
The Journey(2008, 30.8MB, 3:12 min)
Like a modern day Dante Robert Croma manages to squeeze
poetry even from a rush hour journey on the London Underground.
Beautiful. Beautiful & elegant & telling.

The Journey(2008, 30.8MB, 3:12 min)
Like a modern day Dante Robert Croma manages to squeeze
poetry even from a rush hour journey on the London Underground.
Beautiful. Beautiful & elegant & telling.

Alex Pearl – Protest Film Nottingham (2006, 7.6MB, 1:36)
Protest films…usually films about people protesting
something unjust in the world.
Or, perhaps you meant Protest Films, the conceptual
robot-banner-waving collection of videos wherein
little machines “protest,” more generally speaking.
This is the first from the long-running,
Arts Council-supported series from artist
and renaissance man Alex Pearl.
If you’d like to participate or create your own
Clockwork Protest, visit the blog and email Alex
for a protest kit.

Recombinant Rain (2008, 7MB, 32 secs)

Source Video #1 (2008, 1.3MB, 10 secs silent)

Source Video #2 (2008, 2.2MB, 12 secs silent)

Source Video #3 (2008, 1.2MB, 14 secs silent)

Source Video #4 (2008, 2MB, 13 secs silent)
Millie Niss is one half of the daughter & mother team behind
the original & indispensable Sporkworld Microblog.
(And if you look at it for ten minutes & you don’t agree
it’s that, please check you have a pulse).
I’m not sure Millie felt that this piece was entirely successful.
(See her comments on the blog, linked above)
I’m posting it because even a borderline success from Millie
is something one can learn from. She has a formidable intellect
combined with a total & fierce independence & a complete
lack of bullshit.( Indeed I’m convinced that she wouldn’t
know how to bullshit, even if she wanted to.)
The last four pieces are tiny little studies of the rain
(delicate & lovely in their own right),
& the first is constructed from frames lifted from these
& worked over in various ways.
This piece (or actually the set of pieces, sources & first pass
at an end product alike) does it for me in a way that a lot of work doesn’t.
Simply, there’s a profound humanity to it.
Sure, it’s about the rain but it’s also about what it is
to be a human being in the world.

John Baldessari – I Will Not Make Any More Boring Art (1971, 135.3MB, 13:13)
One of my favorite older pieces from legendary artist
John Baldessari. Commissioned in ’71 to make an
installation piece, Baldessari couldn’t make the trip
and instructed students to write on the walls in his
place. Inspired by their results – that they covered
the gallery with this phrase – he made this video,
following his usual path of pointing out irony in art.
Look for follow-up pieces like “Teaching A Plant The
Alphabet” if you have the time. Classic.
Via the indispensable UbuWeb

submersibledesign (2008, 6.6MB, 3:04 min.)
What happens when we think of our bodies as their own ecosystems?
Interview with Britta Riley and Rebecca Bray, artists and collaborators who also
own a company called submersible design.
From eyebeam.

Random Show – Always on Time (2005, 4.4MB, 2:22)
Oh, how I loved this video. And how I still do.
If you don’t get it, look up the Ja Rule/Ashanti version.
From the now defunct Random Show.

Lincoln (2008, 69MB, 7:36 min)
Typically exquisite bit of work from poet of the video
& occasional contributor here, Brian Gibson.

Blackest Spot (2008, 18MB, 2:17 min.)
A new installation by Jody Zellen at LA’s Fringe gallery.
The Blackest Spot is an interactive installation that uses Elias Canetti’s
seminal text “Crowds and Power” as its point of departure. Viewers step
on floor mounted triggers to change images and sounds within the space.

Kinetocast – To Watch While Smelling Summer (2007, 8.2MB, 1:30)

Kinetocast – To Watch With Any Spectacle (2007, 8MB, 1:21)

Kinetocast – To Watch Feeling Betrayed (2006, 2.7MB, 0:35)
Three from the wildly amusing, all too infrequently updated kinetocast.
All based on the idea that these short videos can be watched as they
are labeled appropriate to time or event, this entire videoblog is fairly
genius conceptual work. Also worth checking out from Mack McFarland,
The Portland That Was….
More of these to come…

Interlords II (2008, 70MB, 5:09 min.)
Deft & compelling bit of After Effects powered You Tube
mashing from Daniel Swan, frighteningly, still a
student at Camberwell.
One to watch.

PES – Western Spaghetti (2008, 18.3MB, 1:41)
New innovative work from PES.

Puppet Boy (clip) (2008, 5MB, 1:04 min.)
For more than a decade, the artist and music video director Johannes Nyholm
has been working on animated films about the little clay figure, Puppet Boy.
In a claustrophobic chamber drama, the frustrated puppet is engaged in an endless
battle against the agonies of everyday life. Nyholm

Konono No 1 Promotional Video (2005, 14MB, 4:20 min)
I was a bit wary of the rather glib “Congotronics” marketing
surrounding the absolutely fantastic music coming from Konono No 1
and other bands (including the Kasai All Stars) from Kinshasa,
Democratic Republic of the Congo*** – there’s so often a touch
(or more) of paternalism in these things as western rock luminaries
find some beautiful flower of music and well intentionedly but stupidly
trample and traduce it as they make it “palatable” for western consumers.
However I was completely won over by this article, which makes clear
producer Vincent Kenis’s deep knowledge of and devotion to the music
and its performers.
Furthermore it’s the kind of scholarly yet readable account of something
that one so often yearns to find on the net & so rarely does.
Watch the vid then read the article.
I bet you end up buying some of the music.
*** the much trumpeted comparison with avant-rock &c is marketing horseshit of the highest order of course – why the hell should two things that have developed in virtually completely separate social, political, economic & cultural circumstances be comparable in any meaningful sense simply because they share common surface features? Worse still, the comparison could be taken to imply that this music was somehow evolving towards the condition of western avant-rock..euurgh!

Lukas Blakk – Tough Enough (2006, 11.4MB, 3:41)
Lovely, poignant film from Lukas Blakk,
who always says such honest things,
even if she’s mostly too busy to post anymore.

Fell in Love with a Dead Boy (2008, 66.7MB, 11:01 min)
I was a little chary ,at first, of posting this, not because I don’t
think it’s good (I do) but because Isidore Bethel had me a little
worried that it might be someone’s autobiography fuelling it &
I wasn’t entirely sure I should post it before that person had
thought about whether that was a good thing…a lot.
Silly me, because Isidore cheerfully assures me it’s all fictional.
He’s good.
Not to be OTT but there’s something that smacks
of Citizen Kane about this, in both a good and a bad sense.
Good, in that there is such energy & skill deployed here
(not just artistic, the guy can clearly organise too).
Furthermore, it packs a real punch, as witness my confusion.
On the debit side there’s sometimes a sense of everything including
the kitchen sink being dug out and after the initial rush (happens with
Kane for me too folks – little too much obvious desire to be epic) you
begin to see the thing as held together to some degree by sheer willpower,
even where the occasional hole is visible…
I look forward to see where Isidore Bethel will go next -we’ll hear a good
deal more of him, I’m sure.
Also: nice score from David Nyman (like its use in the piece too: non-obvious)
& a careful, intelligent performance of the script from Megan Popkin.
(not sure I’m making out the credits properly -did she share the writing credit? –
the script: that’s a piece of work too.)

Autumn Wilde – Rilo Kiley, Silver Lining (2007, 19.8MB, 3:45)
A very lovely Rilo Kiley video from Autumn Wilde.

Lomeglumiere #030 “uncut scenes” (2008, 5.4MB, 1:05)

Lomeglumiere #019 “video painting II” (2008, 5.4MB, 1:05)

Lomeglumiere #003 “goodle” (2008, 3.4MB, 0:44)
Three lovely thought-provoking lumieres from LOMEG_ROM.
The point of the Lumiere project was to get people to think
differently about their practice. LOMEG_ROM’s lumieres
vary widely, sometimes a still shot where seemingly
“nothing” happens, other times a still camera and a
piece of furniture moved back and forth in front of the
lens. Whatever they’re up to, I always enjoy surprises
from this Norwegian duo.
I chose these three as departures from other lumieres,
in content or style. Brava.

Behold a Pale Horse (2007, 6MB, 2:26 min)
I love this piece, originally posted to the currently very lively & interesting
Rhizome front page, quite extravagantly, almost unreasonably.
Reader: Well! -what is it then?
Me: er..well it’s.. a very lo-fi mash up of film studio idents
Reader: and?
Me: ..well..um..that’s it.
Reader: Harrumph! (gets on bike to go)
but you would be so, so wrong, to go that way, dear reader.
I burbled something on Rhizome in a comment on this about the
transfiguration of the banal & it is precisely there
that it seems to me the magic lies. Bishop makes us examine
every pixel as if ( & of course he makes it so) it mattered.
In a kind of strange way the film is rendered archetypally
‘painterly’.
There’s more, though. In the way he estranges & hence makes us look
anew at the imagery of the idents, he recovers some of the mythic force
that was being tapped into by their makers before familiarity rendered
those images banal.
Tremendous work!

Pleix – Beauty Kit (2001, 4.3MB, 2:17)
One more from Pleix, innovative work that speaks for itself.

Saturdays Only (2008, 50MB, 1:18 min)
We’re quite keen here at DVblog on Giles Perkins & his quirky &
beautiful Super8 work.
He also maintains the excellent all-things-Super8 site onsuper8.org.
You might remember his beach huts piece
or his Burnley Panopticon mini-documentary.
Here he turns his poetic but clear eye to “Britain’s oddest train
– the once a week Stockport to Stalybridge.”
A great way to kick off our new season…

Kiki and Bubu and the Good Plan (2008, 74MB, 7:24 min)

Kiki and Bubu and the Shift (2008, 39MB, 4:11 min)
Well, almost.
Marred only by some fashionable end-of-the-working-class-in-the-West
(who collects your trash, checks out your groceries, teaches your kids?)
nonsense, this is on the whole the finest piece of glove puppet based
agit-prop I’ve ever seen & very funny to boot.
In particular the best of these pieces,Kiki and Bubu and the Good Plan,
is an absolutely clear & devastating reply to the marketeers…
See ’em all…
Utterly ravishing Lumière from the never predictable,
always interesting, Rupert Howe.
On that summery note, we’re going to take a rest in the sunshine.
We love doing DVblog, but the daily deadline definitely takes
its toll after a bit.
We’ll be getting ready to hit the ground running again around 16th Sept.
& we’ll still keeping our eyes peeled for the new, for the weird &
(best of all!) for the wonderful.
Have a great summer!
Brittany, Doron, Michael.

Pop Mantra Video Documentation #4 (2008, 51.7MB, 5:17 min)

Pop Mantra Video Documentation #7 (2008, 50.5MB, 5:41 min)
I like & admire Curt Cloninger for his steadfastness of belief in both his religion
& his artistic work.
He’s also one of the best writers about new media around at the moment.
In both theory & practice he’s curious, inventive, knowledgable, quirky and passionate.
Unlike many in this sphere he’s also not afraid to think aloud in public, to take risks.
Even, (quelle horreur!), to risk appearing uncool.
Recently he’s been making work away from the web, some of it performative
& very interestingly so.
Here (& I stress what you see here is the documentation, not the piece
itself -a fine, but important, distinction) he repeatedly sings & plays a
single phrase from a popular song, in this instance Radiohead’s Karma Police, for several hours.
For me there are number of interesting resonances – minimalism, shamanism,
the kinds of ‘test’ that occur in many religious belief systems, a losing, dissolving
of the self (In additon to the eponymous “mantra” ,there’s an echo too, I think, of Sufism);
but also there is the straightforward investigation*** of the mechanics of playing,
of performing (& there’s a fractal quality to the rather symmetric & crystalline
structure of popular song that makes this kind of extracting both possible & immediately
approachable -it’s a world familiar enough to welcome us in.)
The two extracts are from different ends of this marathon
( & selecting & typing that word just conjured another association –
the of the twenties & thirties).
I find this work fascinating.
Fascinating & affecting too.
*** It’s almost always a laughable misuse of the word to say ‘investigation’
in an art-speak context. Here it seems correct & natural.

Ludwig Poos Schwabe (2007, 36MB, 1:20 min)

1st Ping-Pong Lesson With Lucha Lib (2008, 31.2MB, 4:18 min)
Even 18 years after the wall came down there’s still a quite palpable
residue of the great absurdist tradition that flourished under Stalinism in work
being made in the former Eastern bloc.
(Of course it goes back further, to
Sneaux Shoes launched a consumer-generated video campaign
with a stop-motion video of a human skateboard. The TV ad
features a skateboarder using a kid as a skateboard and performing
classic tricks like ollies, grinds and 360s.
PES who directed the video made it entirely in-camera (Canon D20)
and on location through the use of a stop-motion animation technique
known as pixilation. Says PES: “This spot is a great example of the
breadth of stop-motion. If something exists in the real world, it can be animated.”
Editing and sound design was done by Sam Welch at Homestead, New York.

Touch My Body (Oliver Laric version) (2008, 40.9MB, 4:18 min)

No Mariah (Caspar Stracke version) (2008, 52MB, 4:03 min)
OK, pay attention! This is complicated.
Ms Carey (or her corporate minders) release a video, which if she did have
a significant part to play in it shows such a staggering lack of self esteem
that a kind of dark despair begins to envelop me.
Artist Oliver Laric remixes it, removing all the backgrounds and replacing it with
green, for ease of a certain species of remixing.
There follows what is actually an interesting and nuanced exchange of views.
Then Caspar Stracke posts the second of our videos & MTAA make a
very funny joke.

Dust/Spring Evening (2005-7, 26.2MB, 1:57 min)

Dignity (2004, 40.4MB, 7:02 min)

Rain : Focus winter in the north (2004-9, 9.5MB, 1:12 min)
We showed a couple of rather restrained, pastoral pieces by Paul Kelly
in February of this year.
So, here’re three rather restrained, somewhat more urban pieces.
I admire the determinedly austere approach, to make much – or rather
to make us make much- of what is given to the camera (quite a lot, it has
to be said, in Dignity which is a touching portrait of man & dog), although
one does have visions of a kind of Yoda figure meditating in depth before every possible
editing decision to take the four years Focus apparently took to make.
I look forward to more.

White Winter Hymnal – Fleet Foxes (2008, 5.7MB, 2:28)
Beautifully poignant music video from Fleet Foxes,
directed by super talented Sean Pecknold.

Rent a wreck (2005, 21 MB, 3:13 min.)
Suburban Kids with Biblical Names is a swedish band formed
in December 2003 by Johan Hedberg and Peter Gunnarsson.
They make and record their music in the hallway or the storehouse
at the home of Peter’s parents. Johan makes simple drafts of the songs
and then Peter polish them and turn them into shiny pop songs.