christian Andersen
on the occasion of his 200th birthday.

Readings

readings
Readings (2008, 43 MB, 9:53 min.)

I must admit I’d never really heard of fashion video as a genre
until someone I teach showed me an astonishing piece by
Ruth Hogben & Gareth Pugh last week, which sent me off in search of more.
This piece comes from site called ShowStudio:

‘an award-winning fashion website, founded and directed by Nick Knight,
that has consistently pushed the boundaries of communicating fashion online.’

according to its ‘about’ page.

The piece we’re posting here is directed by Knight together with the designer
Hussein Chalayan, with editing by Ruth Hogben and music by Anthony, of Johnsons
fame.
It’s a tour de force, fizzing with ideas, a mesmerising watch,
and a fund of stealable ideas, so we’ll definitely be returning
for more, though I have to say I only see a dark void where
a living heart might have beat – there’s no speck of warmth
or humanity to it.

“Double Fantasy” by Jennifer and Kevin McCoy

double_fantasy1
Double Fantasy (2006, 3 MB, 1:27 min.)

double_fantasy2
Double Fantasy (2006, 4 MB, 2 min.)

“Installation view and detail images of Double Fantasy 3 (Career) which was shown at the Armory Show in New York, March 2006. Each side of the sculpture has a model of a childhood career fantasy for each of us. Cameras project large scale images of it onto the wall, accompanied by a soundtrack.”
by Jennifer and Kevin McCoy.

“Eternal Return” by Jennifer and Kevin McCoy

eternal_return
Eternal Return (2006, 4 MB, 1:54 min.)

“Eternal Return” installed at the exhibition Stop Motion at the Edith Russ Haus,
is a remake of a scene from the musical movie The Gay Divorcee.
The piece was reworked to allow a large video projection for the exhibition.”
by – Jennifer and Kevin McCoy.

“Dream Sequence” by Jennifer and Kevin McCoy

dream_sequence1
Dream Sequence (2006, 5 MB, 2:31 min.)

dream_sequence2
Dream Sequence (2006, 7 MB, 3:20 min.)

“Installation view and detail images of Dream Sequence from the solo exhibition
‘Directed Dreaming’ at Postmasters, New York, March 2006.
Two parallel discs feature images from dreams that rotate slowly while the camera
remains fixed. Our sleeping selves are superimposed by way of a mirror, and the
resulting dream sequences are projected onto the wall.”

by – Jennifer and Kevin McCoy.

Dan Graham – Beyond

dan_graham_beyond
Dan Graham – Beyond (2009, 40 MB, 3:02 min)

Narrated by Anne and Joel Ehrenkranz and Curator Chrissie Iles, artist
Dan Graham discusses Heart Pavilion (1991), Public Space,
Two Audiences (1976), and Opposing Mirror and Video Monitors (1974).
All were on view in Dan Graham: Beyond at the Whitney Museum in 2009.

Produced by the Whitney Museum.

Gazira Babeli – iGods

igods
iGods (2009, 34 MB, 8:20 min)

From doppelg

Lynda Benglis – Contraband

lynda_benglis
Lynda Benglis – Contraband (2008, 26 MB, 2:20 min)

Artist Lynda Benglis discusses the process of creating Contraband
by pigmenting rubber latex and pouring it on the floor of her studio.
First recognized for

Max Moswitzer – early found footage and remixed videos

zwischenlagerung
ZWlSCHENLAGERUNG EINER NULLOESUNG (1988, 10.5 MB, 4:47 min)

computergame
COMPUTER GAME (1987, 9 MB, 3:53 min)

Early videos by Max Moswitzer using found footage material, remix
and live performance.
ZWlSCHENLAGERUNG EINER NULLOESUNG was using documentary
films from 1938-1945 and was a live action performance at the
University of Applied Arts in Vienna in 1988.
COMPUTER GAME was exhibited at ARS Electronica in 1987.

More Max Moswitzer here.

Three from Writtle

Impossible Conversations
Ashleigh Smith – Impossible Conversations (2010, 75 MB, 2:30 min)

Out of Sight, Out of Mind
Emma Haggis – Out of Sight, Out of Mind (2010, 118 MB, 2:18 min)

Response
Lucy Mills – Response (2010, 108 MB, 2:02 min, silent)

So, first, I should say, Writtle is where I taught this year, but it cuts both ways:
I wouldn’t post these pieces by graduating students here on DVblog unless I
thought they were all great, which I do.
They’re also diverse, in a fascinating way.
There’s Ashleigh Smith’s haunting – stays with you long afterwards – game/real life hybrid,
Lucy Mills beauty industry critique – half mash-up, half rather brave performance,
(It’s interesting the way that all three pieces incorporate, to
some degree, elements of self performance) and Emma Haggis’s superbly made
and utterly captivating stop motion environmental piece.

In each case one can see a personal language well into its development.
(All these pieces or variants/derivatives thereof formed part of larger
installations; I’m impressed by the naturalness & lack of self consciousness
with with these three move between modes of working/presentation)

I hope they’re all still making work in ten years – given this
starting point then that would be a treat in store.

Walead Beshty on his Whitney Biennial Installation

walead_beshty
Walead Beshty – Whitney Focus (2008, 25 MB, 2:18 min)

2008 Whitney Biennial artist Walead Beshty discusses his photographs
of the former Iraqi embassy to the former East Germany (two nations that no longer exist)
and the complex ideas behind them. He also explains why his glass sculptures
have acquired multiple cracks and fissures.

Produced by the Whitney Museum.

William Eggleston – Democratic Camera, Photographs and Video, 1961-2008

william_eggleston
William Eggleston interviewed by Michael Almereyda (2009, 61 MB, 5:31 min)

This candid interview with photographer William Eggleston was conducted by film
director Michael Almereyda on the occasion of the opening of Eggleston

Nam June Paik – documenta performance

NJP_documenta1977.mov
documenta performance (1977, 6 MB, 1:35 min.)

The 1977 “documenta” show, which became known as the ‘media documenta’,
opened its doors with a live satellite telecast from Kassel.
Nam June Paik appeared together with Charlotte Moorman and used the slot
for a Dadaistic, allusive excursion through his performance and installation works.
from ZKM Videosammlung.

Veronique Hubert – Two Movies

A Venir Le Monde Sera Beau
A Cube Bavards (2009, 20MB, 2:47 min)

A Venir Le Monde Sera Beau
A Venir Le Monde Sera Beau (2009, 52MB, 9:51 min)

OK -comparisons, I’m aware, can sometimes obscure as much as they illuminate but
imagine, if you will, a female, French, slightly more lapidary, Matthew Barney and it does
seem to fit the bill.
Exemplary and wonderful strangeness from Veronique Hubert.

Jenny Holzer: PROTECT PROTECT

jenny_holzer_programming
Jenny Holzer: PROTECT PROTECT (2009, 23MB, 2:40 min.)

Jenny Holzer discusses the programming of her LED sculptures
during the installation of the exhibition PROTECT PROTECT at
the Museum of Contemporary Art, Chicago.

From Art:21

Nathaniel Stern & Jessica Meuninck-Ganger – Passing Between/Distill Life

The Works
The Works (2010, 15MB, 4:27 min)

Documentary
Interview/Documentary (2010, 23MB, 6:38 min)

We showed some earlier footage of the work featured here last May
and waxed lyrical about it.

Now Nathaniel Stern and Jessica Meuninck-Ganger have a show at Gallery A.O.P
in Johannesburg, South Africa, opening tomorrow, and we’re delighted
to feature two videos, one of the works themselves and one of a documentary
about their making and the impulse behind them, including interviews with
Nathaniel and Jessica.
These videos are also on a DVD* which comes with the show catalogue.

Usually I fight shy of reproducing artists’ own publicity but I’m going to
break from the rule here because what they themselves say sums the pieces
up rather nicely.

Jessica Meuninck-Ganger and Nathaniel Stern approach both old and
new media as form.
In their “Distill Life” works, the artists permanently mount translucent
prints and drawings directly on top of video screens, creating moving
images on paper. They incorporate technologies and aesthetics from
traditional printmaking – including woodblock, silk screen, etching,
lithography, photogravure etc – with the technologies and aesthetics
of contemporary digital, video and networked art, to explore images
as multidimensional.
Meuninck-Ganger and Stern hack and tweak, shoot and print,
appropriate and remix, edit and draw. Their juxtaposition of anachronistic
and disparate methods, materials and content -print and video, paper
and electronics, real and virtual – enables novel approaches to
understanding each. The artists engage with subject matter ranging
from historical portraiture to current events, from hyperreal landscapes
to socially awkward moments.
The works are surprising, wistful, enchanting, and seriously playful.

“The works are surprising, wistful, enchanting, and seriously playful.”
– absolutely!

I don’t know whether we have any readers in Johannesburg – if yes I strongly
urge you to go along to what promises to be a real treat.

* and in the interests of transparency I should say that I wrote the accompanying
music for the video documentation…

Infosphere Aesthetics – disney NASA borg

CompositeUTC
Infosphere Aesthetics (2008, 13 MB, 3:12 min.)

Video documentation of “Infosphere Aesthetics” a solo show by
[dNASAb] at Cress Galleries, University of Tennessee, Chattanooga

Mark Napier at [DAM]Berlin Gallery

venus2
Venus 2.0 (2009, 8 MB, 30 sec.)

[DAM]Berlin Gallery will exhibit new software works by artist
Mark Napier from 5th of December 2009 to 27th of January 2010.

42 New Briggate – a film & a call for work

Untitled 1, 2 and 3 (Bullet Series)
Untitled 1, 2 and 3 (Bullet Series) (2007, 4 MB, 40 secs)

Rather splendid film by Steven Allbutt shown as part of a film showcase
in 2007 at the 42 New Briggate Gallery in Leeds, UK.
Apart from the piece’s intrinsic merits I had said to curator Yvonne Carmichael
we’d post her call for short films to be projected in the gallery window
Dec 2009 -Feb 2010 if she sent me a nice QuickTime we could also post here.
She did & so here it is – please consider submitting something!

Mobile Research Station no.1

10365282
10365282 (2009, 1 MB, 14 sec)

10366629
10366629 (2009, 7 MB, 1:26 min)

Here’s the blurb:

In a wilderness at the heart of Berlin a strange apparition has landed. Simon Faithfull

Dom Cheverti – Throwing Chamberlains

bowl
Bowl (2009, 2 MB, 1:52 min)

bowl/glass
Bowl/Glass (2009, 2 MB, 1:01 min)

bowl/flower/vase
Bowl/Flower/Vase (2009, 3 MB, 57 secs)

little river
Little River (2009, 2 MB, 1:00 min)

Recommended to us by the sublime Sam Renseiw who,
when he speaks, we listen.
Nonetheless I had some difficulties in coming to grips with this.
Sam tells me it relates to some current You Tube thing whereby people
throw ping-pong balls into various receptacles with a high degree of accuracy.

Clearly I should stay in more.

So…in this case the balls are substituted by a species of cookie, apparently
known in Denmark as ‘chamberlains’.
(I asked Sam exactly what a chamberlain was.
He says:
“Chamberlains is an odd translation of ‘kammerjunker’ that
can both be a chamberlain and danish cookie/biscuit.
It is usually consumed in summer with “koldsk

Frames Per Second – Exhibition in Salon Projektionist – Vienna

frames_per_second
Frames Per Second (2008, 27 MB, 3:26 min)

Video and photo installation by VJs Bopa and Bruno Tait.
The exhibition is based on the idea of using video and slide projectors to
capture a random moment in time from animations on photographic paper,
foregoing the simple system ‘screen shot’ and projecting light onto ILFORD
photo print paper.

Oliver Laric – Versions

version_oliver_laric
Versions (2009, 57 MB, 6:25 min)

By Oliver Laric.
From The Internet Pavilion of La Biennale di Venezia.

Warhol TV at La Maison Rouge

warholtv
Warhol TV (2009, 40MB, 3:35 min.)

La Maison Rouge in Paris presents an exhibition about Andy Warhol

Bj

schuelkecompilation
Bj

More Strangeness from Joan Healy


Creak (2008, 45MB 10:54 min)


Beautiful Katamari Royal Rainbow (2008, 17MB 5:08 min)

Mad as a box of badgers but also very smart & winning, Joan Healy is a one-off.
We’ve featured her before, here’re some new vids of her work.
Even more here